Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18395 (and counting) posts since we started blogging 18 years ago. 259 of them this year alone and, so far this month (Mar. 30 ), 69

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: King Bees @ Billy Bootleggers, Newcastle. 7:00pm (doors). Free. Chicago blues.

Saturday, June 24, 2017

The Gabi Heller Quartet @ The Globe - June 22

Gabi Heller (vocals); Steve Glendinning (guitar); Dave Parker (bass); Mark Robertson (drums)
(Review by Ann Alex)
This band was as great as ever, so the difficulty for the reviewer is trying to say something different about the performance. Here goes: I noticed Gabi’s clever acting ability in interpreting the songs, especially her very expressive left hand (the hand not holding the mike) pleading, spreading, twisting, in order to convey emotion. I noticed the wide range of different tones that Stevie entranced from the guitar, Dave practically dancing with the bass in his enthusiasm, and Mark matching his drumming wonderfully to the different moods of the songs, sticks, brushes, mallets, playing cymbals only, as suggested. Gabi, who is an actor as well as a singer, put her heart and soul into all the songs, and I think maybe all jazz singers should study acting as well. The songs are worth it.

A good start was made with All Or Nothing At All, a skilled long guitar solo, inventive scat from Gabi, with the faintly German accent adding charm to the songs. Gabi told us that you can get an app on your mobile to tell you the stages of the moon, before singing about the Old Devil Moon, and My Foolish Heart, during which she became a scatting instrument in the band, singing a staccato blend with the guitar. Angel Eyes was heartbreakingly sad, a slow ballad with just guitar and voice to start, then the guitar with an echo effect, and a bass solo. Then along came It Don’t Mean A Thing to cheer us, fast scat, busy drums, call and response between voice and guitar. Imagination was milked for all it was worth, very slow with brushed drums, made humorous with a Louis Armstrong  growl on some of the words, but what else can you do with odd lyrics such as ‘starts you asking a daisy what to do, what to do’? Slow Me Down Lord, a gospel song, was included for people agitated by the news, but done loud with lively drums, to give the opposite effect to the words, just for a change, as Gabi explained. The first half ended with You’d Be So Nice To Come Home To.
I liked the very varied selection of songs done and the interesting information supplied by Gabi, such as the Moon app mentioned before, and the way Gabi takes on a different persona occasionally, such as with the song  Don’t Mess Around With Me, (an original) a cabaret type song where she becomes a bossy woman. Other songs done in the second set were a rousing My House (Easter Eggs and Christmas trees were offered to the house guest); You Don’t Know What Love Is; The Queen song Dead On Time (about chasing time, with whoops from our singer and an unusual drum and guitar duet); Softly As In A Morning Sunrise (Gabi pointed out how dark the lyrics are); My Favourite Things (raindrops illustrated on the guitar); Come On Into My Kitchen; and to finish, Lullaby Of Birdland (much playing with the lyrics).  
 Another good night at the Globe.

Ann Alex

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