Bebop Spoken There

Ethan Hawke (starring as Lorenz Hart in Blue Moon): ''Larry [Lorenz] Hart would be so happy that his music and his words and his poetry are still alive.'' - The Northern Echo 27 November 2025

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18000 (and counting) posts since we started blogging 17 years ago. 964 of them this year alone and, so far, 73 this month (Nov. 24).

From This Moment On ...

DECEMBER 2025

Sun 07: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. special guest Donna Hewitt (sax, clarinet).
Sun 07: Finn-Keeble Group @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 07: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 07: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Skerritt w. backing tapes.
Sun 07: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Trio + Ruth Lambert.
Sun 07: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 07: Jason Isaacs Big Band @ Pilgrim, Newcastle. 5:15pm (4:00pm doors). £21.50 (inc. bf).
Sun 07: Paul Skerritt @ 3 Stories, High St. West, Sunderland. 6:30pm. Skerritt w. backing tapes.
Sun 07: Lindsay Hannon: Tom Waits for No Man @ The Globe, Newcastle. 7:00pm. Support set from Play More Jazz! course participants. Note earlier start.

Mon 08: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 09: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm

Wed 10: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 10: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 10: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 10: Mike Lindup Jazz Trio @ Pilgrim, Newcastle. 7:30pm (doors). £26.50 (inc. bf). Lindup, Yolanda Charles (bass), John Sam (drums).
Wed 10: Bold Big Band @ Cluny 2, Newcastle. 7:30pm. £12.00.

Thu 11: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: West Coast (cool ) / Wordsearch (cool) Cool Jazz or ‘Cold’, ‘Cool’, ‘Hot’, ‘Warm’ in the title or lyrics.
Thu 11: George Robinson @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £5.42 (inc. bf). Vienna’s Voice charity evening featuring ’15 year old singing sensation the ‘Redcar Crooner’ George Robinson’. Over 35s only.
Thu 11: Paul Skerritt @ Chakh Dhoom, Jesmond, Newcastle. 7:00pm. Indian restaurant. Skerritt w. back tapes.
Thu 11: Ransom Van @ The Black Swan, Newcastle. 7:30pm.
Thu 11: Down for the Count Swing Orchestra @ Middlesbrough Town Hall. 7:30pm. £37.70 (inc. bf). ‘Swing into Xmas’.

Fri 12: Pete Tanton’s Chet Set @ Bishop Auckland Methodist Church. 1:00pm. £8.00.
Fri 12: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 12: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 12: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 12: Milne Glendinning Band @ Northumberland Club, Jesmond, Newcastle. 7:00pm. £15.00. ‘Xmas Soiree’.
Fri 12: A Jazzy Xmas @ St Cuthbert’s Centre, Crook. 7:30pm. £15.00. Paul Edis (MD, piano); Jo Harrop (vocals); Vasilis Xenopoulos (tenor sax, soprano sax); Matthew Forster (alto sax, clarinet); Sue Ferris (flute, piccolo); Graham Hardy (trumpet, flugelhorn); Jason Holcomb (trombone);Emma Fisk (violin); Andy Champion (double bass); Matt MacKellar (drums). SOLD OUT!
Fri 12: Tony Hadley: Xmas Big Band Tour 2025 @ The Glasshouse, Gateshead. 7:30pm.
Fri 12: Alexia Gardner @ The New Ship Inn, Newbiggin-by-the-Sea. 8:00pm. Gardner, Alan Law, Jude Murphy, Abbie Finn. CANCELLED!
Fri 12: Jive Aces: Swingin’ Xmas Show @ The Witham, Barnard Castle. 8:00pm.

Sat 13: A Jazzy Xmas @ The Glasshouse, Gateshead. 2:00pm. Paul Edis (MD, piano); Jo Harrop (vocals); Vasilis Xenopoulos (tenor sax, soprano sax); Faye Thompson (alto sax, clarinet); Sue Ferris (flute, piccolo); Graham Hardy (trumpet, flugelhorn); Jason Holcomb (trombone);Emma Fisk (violin); Andy Champion (double bass); Matt MacKellar (drums).
Sat 13: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 13: Teresa Watson Band @ Billy Bootleggers, Ouseburn, Newcastle. 7:00pm. Free. Blues.
Sat 13: Washboard Resonators @ The White Room, Stanley. 7:45pm. £14.09 (inc. bf).
Sat 13: Salty Dog @ Alnwick Playhouse. 7:45pm. Americana, blues, jazz.
Sat 13: A Jazzy Xmas @ The Glasshouse, Gateshead. 8:00pm. Paul Edis (MD, piano); Jo Harrop (vocals); Vasilis Xenopoulos (tenor sax, soprano sax); Faye Thompson (alto sax, clarinet); Sue Ferris (flute, piccolo); Graham Hardy (trumpet, flugelhorn); Jason Holcomb (trombone);Emma Fisk (violin); Andy Champion (double bass); Matt MacKellar (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, December 19, 2018

Book Review: Geoff Leonard & Pete Walker - Hit and Miss: The Story of the John Barry Seven

The John Barry 7 could by no means be classified as a jazz group although most of their members, including John Barry Prendergast himself, were certainly jazz orientated. JBP studied 'Composition and Orchestration', via a correspondence course, with Stan Kenton arranger Bill Russo and it may come as a surprise to find that the seven's pianist Les Reed, who later penned Engelbert Humperdink's hit recording of The Last Waltz, was considered a first-rate jazz musician.

The book covers the career of the group from Barry's early days at the Rialto in York, the dropping of his surname, the musical partnership with Adam Faith, the Radio and TV shows such as Saturday Club, Oh Boy and Drumbeat and the endless one-night stands up and down the land.

The seven peaked during the period bookended by the post-Bill Haley/Freddy Bell era and the arrival of The Beatles during which time they were second only to The Shadows as an instrumental group. Later, Barry would achieve individual acclaim as a composer - The James Bond Theme being perhaps his greatest success although there were many others including picking up five Oscars for various film soundtracks before his death in 2011.

Authors Leonard and Walker, building on Leonard's earlier work - John Barry: The Man With The Midas Touch, give an almost day by day account of the ups and downs of the concerts, broadcasts, recording sessions and gigs at venues as contrasting as the Royal Albert Hall in London and the Top Hat Club in Spennymoor.

Of particular interest to readers in the northeast are the references to the late Bobby Carr who played trumpet with the band after Barry decided to concentrate on composing and arranging. Bobby, a legend himself in the northeast (born at 9 Pioneer Tce., Bedlington on March 6, 1930), is recorded as bemoaning the fact he got so few jazz opportunities with the band. Cormac Loane, well-known former Newcastle based saxist, also paid a warm tribute to Bobby who died on March 13, 1979.

Further local interest surfaces in the form of Johnny Worth (a.k.a Les Vandyke) who penned a score of hits for Adam Faith and others. Johnny's son, Cristos Worsley, was active on the Tyneside scene playing bass guitar with a band called HCW (John Hirst/Ed Carr/Cristos Worsley) although I haven't seen him around for a few years.

Barry comes across as someone who knew where he was going and how to get there 
A fascinating, well-written book covering the scene before the beat boom of the sixties decimated everything that had preceded it - at least for a time.

Within the 350 pages are a host of photos, lots of memorabilia in the form of record sleeves, theatre posters, programmes, publicity handouts, musical press extracts along with a discography, bibliography, index and much much more...

There's still time to get if for Christmas if you hurry otherwise you'll have to use up those gift vouchers that mysteriously appear at the foot of the tree on Christmas Day.
Recommended.
Lance.

PS: A couple of minor corrections.
1 - Dizzy Reece was Jamaican, not American (p. 84). 
2 - The Rialto Cinema in York wasn't the only place in the north to present bands such as Count Basie, Duke Ellington etc. The City Hall and the Odeon Cinema in Newcastle also featured concerts by American big bands (p.20).

Hit and Miss: The Story of the John Barry Seven by Geoff Leonard & Pete Walker. Published by Redcliffe Press Ltd., 81G Pembroke Rd., Bristol BS8 3EA. 
ISBN 9781911408 390. (Hardback £30).

3 comments :

Unknown said...

______

I received my copy of HIT AND MISS (in Texas from Bristol England) in less than a week and I'm thrilled with the high standards of excellence on every page.

So many "fanboy" books are not much better than teenybopper scrapbooks.
Not this tome, however!

I didn't want to risk not having it by Christmas so I gifted myself :)

Money well spent--highly recommended by me.

Thank you so much for this review. Now others who appreciate the history of this music will have a heads up.



Liz said...

Re John Barry 7, yes, my era, I knew them all, and lived near Barry, remember walking home with him one night after some dance or other. Barry was his name, Barry Prendergast, we all knew him by that name. His sister June was another one of the family who I knew, also his dad, Xavier. The Rialto was like a second home to me, Sunday night band shows...such great times...

Geoff Leonard said...

Thanks for the review, which in my opinion (co-author) was a very fair one. I would just mention that if anybody is interested in purchasing a copy, there's a discount of £7.50 if you buy direct from me! http://johnbarry.org.uk/johnbarryseven/

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