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Bebop Spoken There

Michael Dease: "Slide [Hampton] is also one of the people to expand the range of the horn, so he's popping out high Fs like they're breakfast cereals." - (JazzTimes Oct. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Friday October 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Classic Swing - Jesmond Royal British Legion Club, West Jesmond Avenue, Jesmond, Newcastle NE2 3EX. Tel: 0191 281 0736. 1:00pm. Free.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Evening.

Ella Fitzgerald: Just One of Those Things - Forum Cinema, Market Place, Hexham NE46 1XF. Tel: 01434 601144. 7:00pm. £8.30. - £5.80. Film (2019, 89 mins) directed by Leslie Woodhead. Swing Bridge Trio in Café Bar following screening.

Dave O’Higgins & Colin Oxley - Great Broughton Village Hall, Ingleby Road, Great Broughton TS9 7ER. 7:30pm. £20.00. ‘O’Higgins & Oxley Play Monk & ‘Trane’. Oxley replaces Rob Luft.

Paul Taylor - Ushaw College, Durham DH7 7DW. Tel: 0191 334 5119. 7:30pm. Free (donations). An Ushaw Piano Festival event.

Jazz Lads - Saltburn Cricket Club, Marske Mill Lane, Saltburn TS12 1HJ. Tel: 01287 622761. 8:00pm. £5.00.

Guisborough Big Band - Saltburn Golf Club, Guisborough Road, Saltburn TS12 1NJ. Tel: 01287 622812. Time TBC.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. Time 8:30pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Blues/Soul etc.

Ray Stubbs R & B All Stars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, August 16, 2018

More on Aretha (1942 - 2018)

(By Steve T)
It's common knowledge that Aretha sang gospel prior to becoming the Queen of Soul, but the Jazz is less known, though what I've heard sounds fine.
It may come as a surprise to some that I haven't heard everything she's ever done, but I haven't and have no intention of doing so. Much is made of her gospel roots, but that was already present, in the music of Ray Charles, James Brown, Solomon Burke and especially Sam Cooke.

Nevertheless, it's impossible to overstate her significance in soul music, and particularly amongst the ladies. For many years it was difficult for female soul singers to become established without the Aretha grain. Roberta Flack initially became a singer-songwriter in the vein of Joni Mitchell because she didn't fit the Aretha model. You either did Aretha or Diana Ross.

As I scour the news channels, I cringe at some of the clips of her faltering voice; a voice on the edge, on a tightrope, the site of the finest art. Hardened Soul Fans will tell you that, while Aretha's voice often fell on the wrong side of good taste, particularly after her sixties/early seventies heyday, Linda Jones never missed.
There are countless soul singers with incredible voices: Mavis Staples, Gladys Knight, Barbara Acklin, Maxine Brown, Betty Wright, Barbara Lynn, Betty Swan, Barbara Lewis, Millie Jackson, Margie Joseph, Denise Lasalle, Shirley Brown, Chaka Khan, Minnie Ripperton, Jean Carn, Phyllis Hyman, Angela Bofill, Anita Baker, Regina Belle, Angie Stone. Whether it matters that none of these would have happened - at least in the same way - without Aretha, is for you to decide.
   
At a time when - despite what the myths tell you - the album was dead in the wood, Aretha defied everyone, releasing not just one, but two classic albums - Never Loved a Man and Lady Soul. Only Curtis Mayfield had produced quality Soul Albums at that time, by his group the Impressions, but he, like Marvin Gaye, are soul artists who stand outside time. (Curtis would go on to write and produce Aretha.)

She never again hit the dizzy heights but the best ever version of Oh no not my Baby bolstered the Spirit in the Dark album a couple of years later. Also check out It Only Happens, the finest ever version of a modern soul biggie. Her voice went through changes in the seventies and eighties and as she hit the cabaret trail and started mixing with Annie Lennox and George Michael, soul fans either pulled out their hair or just lost interest.

I was knocking around with soul DJs at the time of the release of Who's Zooming Who and they had to buy everything just in case, otherwise I wouldn't have heard Integrity, a final gem of a record. The DJ in question spotted its potential but didn't have the necessary tackle to play it, leaving others to turn it into a staple of the modern scene. Terry Jones, of Hoochie fame, was one of the DJs who did play it.

When I met the future number one wife, she had come at the album from a different perspective, but still spotted it as the strongest cut on the album. 
Finally, one treasure you shouldn't miss is Aretha, Sing One for Me by legendary songwriter George Jackson.
Steve T

3 comments :

Steve T said...

I shouldn't have missed Doris Duke and Sandra Feva; two former backing singers in a similar vein. Also can't believe I didn't include Irma Thomas and Betty Lavette. And while we're about it, there's Debbie Taylor, Zulema, Ann Sexton, Patti Austin, Eloise Laws and no doubt loads of others who'll come to me in the coming days.

Steve T said...

CAN'T believe I'd forgotten Laura Lee, Candi Statton, Dorothy Moore and Mary J Bligh, even on my second stab. Then there's Brenda Russell, Linda Clifford, Sandra Wright, Betty Everett, Gloria Scott, Rozetta Johnson, Betty Harris, Deniece Williams, Jill Scott, Teena Marie and presumably loads more.
You can take from this that Aretha was hugely influential on a lot of people. Also that there are loads of great female Soul Singers, in a genre - like jazz, blues and reggae - significantly dominated by men, many of whom are - dare I say - as good as Aretha.

Steve T said...

Turns out the trumpet solo on Integrity (from Who's Zooming Who) was none other than one D. Gillespie. Further evidence of the former intertextuality between Soul and Jazz we're in danger of losing.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance