Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Mon 30: Gerry Richardson Quartet @ Yamaha Music School, Blyth. 1:00pm.
Mon 30: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Sunday, June 11, 2017

CD Review: Yoko Miwa Trio - Pathways

Yoko Miwa (piano); Will Slater (bass); Scott Goulding (drums) + Brad Barrett (bass 1 track).
(Review by Lance).
I never get tired of listening to piano trios. There's something about the piano, bass and drums set up that always lights a spark within me. I know its formulaic - but, so is the recipe for Jack Daniel's!
Miwa's trio is in the Jack Daniel's league with the added bonus of not having a hangover the next day.
A mix of originals, Joni Mitchell, a couple by former Bill Evans' bassist Marc Johnson and a Lennon & McCartney tune I didn't know - Dear Prudence.

Lickety Split is the first of her originals. Husband Goulding drives it along and Miwa is in Tyner mode. The Goalkeeper,  inspired by a neighbour's cat who visits and who seemingly has the ability to paw balls back up floor without conceding. Rumour has it that a couple of northeast Championship sides are vying to sign the feline. The piece itself is a jaunty romp that has a Powell/Peterson feel to it with Miwa playing those rich block chords favoured by so many of the piano greats.
Lantern Light is quite moving with a lyrical feel. The fragile sense of a single lantern being carried through a dark night, whilst the bluesy Was it Something I Said? is classic jazz piano and, once again, Bud and Oscar spring to mind.
Not surprisingly, The two compositions by Johnson, Log O'Rhythm and After You, feature Slater and he isn't found wanting. Indeed, he is a tower of strength throughout. Digging deep when it's all hands on deck yet laying back when laying back is called for.
Joni's Court and Spark draws on the melancholic mood of so much of her work and, even without words, the feel is there.
Dear Prudence, as I said earlier, Is a number I'm unfamiliar with but, like so many Beatles' songs, the melody often takes on a totally new perspective when the words are removed. I suspect this may be the case here. Whatever, the trio put their own stamp on it (Barrett  takes over from Slater on this one).
It's a delightful album. It won't be my CD of the Year but it will be more than a hill of beans nearer the top than the bottom.
Lance.

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