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Bebop Spoken There

Jennifer Wharton: "People forget that the trombone is so glorious. It can be like going to church, or getting ready for battle. It can be a lot of things....For a longtime I was the only female trombonist in New York," - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,218 (and counting) posts since we started blogging 13 years ago. 637 of them this year alone and, so far, 45 this month (May 11).

Coming soon ...



May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Sunday, April 29, 2018

CD Review: Jungsu Choi Tiny Orkester - Tschuss Jazz Era

Jungsu Choi (vocals (2) composer/arranger); Eunmi Kim (flute); MinkYu Cha (alto); Sungil Bae (tenor); Yejung Kim (trumpet); Junyeon Lee (trombone); Sehwa Kang (cello); Sungyun Hong (guitar); Jungmin Lee (piano); Joseph Han (bass); Hyunsu Lee (drums) + Jinho Pyo, Sehyun Baik (vocals)
(Review by Lance)
Jungsu Choi: “In whatever direction jazz might develop, I am ready to welcome the new jazz, bye-bye jazz era! My music is meant to free jazz from jazz, without any labels
Michael Gibbs: “Wow! This is top-class, modern big band jazz, with solidly and very well made, unique arrangements – energetic, orchestral, demanding, skilfully written…Jungsu Choi’s music introduces us to his fascinating feel and his talent. ”

Choi’s remarks may sound like posturing but, taken in conjunction with Michael Gibbs’ observations that thought is soon dismissed and, upon listening to the album, it becomes readily apparent that this is something special!
Leader Choi spent three years composing two and arranging all of the five tracks. He never actually had the chance to hear them during that period, they only existed, he says, in the shape of ink on hundreds of pages of paper.
Maybe, but when listening to the Tiny Orkester, one can but marvel at the skills of these 12 or so Korean musicians interpreting those ‘ink shapes’ so brilliantly.
You may think you’ve heard Anthropology, A Train and Spain one time too many but, take it from me, you’ve never heard them quite like this! 
A Train is, in fact, retitled as What if Duke Ellington Didn’t Take the A Train? Junyeon Lee’s trombone solo brings some sanity into this attempt to derail the most famous train in jazz history.
Spain has a long intro and many changes of tempo before the tune emerges. Some scintillating flute work is almost submerged by the ensemble, complete with wordless vocal.
Anthropology has cool alto, fiery trumpet and more outstanding fluting including a flute/tenor counterpoint section that defies the use of the word incredible – it’s not strong enough!
Stolen Yellow has the composer vocalising as part of the ensemble, guitar solo by Hong, bullfight trumpet over steady trombone riff. Wild alto blast, fantastic writing takes it out.
The other original, Nach Wien 224, sees Choi and Pyo adding their voices to the ensemble with cello emerging briefly. Pyo can also be heard solo. This is as close to a ballad as it gets which isn’t very close although maybe it is by Korean standards.
King Gil Evans is dead. Long Live King Choi!
A late arrival in the CD of the Month Stakes.
Lance.

Available on Challenge Records or via Amazon-ITunes.

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