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Bebop Spoken There

Mark Walker: "A drummer in a big band is always happy. It's like driving a big bus." - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Wednesday July 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

Levee Ramblers NOJB - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm. £3.00.

Blues/Folk

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, December 31, 2018

Jazz in the Afternoon - Crescent Club, Cullercoates - Dec. 31

(Review by Lance/ PHOTOS).

If the band last night were pushing the frontiers, this afternoon's combo was reeling them in! There's room in the world for both!

Surprisingly, despite, or perhaps because, it was New Year's Eve, both band and audience were slightly depleted. This didn't lessen the enjoyment and some of those who were able-bodied enough to do so shook it around a bit on the dancefloor.

I Will Walk Through the Streets of the City sang Herbie. Bye Bye Blackbird had more Herbie before John Brumwell threatened to Sit Right Down and Write Himself a Letter aided and abetted by our frontman, this time on harmonica. John continued with Sway. First time I'd heard him but he'd obviously been around the block a few times and had a touch of class.

Gee Baby Ain't I Good to You? queried Herbie whilst Ollie suggested we got our kicks on Route 66. Herbie posed another question - Do You Know What it Means to Miss New Orleans? I didn't. My Gal Sal followed before the "Hull Heartthrob", John Broddle sang I'll See You in My Dreams complete with verse and some effective vibraphone sounds from keyboard king Chester.

Intermission Raffle time, the prizes of which eluded Team Bebop. Still, a prize beyond the dreams of avarice awaited in the form of the legendary Teresa. After You've Gone and the rarely heard (these days) Did You Ever See a Dream Walking? fell from her lips like blossoms from the vine - here's to her next 100 years (joke - I think!) Roy Gibson had occupied the piano stool just as Hitler occupied the Rhine and, for a moment I thought  the late Adolph hadn't committed suicide in the bunker but had  returned and occupied the drum kit, however, it was only Ollie adding to the tomfoolery with a false moustache! Teresa finished her set with The More I See You.
Doris entered the fray on banjo, Brian unpacked his trombone and the two slide men played around with Dinah.  John Broddle returned for Alice Blue Gown and Meet Me Tonight in Dreamland before John Brumwell sang of The Sheik of Araby with  'Young John' on bass. The other JB bid us farewell with, not only, Please Don't Talk About Me When I'm Gone but also Auld Lang Syne during the course of which I escaped.
A jolly afternoon.
Lance.
PHOTOS
Herbie Hudson (trombone/vocals/harmonica); Brian Chester (keys/trombone); John Carstairs Hallam (bass); Ollie Rillands (drums/vocal) + John Brumwell, Teresa Armstrong, John Broddle (vocals); Roy Gibson (keys); 'Young John' (bass); Doris Fenn (banjo).

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance