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Bebop Spoken There

Steve Fishwick: “I can’t get behind the attitude that new is always somehow better than old”. (Jazz Journal, April 15, 2019).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16542 (and counting) posts since we started blogging 16 years ago. 422 of them this year alone and, so far, 29 this month (June 17).

From This Moment On ...

June

Mon 17: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 17: ‘Tower of Power’ @ The Library Bar, Saddler St., Durham . 7:30pm.Free. A Durham University Jazz Society event. All welcome.

Tue 18: Vieux Carré Jazzmen @ The Victoria & Albert Inn, Seaton Delaval. 12:30pm. £13.00. ‘Jazz, Sausage ‘n’ Mash’…’with Onion Gravy’!
Tue 18: Jam Session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Tim Johnston.
Tue 18: Libby Goodridge & Ben Davies @ The Lost Wanderer, Leazes Park Road, Newcastle. 8:00pm. £6.00. Triple bill, inc. Goodridge & Davies (jazz).

Wed 19: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 20: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 20 Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle. 2:00pm. £4.00. Note new venue!
Thu 20: Karine Polwart & Dave Milligan @ The Fire Station, Sunderland. 7:30pm. £29.00., £23.00. Folk/jazz duo.
Thu 20: Richard Herdman & Ray Burns @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 20: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (tenor sax); Donna Hewitt (alto sax); Dave Archbold (keys); Dave Harrison (trumpet); Ron Smith (bass).

Fri 21: Alan Barnes with Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 21: Joe Steels’ Borealis @ The Gala, Durham. 1:00pm. £8.00.
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 21: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 21: Soznak @ The Bike Garden, Nunsmoor, Newcastle NE4 5NU. 5:00-9:00pm. Free.
Fri 21: Errol Linton + Michael Littlefield & Scott Taylor (King Bees) @ Gosforth Civic Theatre, Newcastle. 7:30pm. £20.00. Blues double bill.
Fri 21: Alan Barnes with the Dean Stockdale Trio @ Seventeen Nineteen, Sunderland. 7:30pm.
Fri 21: Strictly Smokin’ Big Band @ Alnwick Playhouse. 8:00pm. ‘Ella & Ellington’.
Fri 21: Mark Toomey Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 22: Jason Isaacs @ Stack, Seaburn SR6 8AA. 12:30-2:30pm. Free.
Sat 22: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 22: Hejira: Celebrating Joni Mitchell @ The Cluny, Newcastle. 7:30pm (doors). £22.50.
Sat 22: Rockin’ Turner Bros. @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Matt Carmichael @ St Mary’s Church, Wooler. 3:00pm. Carmichael (saxophone), Fergus McCreadie (piano), Charlie Stewart (fiddle). ‘Scottish jazz, folk-roots & landscape’ Wooler Arts: Summer Concerts.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 23: Bede Trio @ The Globe, Newcastle. 8:00pm.
Sun 23: Leeway @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 23: Jazz Jam @ Fabio’s Bar, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Saturday, August 25, 2018

Nicola Farnon Trio & Early Bird Big Band @ Ushaw, Durham - August 24

Nicola Farnon (vocals/bass); Paul Edis (piano); Phil Johnson (drums)
(Review by Lance).
Headlining day one of Ushaw Jazz Festival 2018, and, because of an imminent power cut, the trio gave a stunning, albeit abbreviated, performance in the august setting of the historic building's Exhibition Hall.
To refer to Ms. Farnon as someone who sings and plays the double bass simultaneously is to do the artist a disservice unless you add that she does both things brilliantly and seamlessly.
A choice selection of GASbook gems plus one of her own compositions had the audience enraptured. All the usual suspects were represented: Gershwin, Porter, Berlin, Duke (V); Duke (E); Rodgers and Hart - particularly Rodgers and Hart. For me, the song of the evening in an evening full of super songs, was the Broadway duo's You Are Too Beautiful. Like Nicola Farnon, I too have loved this song since hearing Johnny Hartman do it with John Coltrane. That is the benchmark and, in its own way, so is Nicola's version. Sung with a delicate, almost ethereal quality, it was as if she was singing to you alone - or so we all thought until we got home and looked in the mirror - such was the emotional impact of her rendition.
Apart from the voice, her bass playing was well up to scratch and her inter-song patter both amusing and informative.
On drums, Phil Johnson did the business exploding when explosions were called for particularly when exchanging fours with Nicola during scat choruses. The pair work well together and by adding the ubiquitous Paul Edis you have a trio - and boy what a trio!

Earlier, Paul had helped to move chairs to accommodate more people in the Francis Thompson Room where he led and played alto with the Early Bird Big Band - more about that shortly. Being the prime organiser of the festival, the news of the impending power cut or 'outage' as the bright sparks ('sparks' get it?) called it might have detracted a lesser person from the business in hand. Not Paul, he played his customary blinder, a fact that didn't go unnoticed by either Nicola or the audience.
A truly magical evening.
Lance.
That Old Devil Moon; Day in, Day Out; The Summer Wind; Taking a Chance on Love; A Foggy Day; The More I See You; This Can't Be Love; It's Just Got To Be That Way (original); Just in Time; You'd Be So Nice to Come Home to; One Note Samba; You Are Too Beautiful; Don't Get Around Much Anymore: Cheek to Cheek.
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Early Bird Big Band: Paul Edis (MD, alto); Haaruun Miller (alto, soprano); Alex Thompson (tenor); Megan Robinson (flute); Ryan de Silva (baritone); Andrew Hedges (trombone); James Metcalf, Graham Hardy (trumpets); Ben Lawrence (piano); Matthew Downey (guitar); Alex Shipsey (bass guitar); Dylan Thompson (drums).
Six O'Clock and the third Ushaw Jazz Festival was underway. Maestro Edis, as Nicola Farnon was to refer to him later, announced that apart from himself and guest trumpet player Graham Hardy all of the band were 18 or under and, not only that but four of them were also composers of very demanding scores - don't they grow up fast these days!

James Metcalf provided Lincoln's Lament, Alex Thompson chipped in with In a Distant Dream, flautist Megan asked Where's it All Leading? and Ben Lawrence gave us the picturesque titled Soft Hazel, inspired, I was told by some hazelnut painted walls!.
In a band of this nature it would be unfair to single out individual soloists - they all soled bar one so I'll mention him.

On drums, Dylan Thompson proved his worth by handling the different rhythms and time signatures thrown at him with the ease of a seasoned professional. Having heard him in different settings I know what an accomplished soloist he is and a couple of choruses on the 12 bar finale would have told the audience just that.
Nevertheless, it was an enlightening set and an eyeopener to anyone hearing these young musicians for the first time.
Lance.
Photos.

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