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Bebop Spoken There

Branford Marsalis: "As ignorance often forces us to do, you make a generalisation about a musician based on one specific record or one moment in time." - (Jazzwise June 2023).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15491 (and counting) posts since we started blogging 15 years ago. 512 of them this year alone and, so far, 133 this month (May 31).

From This Moment On ...

June
Thu 01: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 01: Thursday Night Prayer Meeting @ The Globe, Newcastle. 7:30pm. Donations.
Thu 01: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A 'Jar on the Bar' gig.
Thu 01: Jake Leg Jug Band @ The Globe, Newcastle. 8:00pm.
Thu 01: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 02: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 02: Joseph Carville Trio @ Saltburn Community Hall. 7:30pm.
Fri 02: Claire Martin & Her Trio @ The Witham, Barnard Castle. 7:30pm. £25.00., £20.00. Feat. Jim Mullen, Alex Garnett & Jeremy Brown.
Fri 02: Guy Davis + Michael Littlefield & Scott Taylor @ Cluny 2, Newcastle. Doors 7:30pm. Blues double bill.
Fri 02: Anders Ingram @ Prohibition Bar, Newcastle. 8:00pm. Blind Pig Blues Club. Country blues. A 'Jar on the Bar' gig.

Sat 03: Newcastle Record Fair @ Northumbria University, Newcastle NE8 8SB. 10:00am-3:00pm. Admission: £2.00.
Sat 03: Pedigree Jazz Band @ St Augustine's Parish Centre, Darlington. 12:30pm.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Sue Ferris. £25.00. Enrol at: www.jazz.coop.
Sat 03: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 03: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.
Sat 03: Papa G's Troves @ Prohibition Bar, Newcastle. 8:00pm. A 'Jar on the Bar' gig.

Sun 04: Smokin' Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 04: Central Bar Quintet @ Central Bar, Gateshead. 2:00-4:00pm. £5.00. The Central Bar Quintet plays Sonny Rollins' Saxophone Colossus. Featuring Lewis Watson.
Sun 04: 4B @ The Exchange, North Shields. 3:00pm.
Sun 04: Struggle Buggy + Michael Littlefield @ Tyne Bar, Newcastle. 4:00pm. Free. Acoustic blues.
Sun 04: Swinging at the Cotton Club: Harry Strutters' Hot Rhythm Orchestra @ The Fire Station, Sunderland. 7:30pm.
Sun 04: Richard Jones Trio @ The Globe, Newcastle. 8:00pm.
Sun 04: Jam No. 18 @ Fabio's Bar, Saddler Street, Durham. 8:00pm. Free. All welcome. A Durham University Jazz Society event.

Mon 05: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 06: Paul Skerritt @ The Rabbit Hole, Hallgarth St., Durham DH1 3AT. 7:00pm. Paul Skerritt's (solo) weekly residency.
Tue 06: Jam session @ Black Swan, Newcastle Arts Centre. 7:30pm. House trio: Stu Collingwood (piano); Paul Grainger (double bass); Sid White (drums).

Wed 07: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 07: 4B @ The Exchange, North Shields. 7:00pm.
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Friday, April 27, 2018

CD Review: Erin McDougald - Outside the Soiree

Erin McDougald (Voice & Bandleader), Dave Liebman (soprano & tenor sax), Tom Harrell (trumpet & flugelhorn), Mark Sherman (vibes/perc), Rodney Green (drums), Chembo Corniel (perc), Rob Block (piano and guitar), Dan Block (alto, flute & clarinet), Cliff Schmitt (bass)
(Review by Dave Brownlow.)
A refreshing album from vocalist/leader Erin McDougald who drew her material from a wide range of sources, arranging eleven of the thirteen songs with accompanist Rob Block, and leading an accomplished small band featuring two more well-known soloists, Tom Harrell and Dave Liebman . Erin is highly thought-of in the music business and has drawn praise from many shrewd critics including the late Verve Records producer/arranger Buddy Bregman who states “Erin has a very deep soulful connection to the songs she chooses. Her pitch and phrasing are superb and she has something about her – she has ‘it’.”
One of the great things about jazz is the way that some musicians are able to ‘reinvent’ well-known songs using imaginative and creative arrangements to the surprise and delight of the listener and this is what happens here. The opener is a hard-swinging, bluesy Don’t Be On The Outside featuring Erin herself, then wailing solos from soprano, trumpet, vibes and piano which serve to introduce the group members.
Clever piano chords in ‘classical’ style introduce Begin The Beguine completely refreshing that old standard in a new light. Brother Can You Spare A Dime is totally re-imagined in a cha-cha style with fine work from the band including some flowing trumpet, darting flute, and fluent piano solos which re-invigorate that song.
The Eddie de Lange tune The Man With The Horn is taken at a slow tempo with the barest of accompaniment and features Farrell tightly muted in this plaintive version. The Lionel Hampton/Sonny Burke Midnight Sun has various time-signature changes which the band handle with ease and the vibes are well-featured as appropriate in this version.
The CD title-track Outside The Soiree is Erin’s original composition and is, in her own words “not easily digestible, not catchy but thought-provoking” and is in a mournful minor mode. The obscure 1950s ballad Don’t Wait Up For Me is turned into a 5/4 rhythmic vehicle where trumpet and soprano solo and Green on guitar provides another tone colour.
The Masquerade Is Over is played as a bossa-nova where both piano and guitar can be heard simultaneously (presumably through over-dubbing). Erin’s vocal expresses only too poignantly the message “The thrill is gone….” An up-tempo Spring Can Really Hang You Up The Most is a hard swinger with effective solos from alto, vibes and voice and appropriate background obligati throughout the ensemble sections.
When The World Was Young/All The Sad Young Men are performed ‘straight’ with a pared-down guitar-led backing. Just a mention here for Rob Block who’s equally at home on piano or guitar and who co-arranged six of the songs with Erin – quite a talent! Linger Awhile segues quickly into Avalon at a frantic tempo and features a ‘chase’ sequence between guitar and trumpet and a couple of choruses from drummer Green.
Unusual Way ( a new song to me) comes from the Broadway musical ‘Nine’ based on Fellini’s semi-autobiographical film ‘8 ½’ This is arranged by Rod’s wife Tomoko and features warm clarinet and guitar solos in a haunting minor key. The stand-out track for me is the CD’s final cut The Parting Glass – a traditional Irish funeral hymn re-arranged and re-imagined in such a creative fashion. Lovely fat ‘Tynerish’ chords and a churning rhythm section provides the basis for emotive solos all round with Erin scatting her way to the conclusion in dramatic manner.
Overall, a likeable CD with many moments of quality available now on: 
Miles High Records MHR 8629 from www.flappergirlsings.com
Dave B.
(Editors note: This CD was reviewed by Ann Alex in March but, working on the premise that you can't have too much of a good thing, we've also posted Dave's review. It's a cracking CD! - Lance)

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