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Bebop Spoken There

Davina Lozier: "So many people never settle into who they really are. They just do what they want to do because they want to be Oscar Peterson or Muddy Waters or Britney Spears. But I am what I am: a chubby, 40-year-old woman who's still doing it." - (DownBeat, December 2019).

Archive

Today Tuesday November 12

Afternoon

Jazz

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm - 3:00pm. Free.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. 1:15pm. Stanley Nelson's 2019 documentary film.

Evening

Jazz

Not Now Charlie - Fox Inn, West End Terrace, Hexham NE46 3DB.Tel: 01434 603681. 8:30pm. Free (donations).

Blues

Sugaray Rayford - Cluny, Lime St., Newcastle NE1 2PQ. Tel 0191 230 4474. 8:00pm. £15.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, April 19, 2018

Community Hall New Orleans Band @ Springwell Village Community Venue - April 18

Mick Hill (trumpet, vocals); Liz Bacon (clarinet); Jim Blenkin (trombone, vocals); Ian Wynne (piano, vocals); Dave Rae (guitar, banjo, vocals); John Robinson (double bass); Paul Bacon (drums) + Mac Rae (trumpet, vocals) third set
(Review by Russell)
Recent Arctic weather has, unsurprisingly, affected audience numbers across the region. Resident bands have played to fewer listeners - Springwell Village Community Venue’s Wednesday evening session being one example of winter’s chill wind decimating numbers. Springwell’s Community Hall New Orleans Band, resident for many a year, in many guises – the Rae Brothers NOJB, then Dave Rae’s Levee Ramblers – kept on going, flying the Crescent City flag. The band’s perseverance was rewarded last night with a capacity audience there to welcome home local hero Ian Wynne.

As a young man pianist Ian Wynne played with the Rae Brothers, later going on to study music and relocate to Paris. What a life! Last night the sun shone, Brown Ale flowed, the band played great as Ian Wynne’s dazzling ragtime to stride piano playing held the audience in its thrall. The gig wasn’t a ‘band plus guest gig’ – well, not until Wynne’s short solo set! – rather a band playing New Orleans’ jazz, in the style with solos, such as they were, succinct, to the point. I like it like that sang guitarist and classy banjo player Dave Rae. The all seated frontline included the veteran trumpeter Mick Hill who featured playing muted trumpet on Carolina Moon. Either side of Hill were stalwarts Liz Bacon on clarinet and Jim Blenkin, trombone. The boys in the engine room – John Robinson, double bass (make that ‘string bass’ in this context) and drummer Paul Bacon – set the tone for the evening; the least obtrusive, yet incisive rhythm support one could wish for on this Springwell/Mississippi paddle steamer.

Time for the unassuming Ian Wynne to step up; Professor Longhair’s Mardi Gras. Piano and vocals to die for, Wynne singing Well I’m goin’ to New Orleans…I wanna see the Mardi Gras. Wynne sang side on to the upright, clipping the lyric Well I’m goin’ to New Orlean, purposely omitting the letter s from Orleans to great effect. Dave Rae sang with feeling and on this date contributed several tunes including Make Me a Pallet On Your Floor and, switching to banjo, When I Move to the Sky.

Another bottle of Brown Ale (a trusted friend in a non-real ale environment!) came with a schooner, yes, a schooner! Jazz economy raffle tickets purchased (subsequently filed under ‘bin’!), and it was time for the second of three sets. Guest star Ian Wynne played a short solo set. We knew he would play solo – he didn’t travel from Paris not to play a few tunes! – and twenty minutes later some got to their feet to lead the well-deserved applause. First Mule Walk Stomp (James P Johnson), Echoes of Spring (Willie ‘The Lion’ Smith) followed, then Wynne’s set piece, Meade Lux Lewis’ Honky Tonk Train Blues. For the record, this was piano playing of the highest order. Regional promoters could do worse than offer Wynne a gig, here’s hoping! And our star guest wasn’t finished yet. Fats Waller followed and Wynne closed his set with a tune readily associated with Muddy Waters, Got My Mojo Working playing piano and singing. An ‘I was there’ occasion.   
 

Mac Rae belatedly joined the band for a third and final set playing trumpet alongside Mick Hill and singing a couple of numbers. Wynne resumed his role as an equal among New Orleans’ equals. It was a fine evening of New Orleans jazz, and, weather-wise, it was ‘such a lovely day’ to travel out to Springwell Village. Next week the Community Hall New Orleans Band welcomes another guest. Ex-pat trombonist Roy Rubenstein flies in from Chicago. All roads lead to Springwell, Wednesday 25 April. 8:15 start, three quid at the door. Recommended.  
Russell.                                                          

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance