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Bebop Spoken There

YolanDa Brown: "Ron Dennis (former McLaren Formula 1 chairman) introduced me as 'the Lewis Hamilton of the jazz world'. I thought, 'I'll take that'." - (i newspaper July 17, 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Thursday July 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. - See above.

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential).

Alan Barnes & Sue Ferris w Paul Edis Trio - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £12.00.

Dulcie May Moreno Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 8:00pm (doors 7:30pm). £6.00. (£3.00. student).

Tees Hot Club w. Richie Emmerson, Noel Dennis, Ted Pierce, Mark Hawkins - Tees Hot Club, Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, April 09, 2018

GIJF Day 1: Sun Ra Arkestra - Sage, Gateshead, April 6

(Review by Steve T/Photos courtesy of Ken Drew).
It's probably fair to say the Arkestra is an acquired taste, which is probably best acquired live. It'll certainly catch your attention.
I first came across the Sun Ra Arkestra when a film about them and their erstwhile leader was shown at the Tyneside Cinema as part of a Newcastle Jazz Festival in, as the Goldbergs would say, nineteen eighty something. It was only a few years later, as I acquired more of a taste for the bizarre, that I ventured back for another listen.
Now I always have some Sun Ra albums around, some for sale, some in the basket. They're always good but I couldn't identify one you have to have, and if anybody asked me who my top Jazz Artists are, I'd likely forget Saturn’s favourite Sun Ra. There's no doubting that people like the idea of it, and the idea works brilliantly live.  
Last time I saw them was part of a week-long residency they did at Cafe Oto, in one of the trendy suburbs in the smoke about five years ago. There, they entered from the street, which must have been a mind-boggling eye-full for any passers-by, and real heavy $h!t for anyone who'd taken something they shouldn't have.
Here, with the Sage lighting, they looked even more splendid and even crazier, in their inter-planetary space regalia of reds and purples, capes and headgear; like George Clintons' bunch of loonies in Parliament mode, though it's more likely P Funk were like them. Bad and Beautiful; Angels and Demons at Play.
Juxtaposition is a large part of what they do and why it works so well. A sleazy, old-style cocktail jazz homage, some straight big band, some free-jazz just about hanging together as you think it's set to fall apart. A high priestess (looking like George Clinton circa 76) doing most of the vocals, though it's more repeated chants about inter-planetary affairs we mere earthlings no nothing of.  
It's an old trick but I've never seen it done better: baritone, trombone and trumpet taking a walk around Sage One. Part of the back-stage crew put two fingers up at Marshall Allen, a sprightly ninety three-year-old who's captained the ship with a Destination Unknown since it's former captain did whatever people from Saturn do when their time on earth is up. Allen returned with his own two fingers by doing another four, ending with the title track from their most famous album and the one you can get at your local HMV for £5.99, Space is the Place.
As the band left the stage, one of the youngsters, probably in his sixties or something, which makes the whole spectacle even more bizarre, told us of their tour schedule so far (getting some of it wrong) and that they were in Florida the next night, like we all have access to modes of transport that can traverse great distances in short time. Then the usual merchandise plug, confirming that even in the outer reaches of the galaxy, capitalism rules.
Preposterous.
Steve T.
Ken Drew Festival Photos (ongoing).   

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance