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Bebop Spoken There

Ethan Iverson: "Mickey Roker played drums in church, and his beat on [Mary Lou] Williams' "Ode to St. Cecile" might make even a diehard atheist a believer" - (JazzTimes Sept. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday October 14

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Richard Bona & Alfredo Rodriguez - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 8:00pm. £24.50.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, June 21, 2017

Jazz Café Jam Session - June 20













(Review by Lance).
The house trio got things rolling with It Could Happen to You; Blue Skies and Exactly Like You which, in places, was exactly like Take the A Train. Alan Law was on fire with Grainger and Morgan adding additional fuel - a promising start.
Grainger remained on board to be joined by Martin Waugh, a fine piano man down from Edinburgh, Keith Barrett, guitarist, more often seen at the Globe Jazz Bar and drummer Fairhurst, a regular at both venues.
Barrett opted for No Moon at All which was a wise choice as was Waugh's Nobody Else But me.
Joel Brown took over the piano stool his shorts and trainers reminding us it was summertime. Fortunately, he changed seasons and played Autumn Leaves. John Pope spelled PG on bass for All of Me followed by a somewhat indecisive take on Monk's I Mean You. When the pianist has his back to the rest of the band communication can be difficult.
No such problems with Like Someone in Love.

Up to now, the listeners had been somewhat thin on the ground but, perhaps the word had got around that Julija was in town and the room began to fill up.
With the house trio behind her she gave an emotive rendition of When Sunny Gets Blue then upped the tempo with There Will Never be Another You.
John Pope came back on bass and Matthew MacKellar moved in behind the kit.
An absolutely amazing Mood Indigo - amazing because it's never been one of my favourite numbers. Well, let me tell you, it is now!
The lady from Lithuania finished her set with You'd be so Nice to Come Home to. A sentiment that I'm sure was shared by many!
Martin Waugh came back for a funky Wes Montgomery number - Road Song. Let's hope he pops down the road more often.
Young Joel then went into Caravan with young Matthew and Pope John. I wanted to stay but I too had a caravan to catch which I achieved with about 30 seconds to spare.
Another night to remember.
Lance.
Alan Law (piano); Paul Grainger (bass); Russ Morgan (drums) + Martin Waugh (piano); Keith Barrett (guitar); Matt Fairhurst (drums); Joel Brown (piano); John Pope (bass); Julija Jacenaite (vocal); Matthew MacKellar (drums).

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance