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Bebop Spoken There

YolanDa Brown: "Ron Dennis (former McLaren Formula 1 chairman) introduced me as 'the Lewis Hamilton of the jazz world'. I thought, 'I'll take that'." - (i newspaper July 17, 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Friday July 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

John Settle’s Vibe-ology - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

New Orleans Swamp Donkeys - Ernest, Boyd Street, Newcastle NE1 2AP. Tel: 0191 260 5216. 5:00pm. Free.

Blues/Country/Folk

Summertyne Americana - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. Struggle Buggy 2:00-2:45pm., Shipcote & Friends 3:00-3:45pm. Free. Jumpin’ Hot Club stage.

Evening.

Riviera Quartet - Traveller’s Rest, West Auckland Road, Cockerton, Darlington DL3 9ER. 8:00pm. (7:30pm doors). £8.00.

New Orleans Swamp Donkeys - Cobalt Studios, Boyd St., Newcastle NE2 1AP. Tel: 0191 232 3553. 8:00pm. £5.00. (£4.00. adv). Top class band from New Orleans.

Baghdaddies - Cumberland Arms, James Place Street, Newcastle NE6 1LD. Tel: 0191 265 6151. 8:30-9:30pm.

Global BRASS @ Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 0300 266 600. 7:30pm. £15.00. (£12.00. concs.). Joint concert featuring two bands 560 miles apart - NASUWT Riverside Band (Chester le Street) & Concord Brass Band (Copenhagen). A Durham Brass Festival event.

Haftor Medbøe & Will of the People Quartet: Global Brass Jam - Live - Gala Theatre, Millennium Place, Durham DH1 1WA. 10:30pm. £10.00. (£8.00. concs.). Pan-European jam session. Will of the People Quartet line-up: Haftør Medboe (saxophones); Pete Furniss (clarinets); Jacob Karlzon (piano); Tom Bancroft (drums). A Durham Brass Festival event. See Freebie Link!

Blues/Soul/Funk/Country

Sold out!

k.d.lang - Summertyne Americana Festival, Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 7:30pm.

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The Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, April 10, 2018

GIJF Day 3: Ushaw Ensemble - Sage Gateshead, April 8

Paul Edis (piano); Andy May (Northumbrian pipes); Graham Hardy (trumpet, flugelhorn); Graeme Wilson (tenor sax, flute); Emma Fisk (violin); Paul Susans (double bass); Rob Walker (drums)
(Review/photo courtesy of Ken Drew) 
Paul Edis juggles many projects and, to mix a metaphor, keeps several plates spinning at once. Educator (principally here at Sage Gateshead), working musician, often as a bandleader, busy concert promoter, there can’t be enough hours in his day to take on much else, yet now he has another project bubbling along nicely…the Ushaw Ensemble. Working to a commission, Dr Edis wrote St Cuthbert’s Suite to be performed first at Ushaw College, then, next day, in the equally impressive surroundings of Durham Cathedral and has since found a receptive audience in the generally less salubrious surroundings of jazz clubs and festivals.   
The Ushaw Ensemble opened Jazz North East’s Sunday afternoon schedule on the concourse. The usual line-up, including ‘folkie’ Andy May playing Northumbrian pipes, played two long form pieces in the forty or so minutes allotted to Edis’ seven-piece band. The Ensemble’s musicians, without exception, are accomplished soloists in their own right and Here and Now, Gone Forever placed several of them in the spotlight; Graeme Wilson’s assured tenor saxophone playing, Paul Edis reading reams of dots, the lyrical flugelhorn of Graham Hardy, bassist Paul Susans’ solo, a first contribution from the imperious Emma Fisk (violin), Andy May’s piping and Rob Walker, the man at the back, reading his part from behind the traps. So, all made their mark, with a Sunday brunch audience listening closely as the music finally became stilled.

Achill Island lies off the west coast of Ireland and, on a visit to this remote part of the world, Edis found inspiration to compose The Sound of Achill, the second piece to be featured at this year’s Gateshead International Jazz Festival. Andy May stepped forward to play Northumbrian pipes – perhaps Cuthbert himself would have readily recognised the sound, more so than the sounds of ‘jazz’ instruments as we know them. St Cuthbert’s Suite is a piece of music deserving of further exposure with, perhaps, a recording session to document the project.  
Russell .
Ken Drew Festival Photos (ongoing).                                 

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance