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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Kenny Barron: "During the pandemic I got to do a lot more cooking. As long as you can read you can cook." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14845 (and counting) posts since we started blogging 14 years ago. 1094 of them this year alone and, so far, 93 this month (Nov. 30).

From This Moment On ...

November

December

Tue 06: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).

Wed 07: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 07: Jam session @ Prohibition Bar, Newcastle. 12 noon-3:00pm.Free. New!
Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 07: 4B @ The Exchange, North Shields. 7:00pm.
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 08: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm. Last one of the year, resuming Jan 26.
Thu 08: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 08: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm.
Thu 08: Christmas Crooners @ Alnwick Playhouse. 7:30pm.
Thu 08: Musicians Unlimited @ Dorman’s Club, Middlesbrough. 8:30pm. £5.00. on the door.

Fri 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £25.00. 'Afternoon Jazz with Festive Lunch'.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 09: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 09: Jason Isaacs @ Northern Rugby Club, Gosforth, Newcastle. 7:00pm. £25.00 (inc. two course Xmas meal). Isaacs performing with backing tapes.

Sat 10: Lindsay Hannon & Martin Douglas: Life Drawing & Improvised Music @ Cobalt Studios, Newcastle. 2:00-4:00pm. TBC.
Sat 10: Alan Barnes Octet: A Jazz Xmas Carol @ Black Swan, Newcastle. 8:00pm. £20.00. All-star band!

Sun 11: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 11: Spanish City Rollers @ Northumberland Square, North Shields. 12:30pm. Free. Community band inc. Graham Hardy.
Sun 11: Am Jam @ Prohibition Bar, Newcastle. 3:00pm. Free. Jam session, all welcome.
Sun 11: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Xmas party feat. Mick Donnelly Quartet. 4:00pm. Tickets: £6.00 (admission from 12 noon).
Sun 11: Paul Skerritt @ Liberty Brown's, Sunderland. 1:00pm.
Sun 11: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm. £5.00.
Sun 11: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 11: DC Blues Band @ Tyne Bar, Newcastle. 4:00pm. Free. Blues Band.
Sun 11: Jason Isaacs @ Hoochie Coochie, Newcastle. 5:30pm. SOLD OUT!
Sun 11: Boys of Brass @ Stack, Seaburn. 6:00pm. Free.
Sun 11: Elda with Faye MacCalman + John Pope & John Garner @ The Globe, Newcastle. 8:00pm.

Mon 12: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 12: Central Bar Quintet plays Kind of Blue @ Central Bar, Gateshead. 7:30pm. Concert performance + jam session. £5.00 (free admission to sitters-in).

Friday, April 20, 2018

Paul Edis Trio @ St James’ & St Basil’s - April 19

Paul Edis (piano); Andy Champion (double bass); Adam Sinclair (drums)
(Review & photo of hymn board by Russell/band photos courtesy of Jerry.) 
On a beautiful spring evening, St James’ and St Basil’s Church in the Newcastle suburb of Fenham presented the first in a new series of jazz concerts – ‘Jazz at J’s & B’s’ – featuring the brilliant Paul Edis Trio. The church recently acquired a superb Kawai piano and the concert series’ promoter did what anyone with ears would do…engage the services of pianist Paul Edis. This inaugural concert – let’s call it a ‘gig’ – attracted promising numbers; some familiar jazz gig-goers, some parishioners and perhaps one or two curious locals. The curious local and/or the non-jazz fan could be forgiven if they thought the church service hymn numbers attached to a stone pillar would form the basis of the evening’s proceedings (see photo)!     
Paul Edis chose to present his ‘A History of Jazz Piano’ set. This was exactly what Dr Jazz ordered given that Jazz at J’s & B’s is a new venture. Joining Dr Edis for the occasion were two of the finest musicians on Planet Jazz; Andy Champion, double bass, and Adam Sinclair, drums. There is much talk of A-listers, take it as read, these three are the real deal. The format simple; present a selection of the music of some of the great jazz pianists, add in two or three of Paul Edis’ compositions, play two sets, without a doubt a winning combination! It’s Only a Paper Moon (Nat Cole) for starters and from then on one fabulous tune after another… Moten Swing (Oscar Peterson’s Night Train album) Bill Evans’ My Romance, let’s call it jazz piano paradise. At this point, Edis quipped: This is a lovely piano, thank you for buying it for me!

Two of Paul Edis’ compositions were placed at the mid-point of the trio’s opening set – Snakes and Ladders and Lucky Eleven, the latter, in part, to do with the 11 bar structure of the piece – giving us an insight into our pianist’s jazz and non-jazz influences (Debussy? Satie?). Edis noted that Horace Silver’s The Preacher was an apposite selection given that we were gathered together in a church! And, in praise of Dave Brubeck, the Paul Edis Trio closed a magical first set playing the quirky, no, make that ‘difficult’ time signature of Unsquare Dance. First Edis, then drummer Adam Sinclair, did what musicians are capable of doing (unlike some of us non-musicians), they made the tune’s hoe-down hand-clapping sections appear easy, all the while bassist Andy Champion doggedly refusing to be sidetracked from keeping it firmly in the pocket, no doubt engaged in his own counting-in-the-head exercise!

Regional youth big band Jambone plays Edis’ Whiskers and the composer thought he would play it as a trio here in Fenham. For ‘whiskers’ think ‘brushes’ said Edis in introducing the first number of the second set and what we got was another masterclass from Adam Sinclair. Simply immaculate. George Shearing’s Lullaby of Birdland produced yet more amazing piano playing and another fine solo from Champion. More Bill Evans with Edis pointing to a tune the composer wrote at the age of twenty-one! One sensed Edis’ admiration for Bill Evans as the trio played Very Early.

Time for another composition by our bandleader. The Long Way Round was inspired by travelling on the Metro (Tyne and Wear’s rapid transit rail network), perhaps daydreaming, perhaps deep in thought, perhaps about to meet up with a loved one. An earlier reference to Bill Evans composing great tunes at 21 prompted Edis to talk about Billy Strayhorn’s Lush Life…composed at the grand old age of sixteen! Further, Edis made reference to pianist Phineas Newborn Jr, it is clear that our man is engaged in serious study of the jazz piano greats. Long may it continue.
Almost time to go but not before a brace of TS Monk to send us on our way. First the bizarrely titled  Ba-Lue Bolivar Ba-Lues-Are (typical Monk, really), then Rhythm-a-Ning. What a blast! This opening concert at St James’ and St Basil’s couldn’t have gone better. The good news is the Paul Edis Trio will return next month (Thursday 17 May) to play a second concert, this time with a multi-reedman of some renown…the one and only Alan Barnes! It’s a 7:30 start (doors 7:00), £10 on the door.                      
St James’ and St Basil’s piano is a major asset to the regional jazz scene, the acoustics in the vast space didn’t adversely impact upon the sound of the Kawai, although Andy Champion’s imperious double bass playing wasn’t quite heard to best effect, and if there was one drummer who’d make it work in such a space it was Sinclair, a master of the brushes. These are minor quibbles, the space is as it is, it is something we can live with. Jazz lives…in Fenham!                          
Russell.

3 comments :

stevebfc said...

Sounds great but what was the beer like?

Russell said...

There was a decent selection of bottled beers including Badger and Belhaven, sensibly priced at £3.50. a bottle.

Patti said...

Plus, the wine wasn't too bad either! But who cares - when the music is top class like this.

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