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Bebop Spoken There

YolanDa Brown: "Ron Dennis (former McLaren Formula 1 chairman) introduced me as 'the Lewis Hamilton of the jazz world'. I thought, 'I'll take that'." - (i newspaper July 17, 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Thursday July 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. - See above.

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential).

Alan Barnes & Sue Ferris w Paul Edis Trio - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £12.00.

Dulcie May Moreno Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 8:00pm (doors 7:30pm). £6.00. (£3.00. student).

Tees Hot Club w. Richie Emmerson, Noel Dennis, Ted Pierce, Mark Hawkins - Tees Hot Club, Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, April 08, 2018

GIJF Day 2: Ruby Turner - Sage Gateshead, April 7

Ruby Turner (vocal); Jason Thompson (keys); Nick Marland (guitar); Paul Pryor (bass guitar); Simon Moore (drums).
(Review by Lance/Photo courtesy of Ken Drew).
With or without Jools Holland, Ruby Turner is a ball of fire just waiting to be ignited. Although tonight was without Jools, his presence wasn't missed and the blue touchpaper was lit from bar one of I'm Not the One. This lady hoots and hollers, shouts and sings, like few soul sisters (or brothers) either side of the Atlantic.
I didn't get the names of all the songs and many of the titles I did get were, in the cold light of morning, meaningless (try writing in the dark and you'll know what I mean).
Songs I did decipher/recognise were: Master Plan; Still on my Mind; There is Something on Your Mind and of course, the showstopping Etta James classic I'd Rather Go Blind. This brought the audience to their feet for the inevitable standing ovation she deserved and the raunchy encore the audience demanded.
Throughout, guitarist Marland took a host of solos that kept the flame burning, a flame that never flickered when keyboard ace Thompson took it up nor when bassman Pryor who also seemed to be controlling things had his place in the sun (the lighting, incidentally, wasn't always perfect and Ruby had to request adjustments as the night unfolded) whilst Simon Moore on kit excelled. At a jazz festival, top-notch drum solos are the norm and this was the norm plus!
A session full of soul and an indication of how blurred the lines have become 'twixt music's many genres.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance