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Bebop Spoken There

Spasmo Brown: “Jazz is an ice cream sandwich! It's the Fourth of July! It's a girl with a waterbed!”. (Syncopated Times, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17444 (and counting) posts since we started blogging 16 years ago. 718 of them this year alone and, so far, 100 this month (Oct. 10).

From This Moment On ...

October

Fri 11: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 11: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 11: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 11: Dulcie May Moreno @ The Old Library, Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 11: The Jazz Quartet + Stratosphonic @ Tynedale Rugby Club, Corbridge. 7:00pm. £15.00. A Rotary Club of Hexham event. The Jazz Quartet (Jude Murphy & co), Stratosphonic (blues/rock). CANCELLED!
Fri 11: Joe Steels Trio @ The Pele, Market Place, Corbridge NE45 5AW. 7:00pm. Free.
Fri 11: Crooners @ Tyne Theatre, Newcastle. 7:30pm.
Fri 11: Mo Scott Band @ Blues Underground, Nelson St., Newcastle. 9:00pm. Free. CANCELLED!

Sat 12: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 12: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. £12.00. (£10.00. adv.). Country blues guitar & vocals.
Sat 12: Nauta @ Cobalt Studios, Newcastle. 7:00pm. £13.28, £11.16, £9.04. A two-track recording launch gig.
Sat 12: Stuart Turner @ Prohibition Bar, Newcastle. 8:00pm. Rockabilly, rhythm & blues etc. A ‘Jar on the Bar’ gig.
Sat 12: Lapwing Jazz Trio @ The Ship Inn, Low Newton. 8:00pm. Free. New trio: Paula Whitty, Richard Herdman, Jude Murphy.

Sun 13: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 13: Emma Wilson @ Tyne Bar, Newcastle. 4:00pm. Free. Blues.
Sun 13: Catfish Keith @ The Cluny. 7:00pm. Country blues.
Sun 13: Cath Stephens & Paul Grainger @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Stephens & Grainger, one third of a triple bill.
Sun 13: Dulcie May Moreno Quartet @ The Globe, Newcastle. 8:00pm.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Black is the Color of My Voice @ Hippodrome, Darlington. 7:30pm. Apphia Campbell’s one-woman show inspired by Nina Simone, performed by Nicholle Cherrie.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano), Paul Grainger (double bass), Bailey Rudd (drums).

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Cath Stephens’ improvisation workshop @ Prohibition Bar, Newcastle. 4:30-6:00pm. Collaborative group focusing on vocal improvisations.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 17: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 17: Olivia Cuttill Quintet @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 17: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Phoenix Theatre, Blyth. 7:30pm.
Thu 17: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 17: Niffi Osiyemi Trio @ The Harbour View, Sunderland. 8:00pm. Free.
Thu 17: Tees Hot Club @ Dorman’s Club, Middlesborough. Guests Jeremy McMurray (keys); Richie Emmerson (tenor sax); Mark Toomey (alto sax); Adrian Beadnell (bass). 8:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, April 10, 2018

GIJF Day 3: Ushaw Ensemble - Sage Gateshead, April 8

Paul Edis (piano); Andy May (Northumbrian pipes); Graham Hardy (trumpet, flugelhorn); Graeme Wilson (tenor sax, flute); Emma Fisk (violin); Paul Susans (double bass); Rob Walker (drums)
(Review/photo courtesy of Ken Drew) 
Paul Edis juggles many projects and, to mix a metaphor, keeps several plates spinning at once. Educator (principally here at Sage Gateshead), working musician, often as a bandleader, busy concert promoter, there can’t be enough hours in his day to take on much else, yet now he has another project bubbling along nicely…the Ushaw Ensemble. Working to a commission, Dr Edis wrote St Cuthbert’s Suite to be performed first at Ushaw College, then, next day, in the equally impressive surroundings of Durham Cathedral and has since found a receptive audience in the generally less salubrious surroundings of jazz clubs and festivals.   
The Ushaw Ensemble opened Jazz North East’s Sunday afternoon schedule on the concourse. The usual line-up, including ‘folkie’ Andy May playing Northumbrian pipes, played two long form pieces in the forty or so minutes allotted to Edis’ seven-piece band. The Ensemble’s musicians, without exception, are accomplished soloists in their own right and Here and Now, Gone Forever placed several of them in the spotlight; Graeme Wilson’s assured tenor saxophone playing, Paul Edis reading reams of dots, the lyrical flugelhorn of Graham Hardy, bassist Paul Susans’ solo, a first contribution from the imperious Emma Fisk (violin), Andy May’s piping and Rob Walker, the man at the back, reading his part from behind the traps. So, all made their mark, with a Sunday brunch audience listening closely as the music finally became stilled.

Achill Island lies off the west coast of Ireland and, on a visit to this remote part of the world, Edis found inspiration to compose The Sound of Achill, the second piece to be featured at this year’s Gateshead International Jazz Festival. Andy May stepped forward to play Northumbrian pipes – perhaps Cuthbert himself would have readily recognised the sound, more so than the sounds of ‘jazz’ instruments as we know them. St Cuthbert’s Suite is a piece of music deserving of further exposure with, perhaps, a recording session to document the project.  
Russell .
Ken Drew Festival Photos (ongoing).                                 

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