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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17923 (and counting) posts since we started blogging 17 years ago. 244 of them this year alone and, so far, 91 this month (March 31).

From This Moment On ...

April 2025.

Tue 08: ???

Wed 09: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 09: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 09: Tannery jam session @ The Tannery, Hexham. 7:00pm.
Wed 09: Anatole Muster Trio @ Cluny 2, Newcastle. 7:30pm (doors). £17.50., £12.50. concs.
Wed 09: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED?

Thu 10: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.CANCELLED!
Thu 10: Magpies of Swing @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00. A Globe fundraiser (all proceeds to the venue).
Thu 10: Exhaust: Camila Nebbia/Kit Downes/Andrew Lisle @ Jesmond URC, Newcastle. 8:00pm (7:30pm doors). £13.20., £11.00. JNE.
Thu 10: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Feat. guests Ray Dales & Jackie Summers.

Fri 11: Zoë Gilby Quartet @ Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 11: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 11: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 11: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 11: John Rowland Trio: The Music of Ben Webster @ Jesmond Library, Newcastle. 1:00pm. £5.00. Rowland (tenor sax); Alan Law (piano); Paul Grainger (double bass).
Fri 11: Imelda May @ The Fire Station, Sunderland. 7:30pm. SOLD OUT!
Fri 11: Shunyata Improvisation Group @ Cullercoats Watch House. 7:30-9:00pm. Free (donations).

Sat 12: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 12: Rob Heron & the Tea Pad Orchestra + House of the Black Gardenia + King Bees @ Cluny 2, Newcastle. 6:30pm (doors). £18.00.
Sat 12: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.00. Event includes swing dance taster session, DJ dance session. Bright Street Big Band on stage 7:30-8:15pm & 8:45-9:30pm. SOLD OUT!
Sat 12: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 12: Imelda May @ The Glasshouse, Gateshead. 7:30pm. £42.20. SOLD OUT!
Sat 12: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 13: Daniel John Martin with Swing Manouche @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 13: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 13: Hejira: A Celebration of Joni Mitchell @ Wylam Brewery, Newcastle. 8:00pm (7:00pm doors). £22.50.
Sun 13: Wilkinson/Edwards/Noble + Chojnacki @ The Globe, Newcastle. 8:00pm. £13.20., £11.00. JNE.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Zoë Gilby Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, August 27, 2018

In Other Words & BABA @ Ushaw, Durham - August 26

(Review by Russell)
Offering performance opportunities to young musicians has become an integral part of the Ushaw Jazz Festival. This year's three day event opened on Friday evening with the Early Bird Big Band, Saturday afternoon featured the hothouse duo of Francis Tulip and Matt MacKellar (Birmingham and Berklee students, respectively) alongside the Whitley Bay keyboard wizard Joel Brown, and, on a lazy Sunday afternoon in the Francis Thompson Room, two bands (seven musicians, average age seemingly not much more than seventeen and three quarters!) were intent on making a big impression. 
A short set, all of thirty minutes, meant there was no time to waste for the three young musicians calling themselves In Other Words.

In Other Words: Alex Thompson (alto sax, clarinet); Nathan Lawson (guitar); Dylan Thompson (drums)
Straight ahead jazz is what In Other Words are all about. Autumn LeavesA Foggy Day in London TownLi'l Darlin' and the trio's signature tune, yes, you've got it, Fly Me to the Moon

Alex Thompson plays alto saxophone and clarinet - the former determinedly, the latter leisurely, both effectively. The young man positioned in the middle of the Thompsons (drummer Dylan is brother to Alex), left-hander Nathan Lawson,  plays a beautiful black Gretsch guitar. A fine player is Nathan, playing with or without a plectrum, the influence of Dr James Birkett all too evident. The trio's arrangements impressed and Dylan Thompson's expert use of brushes belied his tender years. DT has just left school and college beckons...watch out music world! Similarly, Alex will soon be off to university and a chair in a student big band surely awaits. 

Nathan's considered intro to Goodbye Pork Pie Hat set up Alex to unleash an impassioned, bluesy alto solo. Perhaps the tune of the set, but wait, their closing number ...I Got Rhythm with Dylan's hi-hat working overtime as he brushed at a lick and Alex's swift execution ideas, not shy about throwing in a quote or two - The Flintstones, for one - and Nathan on the case just about topped it. A most enjoyable set.
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BABA: Thomas Dixon (alto sax, tenor sax); Ben Lawrence (piano); Adam Cornell (bass guitar); Dylan Thompson (drums)
Thomas Dixon co-leads BABA. The name roughly translates to 'spit' and it's a fair bet that alto saxophonist Dixon felt like doing it - spitting, that is - as a certain low-cost airline cancelled flights across Europe resulting in co-leader Inês Gonçalves being stranded in Portugal. What to do...find a piano dep or play as a piano-less trio? A potential dep happened to be at Ushaw and, with little time to get to grips with the all-original material, Ben Lawrence agreed to play the piano parts.

Dixon on tenor sax suggested the set's untitled opening number, written by the absent Gonçalves, could be called The Ryanair Debacle. A structured piece with space to improvise, Dixon led the way and didn't hesitate in giving the nod to the depping Lawrence who set about the material as if a long time member of the quartet. 

Binker and Moses and other high profile names are said to be influences on BABA and the intriguingly titled Origami Grandma incorporated elements of the drum 'n' bass, or rather the drum (Moses) and tenor sax (Binker) sound currently in vogue with Dixon on alto swooping in and out of swingtime sections. 

Dixon's clapped intro set up the band on Mouthwashing - drummer Dylan Thompson brandishing mallets with rock steady bassist Adam Cornell at his side.  Dixon has been busy writing material with some crazy time signatures and in introducing Moon Drunk suggested he and his bandmates could well be seen mumbling to themselves such was the level of concentration required. And concentrate they did! Drummer Thompson set up and maintained a complex rhythm as short-notice dep Ben Lawrence somehow or other produced a fully formed solo. 

BABA concluded the afternoon's entertainment in the Francis Thompson Room with Inciting Incident but not before Dixon thanked Paul Edis for giving the band the opportunity to perform at this, the third Ushaw Jazz Festival. All original material, some of it premiere material, keep an eye out for BABA.    
Russell.   
Ushaw photos.     

1 comment :

Lance said...

What Russell failed to mention was that Tom Dixon was playing on a borrowed alto. A very fine alto indeed but, as saxophonists, motorists and womanisers will affirm - each one is different and it takes time to find the comfort zone.
On alto, Tom found that comfort zone fairly quickly...

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