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Bebop Spoken There

Tineke Postma: “ I had a huge crush on him [Sting] when I was a teenager ". Jazzwise, June 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16476 (and counting) posts since we started blogging 16 years ago. 356 of them this year alone and, so far, 68 this month (May 24).

From This Moment On ...

May

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Jazz Night @ The Tannery, Hexham. 7:00-9:00pm. Free. The first night of a new jam session!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 30: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 30: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests Josh Bentham (sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass);

Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Fri 31: Borealis @ The Witham, Barnard Castle. 7:30pm. CANCELLED!
Fri 31: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

June

Sat 01: Enrico Tomasso’s Swing Company @ St Augustine's Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Sat 01: Play More Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Steve Glendinning.
Sat 01: Hop, Skiffle & Jump: The Story of Skiffle @ 1719, Hendon, Sunderland. 6:00-9:00pm.
Sat 01: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 01: Lindsay Hannon’s Tom Waits for No Man @ Dry Water Arts, Amble. 7:00pm. £15.00.
Sat 01: John Garner & John Pope @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm.
Sat 01: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 02: Musicians Unlimited @ West Hartlepool RFC, Hartlepool. 12 noon. Two sets (12 noon-1:00pm & 2:00-3:00pm). ‘Sunday Big Band Blast meets WHRFC’s Classic Car Show’.
Sun 02: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 02: Mark Williams Trio @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 02: Sax Choir @ The Globe, Newcastle. 2:00pm.
Sun 02: New Century Ragtime Orchestra @ Prohibition Bar, Newcastle. 2:30pm. Free. A 'Jar on the Bar' gig. A 'pint sized' NCRO gig/rehearsal session feat. Dave Hignett, Jim McBriarty, Gavin Lee, Keith Stephen, Phil Rutherford with special guest drummer Nick Ward.
Sun 02: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 02: Anth Purdy @ The Quakerhouse, Darlington. 6:30pm. Free. ‘Swing Jazz Guitar’.
Sun 02: MSK @ The Globe, Newcastle. 8:00pm.

Mon 03: John Garner & John Pope @ Yamaha Music School, Blyth. 1:00pm. £8.00.
Mon 03: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 04: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Phillips, Paul Grainger, Abbie Finn.

Wednesday, August 08, 2018

Zakir Hussain, Dave Holland & Chris Potter @ Edinburgh Assembly Hall - July 22

(Review by Steve T).
One of my favourite musicians in the world, one of a diminishing number of jazz musicians who can unequivocally claim the status of living legend, and one of the hottest sax players on the planet.
Tabla, bass and sax: a dream set up for me, and I've just missed them at least three times in the past couple of years.
The first time I saw Zakir Hussain, he and John McLaughlin put Shakti back together, to mark the fiftieth anniversary of the partition of India and Pakistan. He's one of the few musicians who can hold his own and, on that showing, trump the guitar colossus. Two decades on, his technique is undiminished, but he's gained in stature and charisma.
This was the third time I'd seen Chris Potter: with Pat Metheny’s Unity Band/Group and his own quartet, so I was well aware that he was perfectly capable of standing with giants.
I'd never seen Dave Holland, though I've heard countless albums he's played on, including a number of major classics. He's the finest exponent I've ever heard to hold down the traditional bass function while simultaneously stepping way beyond that role.

A few seriously restricted viewing seats short of a sell-out, the anticipation was palpable and nobody left disappointed.
They shared the announcements: pieces from each of them, some written for each other, one by Hussain for McLaughlin, Hussain and Holland, the latter two both referred to as maestro during the set.
But titles of individual stretches of music and who wrote them wasn't the point; this was three master musicians, hanging together brilliantly and displaying dazzling levels of inventiveness and virtuosity.
I don't think anybody could have been disappointed when the lights came on, but the three returned to the stage for what I'm convinced was a genuinely unscheduled and unplanned encore; the only time I can remember a band returning and playing another after the lights had come on.
Gig of the year, any year. 
Steve T.

2 comments :

Hugh said...

Great review, Steve. Sounds like a gig not to be missed! The only one of the musicians I've had the privilege to see live is Dave Holland. Your description is spot-on. Cool (but with a small "c") and understated, but with great presence. I remember his bass as not being quite the traditional instrument, but having a slightly "cut-down" appearance.

Russell said...

I concur with Hugh's comments. One of Steve T's better reviews...that's a compliment, Steve!

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