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Bebop Spoken There

Jennifer Wharton: "People forget that the trombone is so glorious. It can be like going to church, or getting ready for battle. It can be a lot of things....For a longtime I was the only female trombonist in New York," - (DownBeat May 2021)

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Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,248 (and counting) posts since we started blogging 13 years ago. 667 of them this year alone and, so far, 75 this month (May 16).

Coming soon ...



May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club. 8:30pm start.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Friday, January 20, 2017

CD Review: Audrey Silver - Very Early

Audrey Silver (vocals); Bruce Barth (piano); Paul Beaudry (bass); Lewis Nash (drums); Alex Pope Norris (trumpet); Gary Versace (accordion); Ron Affif (guitar); Tom Beckham (vibes)
(Review by Ann Alex)
One of the best things about this enjoyable CD is the interesting choice of songs. I haven’t previously come across any of them on a jazz CD: there are 2 by Audrey Silver herself, songs by Sting, Declan O’Rourke, a song in French, 2 songs with lyrics by poets, and also 2 songs from musicals which aren’t usually done by jazz singers (Surrey With The Fringe On Top and Getting To Know You). And the style is unmistakably jazzlike, vocals with clear diction in a pleasing alto voice and lots of space for instrumental soloing. Not so much once through the chorus, then solos, but rather a piano and vocal lead, followed by the other instruments contributing at various parts of the songs. The accordion, guitar, trumpet and vibes are not on every track, but are used wisely where appropriate. 

Six of the 12 songs were especially good. Surrey With The Fringe On Top is played in 5/4 time to indicate the skewed movement of this type of vehicle; Getting To Know You is very cleverly done as a song about a stalker, with the singer distorting the tune, sinister chords on piano and a muted trumpet; Goodbye New York has effective lyrics by a poet, Deborah Garrison, which list the characteristics of that city, eg ‘You were ugly and gorgeous but never pretty’. Sting’s Until, a song about love at first sight, features bowed bass, accordion, and muted trumpet;  Lemon Twist (Bobby Troup) comes over as an advert for the health benefits of lemons, with cool-sounding vibes; Lucky To Be Me (music by Bernstein) is a real swinger, the most jazzlike of all the tracks.
Audrey Silver is admired on the New York jazz scene and this is her third album. She has studied classical piano and cello and has worked in business and advertising. She says she wants people to hear this CD and feel better than they did before, and I believe that she has achieved this, with me at any rate.
The CD was released on November 14, 2016. See www.audreysilver.com

Ann Alex

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