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Bebop Spoken There

Spasmo Brown: “Jazz is an ice cream sandwich! It's the Fourth of July! It's a girl with a waterbed!”. (Syncopated Times, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17444 (and counting) posts since we started blogging 16 years ago. 718 of them this year alone and, so far, 100 this month (Oct. 10).

From This Moment On ...

October

Fri 11: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 11: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 11: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 11: Dulcie May Moreno @ The Old Library, Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 11: The Jazz Quartet + Stratosphonic @ Tynedale Rugby Club, Corbridge. 7:00pm. £15.00. A Rotary Club of Hexham event. The Jazz Quartet (Jude Murphy & co), Stratosphonic (blues/rock). CANCELLED!
Fri 11: Joe Steels Trio @ The Pele, Market Place, Corbridge NE45 5AW. 7:00pm. Free.
Fri 11: Crooners @ Tyne Theatre, Newcastle. 7:30pm.
Fri 11: Mo Scott Band @ Blues Underground, Nelson St., Newcastle. 9:00pm. Free. CANCELLED!

Sat 12: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 12: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. £12.00. (£10.00. adv.). Country blues guitar & vocals.
Sat 12: Nauta @ Cobalt Studios, Newcastle. 7:00pm. £13.28, £11.16, £9.04. A two-track recording launch gig.
Sat 12: Stuart Turner @ Prohibition Bar, Newcastle. 8:00pm. Rockabilly, rhythm & blues etc. A ‘Jar on the Bar’ gig.
Sat 12: Lapwing Jazz Trio @ The Ship Inn, Low Newton. 8:00pm. Free. New trio: Paula Whitty, Richard Herdman, Jude Murphy.

Sun 13: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 13: Emma Wilson @ Tyne Bar, Newcastle. 4:00pm. Free. Blues.
Sun 13: Catfish Keith @ The Cluny. 7:00pm. Country blues.
Sun 13: Cath Stephens & Paul Grainger @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Stephens & Grainger, one third of a triple bill.
Sun 13: Dulcie May Moreno Quartet @ The Globe, Newcastle. 8:00pm.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Black is the Color of My Voice @ Hippodrome, Darlington. 7:30pm. Apphia Campbell’s one-woman show inspired by Nina Simone, performed by Nicholle Cherrie.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano), Paul Grainger (double bass), Bailey Rudd (drums).

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Cath Stephens’ improvisation workshop @ Prohibition Bar, Newcastle. 4:30-6:00pm. Collaborative group focusing on vocal improvisations.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 17: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 17: Olivia Cuttill Quintet @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 17: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Phoenix Theatre, Blyth. 7:30pm.
Thu 17: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 17: Niffi Osiyemi Trio @ The Harbour View, Sunderland. 8:00pm. Free.
Thu 17: Tees Hot Club @ Dorman’s Club, Middlesborough. Guests Jeremy McMurray (keys); Richie Emmerson (tenor sax); Mark Toomey (alto sax); Adrian Beadnell (bass). 8:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, April 10, 2018

GIJF Day 3: Sheila Jordan with the Pete Churchill Trio & RNS string quartet/ Zoe Gilby & Andy Champion – Sage Gateshead, April 8.

Sheila Jordan (vocals); Pete Churchill (piano); Duncan Hopkins (bass); Mark Fletcher (drums) + a string quartet from the Royal Northern Sinfonia
(Review by Ann Alex pictured w. Sheila Jordan/On stage photos courtesy of Ken Drew) anyone who didn’t thoroughly enjoy this concert should see a doctor urgently! This will take some beating not to turn out to be my Gig of the Year. Not only is Sheila Jordan a superb interpreter of jazz songs, especially bebop style, but she is a totally entertaining raconteur. If she didn’t do music, she could have earned her living as a comedienne and a very charming one. And the trio played along well ('I’d like you for my son’) said Sheila to Pete Churchill at one point, complemented by appropriately effective arrangements from the strings on some of the songs.
All Or Nothing At All opened the set, with solos from both the piano and the quartet, then a song new to me, My Haunted Heart, followed by Sail Away, with a long flowing piano break, and Pete Churchill working hard as he had to conduct the quartet as well as playing. Don’t Give Up was followed by a song I hardly recognised because Sheila made it so much her own. It turned out to be a rather moving version of Look For The Silver Lining, a grand way to round off the first half. 

The second half opened with How Deep Is The Ocean, and a chance for piano, quartet, and Sheila herself to conduct a round of 4’s. Then Sheila humorously told us about how, aged 8, she had to be rescued by a passing stranger when her brother tried to drown her. The whole performance was peppered by lively stories from our singer’s life. She first heard the music of Charlie Parker when she was in her teens and was immediately hooked on Bebop. She told us how she had to register for something official, and when she gave her profession as ‘singer’ they told her that that wasn’t a profession, they meant doctor or lawyer. They obviously hadn’t heard her sing.

 The songs and stories continued, I Concentrate On You; Inchworm, paired with The Caterpillar Song; then the amusing Dat Dere, a song about a child asking lots of questions. Autumn In New York was introduced as a tribute to remember 9/11, ‘when we were so brave’ said Sheila.  Next came a bebop song which I think was an original by our singer; then What’ll I Do; and a call and response duet with Pete Churchill on The Touch Of Your Lips. Then came a short account of Sheila’s life in song – how many other jazz singers would dare to do this? It was rather like the exercise that we had done in the masterclass when we had to sing a few bars about where we came from. The final song was Heart’s Desire, after which this lady wished us well, then touched her toes, before leaving the stage. Well done, at the age of 89! No time to lose, I hurried out to get my copy of the limited edition CD, which includes most of the songs we’d just heard.  

Zoe Gilby (vocals) Andy Champion (bass)
The concert had begun with a short set from these two well-known performers. Zoe has been inspired by the encouragement of Sheila Jordan, and Zoe herself has a natural, friendly line of chat, ‘We like to do stuff with just the two of us, it saves on petrol, we just use 1 car (or similar words), said Zoe. Nice Work if You Can Get It was the first song to a steady riff from Andy, then Weaver Of Dreams, sung to a slinky bass. Monk’s Straight No Chaser, not an easy song, but no problem to Zoe, finishing with Paul Simon’s Graceland, and a percussive bass.
Nice one!
Ann Alex

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