Total Pageviews

Bebop Spoken There

Spasmo Brown: “Jazz is an ice cream sandwich! It's the Fourth of July! It's a girl with a waterbed!”. (Syncopated Times, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17421 (and counting) posts since we started blogging 16 years ago. 695 of them this year alone and, so far, 100 this month (Sept. 30).

From This Moment On ...

October

Tue 08: ???

Wed 09: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free. Wed 09: Jason Isaacs @ St James’ STACK, Newcastle. 5:00-7:00pm. Free.
Wed 09: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 09: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 09: The Tannery Jam Session @ The Tannery, Gilesgate, Hexham. 7:00-9:00pm. Free. A ‘second Wednesday in the month’ jam session.
Wed 09: Shunya, Dudù Kouate & Seb Rochford @ The Cluny, Newcastle. 8:30pm (7:30pm doors). £21.00.

Thu 10: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 10: Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. ‘Collaborations - it happened all the time’.
Thu 10: Indigo Jazz Voices w. the Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.
Thu 10: Side Cafe Orkestar @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 10: Tees Hot Club @ Dorman’s Club, Middlesborough. 8:30pm. With guests Donna Hewitt (sax); Bill Watson (trumpet); Graham Thompson (keys); Ron Smith (bass). Free.

Fri 11: Dulcie May Moreno @ The Old Library, Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 11: The Jazz Quartet + Stratosphonic @ Tynedale Rugby Club, Corbridge. 7:00pm. £15.00. A Rotary Club of Hexham event. The Jazz Quartet (Jude Murphy & co), Stratosphonic (blues/rock).
Fri 11: Joe Steels Trio @ The Pele, Market Place, Corbridge NE45 5AW. 7:30pm. Free.
Fri 11: Crooners @ Tyne Theatre, Newcastle. 7:30pm.
Fri 11: Mo Scott Band @ Blues Underground, Nelson St., Newcastle. 9:00pm. Free.

Sat 12: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 12: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. £12.00. (£10.00. adv.). Country blues guitar & vocals.
Sat 12: Nauta @ Cobalt Studios, Newcastle. 7:00pm. £13.28, £11.16, £9.04. A two-track recording launch gig.
Sat 12: Stuart Turner @ Prohibition Bar, Newcastle. 8:00pm. Rockabilly, rhythm & blues etc. A ‘Jar on the Bar’ gig.
Sat 12: Lapwing Jazz Trio @ The Ship Inn, Low Newton. 8:00pm. Free. New trio: Paula Whitty, Richard Herdman, Jude Murphy.

Sun 13: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 13: Emma Wilson @ Tyne Bar, Newcastle. 4:00pm. Free. Blues.
Sun 13: Catfish Keith @ The Cluny. 7:00pm. Country blues.
Sun 13: Cath Stephens & Paul Grainger @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Stephens & Grainger, one third of a triple bill.
Sun 13: Dulcie May Moreno Quartet @ The Globe, Newcastle. 8:00pm.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Black is the Color of My Voice @ Hippodrome, Darlington. 7:30pm. Apphia Campbell’s one-woman show inspired by Nina Simone, performed by Nicholle Cherrie.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano), Paul Grainger (double bass), Bailey Rudd (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, June 18, 2017

‘Brother Can You Spare A Dime?’ – A song worth singing

Another article in my occasional series about songs that I love. Consider the lyrics, verse included:-
(Ann Alex)
To get a ‘feel’ for this song, Google the title. The first entry is a recording of Al Jolson doing a rather too dramatic version of the song, but the accompanying photographs, showing scenes from the Depression era, are excellent. This song is rightly considered to be an anthem about the American Depression of the 1930’s. By 1932 the unemployment rate in the USA was 24.1%, so there were many ‘Als’ waiting in line. What is clever about the lyrics is that they aren’t a long lecture about the ill effects of the Depression, but a simple description of the circumstances of one man. The listener has to work out how this man got to the stage of asking for help, so is drawn right into the meaning of the song.
I love to sing this song in folk music clubs because of its deep meaning. I like to put particular emphasis on the last ‘I’m your pal’ to bring out the pathos and sheer unfairness of Al’s circumstances. He isn’t being treated at all like a ‘Buddy’ by society. The minor key brings out the sadness. Try singing it in a major key and the whole scenario is lost.
They used to tell me I was building a dream
And so I followed the mob
Where there was earth to plough or guns to bear
I was always there right out on the job
They used to tell me I was building a dream
With peace and glory ahead
Why should I be standing in line just waiting for bread?

Once I built a railroad, made it run
Made it race against time
Once I built a railroad, now it’s done
Buddy, can you spare a dime?

Once I built a tower to the sun
Built of brick and mortar and lime
Once I built a tower, now it’s done
Buddy, can you spare a dime?

Once in khaki suits, gee we looked fine
Full of that Yankee doodly dum
Half a million boots went slogging through hell
And I was the kid with the drum

Oh say don’t you remember, they called me Al
It was Al all the time
Say don’t you remember, I’m your pal
Buddy can you spare a dime.
(Lyrics Yip Harburg; Composer Jay Gorney; written in 1931 for a musical ‘New Americana’)
Ann Alex

  

9 comments :

Steve T said...

Sadly this song wasn't recently decreed by some American institution or other to have been the greatest song of the C20th. That accolade went to - drum roll - Imagine by John Lemon. Ah well, at least it wasn't Yesterday or Bohemian Rhapsody - Lance will be wishing it was Summertime.
I remember Richard Madely saying he doesn't like Imagine and a black colleague (who should know better) telling him to listen to the lyrics - Plato for 11+.
I recall another lady saying how iconic it is but when Terry Christian observed it's rather dull and plodding, she seemed unable to speak afterwards.

If you imagine how much music we know from the C19th, C18th etc. The late 18th early 19th century is heard as the golden age of classical music though most of us will only know 2,3 maybe half a dozen composers from that period.
How much C20th music do we think the current custodians of taste will pass on to the future historians on our behalf and is this what we want it to be?
Being a Jazzer means also being a fighter, not passively thinking the people running the media machine have any interest in music.

Sorry for hijacking your blog and I'd like to suggest: Jesse James - If You Want a Love Affair, Beloyd - Get into your Life, Marvin Gaye - Mercy Mercy Me and loads of stuff by Curtis Mayfield; lyrically maybe We the people who are Darker than Blue, We Gotta have Peace or Back to the World, or maybe the Impressions People get Ready. Or maybe something by Cole Porter.
I'd

Hilary Say (on F/b) said...

Have you heard George Michael's version of it with a big band Ann? It's tremendous. x

Ann Alex said...

I'm glad this has started a discussion. Steve, I know hardly any of the songs you mention, so I suppose it depends on what people listen to. I don't think choosing best songs of all time is useful. I like allsorts, eg Adele's 'Someone Like You' or Elbow's 'Days Like These'.'Imagine' was written with good intentions but the words aren't very sensible.
Hilary, I've listened to this on Utube, but I prefer a more intimate way of singing the song. The man concerned wouldn't have access to many resources, so low tech is best.

Steve T said...

I'm not really a song person. I like them as vehicles for music. The Al Green version of How can you mend a Broken Heart is sublime but the BeeGees version is terrible. So is it a good song? The original c + w version of Storybook Children is terrible but Gregory Isaacs version is amazing. Unlike Sinatra, I love his version of My Way but Sid Viscous? There are lots of examples. I worry when people talk about their favourite songs. That isn't what we like; we like genres of music, or in the case of people like John Lemon, people worship them and everything they do.

Lance said...

As always, Steve, you come out of left field and I'm never quite sure what you're on about! So you're not a song person you just like them as vehicles for music! Are songs not music? Lester Young, and others, have said they like to know the words when playing a song. It gives them an insight into the composer's mind. Most people have favourite songs even though they change from day to day. Songs, usually relate to memories like the girl you danced with at a club. Great lyricists such as Johnny Mercer, are, in their own way, the poets of the last century. Like Porter, Hart, Harburg they created masterpieces even before the music was added.
Like Ann, I'm unfamiliar with most of the songs you mention but I do find it strange that, Sinatra being the exception, your predilection for black music at the expense of all other. In this day and age I'd have thought people had long since dropped the race card and just treat music for what it is. Something to be listened to irrespective of genre. Good or bad is what counts which of course means one man's meat etc...

Ann Alex said...

Just a thought. Perhaps the acid test for this is:- What songs would you like to be played at your funeral? One of mine is Nancy Griffiths singing 'From A Distance', but I'm told that Bette Midler does a better version. But I suppose you wouldn't hear it yourself at the funeral, although we don't actually know that for certain!

Steve T said...

Songs are music but music isn't necessarily songs. To say that Zappa, Trane or even progrock is just songs is clearly playing to the songsmiths; the nice verse and the nice chorus most people now think of as music.
You may have noticed I never use the word tune. I first heard it in the early eighties to describe reggae, which is more about the ridim. In the late eighties an ex girlfriend started using it to describe soul, which is more about the grain in the voice; a 'good' song may help but the voice is the thing. Eventually the pop people started using it but neglected to mention the novelty and the haircut which distinguished it from each other.

It's all black music; if I started saying my favourite composers were all black, people would think I'm nutty, but we accept the great black music was all by white people, just because they get more media attention and made more money. It's not mentioning race that is racist.

As Hamlet said - there is nothing either good or bad, cept thinking makes it so.
I'm not too interested in what Paul Gambaccini thinks.

Anonymous said...

From a jazz playing perspective learning the lyrics helps to learn the melodies and as you mention Lance, a deeper understanding of the piece. However, most would hopefully agree that jazz musicians play more than just a song; they use it as a springboard for new innovations. Also. the likes of Curtis Mayfield should surely be placed in more esteem than the likes of Adele... regardless of race

Unknown said...

The song about the wall st collapse which started ww2

Blog Archive