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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Mon 20: Harmony Brass @ the Crescent Club, Cullercoats. 1:00pm. Free.
Mon 20: Michael Young Trio @ The Engine Room, Sunderland. 6:30-8:30pm. Free.
Mon 20: Joe Steels-Ben Lawrence Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Wednesday, August 08, 2018

Jazz Co-op Weekend Workshop @ The Globe, Newcastle: August 4/5

Saturday
(Report by Ann Alex)
There were 20 of us assembled, including 3 basses (upright, guitar, and ukulele bass!); 3 drummers; 3 vocalists; 3 keys players; various saxes including a baritone; and a trumpet and guitar. Imagine that for a big band – a bandleader’s nightmare!

The tutors firstly suggested that we should perform small group improvisations for everyone to hear. This was, I guess, a way to get us going, and for the tutors to find out what we were capable of.  
We came up with the goods. Our next exercise was about rhythm, hands doing triplets and feet going one/two at the same time. DO try this at home – it’ll improve your rhythm and I’m told it’s good for keeping your brain alive as well. To keep our bodies alive, we had lunch courtesy of Waitrose.
The afternoon saw us working on Straight Life (Freddie Hubbard, originally a jazz waltz) and Contemplation (McCoy Tyner, a tune based on scales), assisted by tutor Jamil Sheriff, keyboard player and cat lover. I found the improvisation tricky as I didn’t know the tunes, and we vocalists have to pluck notes from the air, we don’t have stops or strings to guide us. Still, our group (we’d split into 2 sets of players) came up with some interesting versions of these simple but strong tunes. I never did find out what the other group got up to.
To round off Saturday, the whole group listened as we took turns showing what we’d made of the tunes, or did more instant improvisation.
Sunday
Today began with the drummers and bases being taken upstairs with tutor Caroline Boaden, a drumming and percussion specialist, to do whatever such players do. The rest of us were downstairs with Jamil, doing exercises on the G blues scale, which I recognised from playing the ukulele, but I kept quiet about that. Up and down the scale we went, with pivots and enclosures, Do try this at home, but a/ Find out what the terms mean for yourself, and b/ Warn the neighbours. After a whole group feedback and more delicious lunch, the two groups formed again to go with the tutor they’d not had on the previous day. Our group, with Caroline, was drums, 2 keys, saxes, trumpet, bass, myself on vocals, I seem to recall. We worked on Coltrane’s Equinox, which I did know, from the Globe Women’s Jazz Workshop, more of that later. After some initial practice, we were on our own without the tutor, doing our own arrangement, led ably by a keys man, and once again we came up with the goods.
The whole workshop was rounded off with a final jam session, which included our performance of Equinox; and various people doing Blue Bossa; All Blues; Autumn Leaves.

You’ll have worked out that this was all thoroughly enjoyable, a great, friendly, learning weekend, yet another of the Jazz Co-op’s successes. Thanks to the tutors, who came to us from the Leeds Music College, and to Sheila Herrick, who worked tirelessly in the kitchen and on the bar, to make sure we were fed and watered.
Ann Alex

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