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Bebop Spoken There

Bill Reglein (JJ Babbitt m/pieces): "We made this mouthpiece for Eddie Harris. He played tenor sax and trumpet. He played in some pretty rough bars. The story goes that he was afraid he'd get in a fight and get his teeth knocked out. He figured that if even that happened he could still play tenor. So, the request came in, 'Can I get a reed mouthpiece for my trumpet?' the company made exactly one." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday September 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm. Free.

Sunday Jazz in the Crypt - Middlesbrough Town Hall, Albert Road, Middlesbrough TS1 2QJ. Tel: 01642 729729. 2:00-6:00pm. £12.00. + bf. Line-up: Noel Dennis Trio + Emma Johnson’s Gravy Boat + Anthony Strong.

More Jam - The Globe, Railway St., Newcastle NE4 7AD. 3:00pm. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Somethin' Blue Trio - The Pennyweight, Bakehouse Hill, Darlington DL1 5QA. Tel: 01325 468411. 5:00-7:00pm. Free.

Blues/Funk/Soul

Memphis Cruisers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

Alexys de Alfaro - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Paper Moon Trio - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. Free.

Fabled - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 232 6400. 8:00pm. £8.00. & £6.00. JNE.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, April 14, 2018

Mick Shoulder Quintet @ Bishop Auckland Town Hall - April 13

Lewis Watson (tenor saxophone); Graham Hardy (trumpet, flugelhorn); Dean Stockdale (piano); Mick Shoulder (double bass); Russ Morgan (drums)
(Review by Russell)
Auckland Castle is closed for major renovation works, the Zurbaráns are out on loan, Kynren is due to return, but all roads led to BATH (Bishop Auckland Town Hall) for a lunchtime gig. Mick Shoulder assembled a starry quintet to play the music of one of the great bands…the Jazz Messengers. The truth is, and Mick would readily acknowledge the fact, we were there to hear Lewis Watson. Where he’s been is anyone’s guess and one question remained to be answered…could he still cut it?

Could he? Silly question! Mick’s band (Watson, Graham Hardy, Dean Stockdale and Russ Morgan) hit the ground running as our long lost tenor man tore into McCoy Tyner’s arrangement of That Old Black Magic. It’d been a while, but Watson has lost nothing; full-toned, majestic, turbo-charged, the command that comes from being the best around. If that had been it, just the one number, then the journey from Tyneside would have been worth it. But, there was more, much more! Lewis Watson’s frontline partner, trumpeter Graham Hardy has, of late, been heard tearing it up himself at a couple of terrific jam sessions. And on this opening number, Hardy didn’t baulk at the prospect of following Watson.   

Wayne Shorter’s Back Stage Sally maintained the head-shaking disbelief of some in the audience; first Hardy, then Watson blowing torrents, and, in the tradition of the modernists, the horns stepped off stage to allow the trio to stretch out. And what a trio! You’d happily pay good money to hear the piano, bass and drums line-up of Dean Stockdale (piano), Mick Shoulder (double bass) and Russ Morgan (drums). More terrific tenor playing from Watson on Nica’s Dream with Hardy taking a long, lung-busting solo…quite some front line!

A couple from Benny Golson – Are You Real? with Hardy just about taking the honours and a Russ Morgan solo to boot, then Whisper Not (Hardy switching to flugelhorn on this one) featuring further superb tenor playing from Watson. All good things come to an end with bandleader Mick Shoulder making no apology for closing a magical one-hour lunchtime set with Tubby Hayes’ arrangement of Cheek to Cheek. Think ‘turbo-charged’ and you’ll get some idea of how this one went. Tubbs would change gear at will, similarly, Simon Spillett is a present-day exponent of the art, it’s time to add the name Lewis Watson to the select list of fearless, commanding tenor saxophonists.  
Russell

1 comment :

Steve Andrews (on F/b) said...

Lew Watson - the Man! Haven't seen him for years, but by the sound of this review still the tenor player's tenor player!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance