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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Sun 14: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 14: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 14: Alan Law, Jude Murphy & Tim Johnston @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 14: JazzMain @ The Globe, Newcastle. 8:00pm.

Mon 15: Dave Newton @ Yamaha Music School, Seaforth St., Blyth NE24 1AY. 1:00 - 1:45pm. £8.00. + bf. Newton, solo piano.
Mon 15: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 15: Hideout @ Cluny 2, Newcastle. 7:00pm. £7.50 + £1.33 bf. Feat. Sleep Suppressor + Flat Moon.
Mon 15: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 16: The Horne Section’s Hit Show @ Middlesbrough Town Hall. 7:30pm.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Bradley Johnston, Paul Grainger, Bailey Rudd.

Wed 17: Bailey Rudd (Minor Recital) @ The Music Studios, Haymarket Lane, Newcastle University. 11:40am. Bailey Rudd (drums). Open to the public.
Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: The Horne Section’s Hit Show @ The Gala, Durham. 7:30pm. SOLD OUT!
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.

Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Whitley Bay. 7:30pm. £10.00. (inc. a drink on arrival).

Thursday, April 12, 2018

GIJF Day 2: The Electrio and Kokoroko - Sage Gateshead, April 7

(Review by Steve T/Photos courtesy of Ken Drew)
As we were herded out of Sage One, the whole of the building seemed immersed in this large sound coming from the band on the concourse. Roz had forewarned us of a Jazz-Funk band from Leeds by the name of The Electrio, which seemed entirely appropriate to follow funk maestro Maceo Parker at a Jazz Festival, but this was most definitely distinctly, specifically Azymuthesque.
It wasn't just the volume that was large - though it was - but the sound, like a big band or a big rock band, and I knew they'd find an audience on Tyneside. Like George Benson selling out Sage One in record time, after years of being Uncle George at Julies Night Club, the Boys from Brazil are in the water around the North East. Billy Walker was a major promoter in Stanley and Newcastle in the eighties, with a dance-floor free remit at the Hilltop and downstairs in Walkers, and never missed a chance to slip in some Azymuth. Paul Cook was one of the big club DJs across the region in the seventies and eighties, but liked nothing better than some smooth, funky Azymuth. Well maybe Marvin Gaye. They were the cause of my first trip to Hoochie and I believe they've been back since.
I longed to go over and ask them if they'd heard of Azymuth, but thought they may be offended or even honestly say no; crazier things have happened in this strange world of Jazz. 

Dipped in and out of Sage Two for Skeltr, though I have to admit, as is often the case, I preferred the Concourse. Good arguments on the way home though, as we debated whether it's more novelty, and whether anyone will care five years from now or will they have moved on to 'the next big thing.' If you missed them, you can decide for yourself at the Durham Jazz Festival in June. 
For my money (or free entrance), the highlight of Saturday night, and after the Arkestra, the whole festival (or as much as I did of it) was Kokoroko, who followed Skeltr.
I was disappointed that Tony Allen, one of the godfathers of Afrobeat, had barely touched upon it during his tribute to Art Blakey. This band started off slowly too but by the second song were getting right into it, some brave souls trying a few moves. Within a couple more, large sections were up and at them, maybe not on, but around the tables.
The original plan was to remove all furniture, but poor sales had caused a rethink and the decision was taken to make it cabaret. They should have realised the cool, young people (and me) would turn up at the last; electronics and Afrobeat are a big deal to the underground studenty crowd.
Drums, percussion, guitar, bass, keys, the lady trumpet player taking the lead, another lady (are we still aloud to say this?) on bone and a chap on sax taking the best of the solos and getting appropriate applause.
Then that old trick, you get everybody up dancing then close it down with a slow one. Perhaps a little more flexibility in the set-list, but we were given one last chance of a shake and just about everybody took it. It's my guess they could have played all night.  
Steve T. 

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