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Bebop Spoken There

Jennifer Wharton: "People forget that the trombone is so glorious. It can be like going to church, or getting ready for battle. It can be a lot of things....For a longtime I was the only female trombonist in New York," - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,248 (and counting) posts since we started blogging 13 years ago. 667 of them this year alone and, so far, 75 this month (May 16).

Coming soon ...



May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club. 8:30pm start.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Sunday, January 29, 2017

Jazz Latin Groove @ The Globe: January 28














Debra Milne (vocals); Steve Summers (sax); Alan Law (piano); Katy Trigger (bass); Nik Alevroyiannis (drums).
(Review by Ann Alex/Photos courtesy of Ken Drew)
It felt as if we were in sunny climes, not in cold Newcastle, as the band seemed to transport us abroad by way of bossa nova, bolero, the tunes of Horace Silver, Jobim, Chic Corea and even Stevie Wonder.
It all began with One Note Samba, a clever set of lyrics about coming back to that one note and also to ‘you’, right through to such songs as Little Sunflower; Afro Blue; 500 Miles High; Sting’s Consider Me Gone; Senor Blues; Corcovado; Spooky; Temptation (Tom Waits) and a couple of songs in Spanish. And each song performed by Debra with sweet-voiced rhythm, and superb solos from each band member.
Alan claimed to have found new organ-like sounds on the piano, to go with his wonderfully adventurous playing: Steve played soprano, tenor and baritone sax (his newest instrument) with aplomb, as well as adding one or two shakey items to the percussion: Katie was as skilled as ever on bass, with a clever bass solo on Spooky: and Nick did the percussion proud with some enthusiastic hand drumming on Afro Blue (on congas) and also delightful sounds on triangle during Corcovado, as well as playing the regular kit.  
I was sorry to have to leave during what I supposed was the last number, to go outside into cold Newcastle, but, with a bit of the sun inside me from hearing the music, the temperature wasn’t too low.
Ann Alex

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