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Bebop Spoken There

Maurice J. Summerfield: "Over dinner one night Barney [Kessel] told me about his seminar The Effective Guitarist, and in 1972 my company presented the first of twelve annual UK seminars in Newcastle upon Tyne." - (Just Jazz Guitar, September 1997)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15080 (and counting) posts since we started blogging 15 years ago. 99 of them this year alone and, so far, 99 this month (Jan. 30).

From This Moment On ...

February

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: 4B @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Darlington Hippodrome. 7:30pm.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £1.00. All welcome.
Thu 02: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm.
Thu 02: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm. Guests: Dave Archbold (keys); Josh Bentham (tenor sax); Donna Hewwitt (alto sax); Adrian Beadnell (bass).

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 03: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 03: Abbie Finn Trio @ Saltburn Community Hall. 7:30pm.
Fri 03: Dilutey Juice @ Bobik's, Punch Bowl, Newcastle. 7:30pm.
Fri 03: Smoove & Turrell @ Hoochie Coochie, Newcastle. 7:30pm (doors). £25.00.
Fri 03: Struggle Buggy @ Prohibiton Bar, Newcastle. 8:00pm. Blind Pig Blues Club.

Sat 04: Alligator Gumbo @ St Augustine's Parish Centre, Darlington. 12:30pm.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: John Pope - Up Your Rhythm Game. £25.00. Enrol at: www.jazz.coop.
Sat 04: King Bees @ Grainger Market, Newcastle. 6:30pm (doors). Live music, comedy, DJs, food stalls. £10.00. advance, £15.00. on the door. Blues band King Bees on stage 9:45-11:15pm. A Great Market Caper event.
Sat 04: Jives Aces @ The Witham, Barnard Castle. 7:30pm.
Sat 04: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Sat 04: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 05: Rivkala @ Cumberland Arms, Newcastle. 6:00pm.
Sun 05: Jive Aces @ Fire Station, Sunderland. 7:30pm.
Sun 05: Dale Storr @ The Globe, Newcastle. 8:00pm.

Sun 05: Jam No.13 @ Fabio's, Saddler St., Durham. Free. Durham University Jazz Society jam session. All welcome (students & non-students alike).

Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 07: Jam session @ Black Swan, Newcastle Arts Centre. 7:30pm. House trio: Alan Law (piano); Paul Grainger (double bass); Rob Walker (drums). Jam session reverts to a first & third Tuesday in the month schedule.

Sunday, August 26, 2018

Graeme Wilson Quartet @ Ushaw, Durham - August 25

Graeme Wilson (reeds); Paul Edis (piano, flute); Andy Champion (double bass, flute); Adam Sinclair (drums)
(Review by Russell)
Graeme Wilson, reeds. It doesn't tell half the story. A one-time major figure on the north east jazz scene until relocating north of the border, north of Hadrian's Wall being home to the affable Scot, Wilson has maintained links with the region, not least running his quartet comprising three Sassenachs - Paul Edis, Andy Champion and Adam Sinclair.  

This first concert of the second day of this year's Ushaw Jazz Festival drew a standing-room-only audience to the Francis Thompsom Room. Scottishness, if there is such a thing, permeates Wilson's compositions in subtle and often humourous ways. Hyvot Hill began with drummer Sinclair evoking a Scottish jig - or was it a reel? what's the difference? other than folk music degree students, who cares? - before the quartet went headlong into some serious, heavyweight jazz playing. Complex, constantly changing time signatures, this was the music - and compositional talents - of stellar musicians.  
Wilson is a literate, not to say, academic fellow, and favourite authors and books, often provide inspiration to Wilson. James Hogg's Confessions of a Justified Sinner provided the material for an intense exchange between bandleader Wilson and pianist - and Ushaw Jazz Festival director! - Edis, thus establishing the benchmark and the standard didn't slip across two sets of utterly compelling music.  

The Bings...never heard of them? Join the club. Wilson hadn't, then he did, they're a product of Scotland's 19th-century oil boom. What 19th-century oil boom? Further reading required! Wilson's composition was an Ushaw exclusive, a world premiere, no less. How best to listen to this stuff? Be open to it, expect the unexpected and immerse oneself in the sound of it all. 

The Honourary Scot - that's Mr G Wilson - plays multi-reeds. Here at Ushaw, he utilised tenor sax, baritone sax, bass clarinet and flute. Golden Gate - more gospel quartet of renown than iconic West Coast feat of engineering - found Edis at a Korg synth and Andy Champion playing bass guitar - as they reprised a tune of Wilson's first heard on Tyneside in the days of John Warren's Splinter Group. Tremendous stuff, complex, intense, shot through with left-of-centre humour.

Second set and the Francis Thompson Room remained packed, no one was going anywhere. Anyone wandering in could be forgiven for thinking Rahsaan Roland Kirk had risen from the dead. The three flutes of Wilson, Edis and Champion resumed matters suggesting many things: Township jazz, perhaps Asian influences, and drummer Adam Sinclair's sampled drum pad intervention evoking a Gamelan-like soundscape. Joyous is the word.

Edis' Korg came in handy on Why Are You Staring at Me? Demented, humourous, add Champion's funkin' bass lines and you've got a typical - there's no such thing! - Wilson composition. The quartet's hugely varied set drew to a close with A Dwindling - as Wilson switched to bass clarinet he said he couldn't recall the title's origins - and The Bold Sammy (check out author James Kelman) reaffirming the Graeme Wilson Quartet's imperious jazz - and beyond - credentials. 
Russell
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