Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,012 (and counting) posts since we started blogging 18 years ago. 876 of them this year alone and, so far this month (Oct. 16) 55.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Sat 17: SunOrbitUs @ Culture House, Sunderland. 11:00am - 5:00pm. Closing event in a year-long piece of music. 11:00am-1:00pm Improvisation workshop w. Faye MacCalman; 2:00-5:00pm Collective Improvised Performance by Sunderland residents. SOLD OUT!
Sat 17: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 17: Martin Taylor @ Bowes Museum, Barnard Castle. 7:30pm. £48.72; £43.37. Solo guitar. SOLD OUT!

Sun 18: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 18: Creakin’ Bones & the Sunday Dinners @ Tyne Bar, Newcastle. 4:00pm. Free. Jump jive.
Sun 18: Guisborough Big Band @ Redcar Rugby Club. 5:00-8:00pm. ‘Charity Big Band Birthday Bash’ in aid of Parkinson’s UK & Young Sounds UK. Free (donations on the door).
Sun 18: Martin Taylor @ The Glasshouse, Gateshead. 8:00pm. £23.30. Solo guitar.
Sun 18: Ben Crosland Quartet with Steve Waterman @ The Globe, Newcastle. 8:00pm.

Mon 19: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 19: Sue Ferris Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 20: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Pete Tanton (trumpet, flugelhorn).
Tue 20: Graham Hardy’s Eclectic Quartet @ Queen’s Head, Rothbury. 7:30pm. £11.00. Tickets from Tully’s, Rothbury. Coquetdale Jazz. Note change of venue.
Tue 20: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, Scotty Adair.

Wed 21: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 21: FILM: Blue Moon @ Washington Arts Centre. 1:00pm. £4.50 (inc. bf). Biopic of lyricist Lorenz Hart.
Wed 21: De'Sean Jones’ Urban Art Orchestra @ The Cluny, Newcastle. 7:30pm (doors). £10.00.; £5.00. student, unwaged; free to Mercury Awards ticket holders. De'Sean Jones (tenor sax, EWI); Tjoe Man Cheung (guitar); Mikele Montolli (double bass) + others TBA.
Wed 21: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 21: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 21: Roby Glod-Steve Sewell Quartet @ Central Bar, Gateshead. 8:00pm.

Thu 22: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 22: Mercury Prize @ Utility Arena Newcastle. 8:00pm. £60.25.; £48.75. Line-up inc. Knats.
Thu 22: Dean Stockdale Trio @ Bandstand!, Exhibition Park, Newcastle. 7:30pm. Tickets: £10.20 (inc. bf) via Instagram. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Thu 22: Olly Styles Trio @ The Globe, Newcastle. 8:00pm. £7.75.

Fri 23: Sara Oschlag w. Arnie Somogyi Trio @ The Lit & Phil. 1:00pm. Sara Oschlag (vocals); Ben Lawrence (piano); Arnie Somogyi (double bass); John Hirst (drums). SOLD OUT!
Fri 23: Emma Fisk’s Hot Club du Nord @ Gala Theatre, Durham. 1:00pm. Durham Jazz Festival. SOLD OUT!
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Maja Bugge & Dave Evans @ Claypath Deli, Durham. 7:00pm. Durham Jazz Festival.
Fri 23: Knats @ King Street Social Club, North Shields. 7:00pm. £17.00., £14.70., £11.30., £5.50. SOLD OUT!
Fri 23: King Bees @ Billy Bootleggers, Newcastle. 7:00pm. Free. Superb Chicago blues band.
Fri 23: Sara Oschlag & Arnie Somogyi w. Ben Lawrence @ Ship Isis, Sunderland. 7:30pm. Sara Oschlag (vocals); Ben Lawrence (keyboards); Arnie Somogyi (double bass).
Fri 23: Ronnie Scott’s Soho Songbook @ Redhills, Durham. 8:00pm. James Pearson (piano); Sam Burgess (double bass); Chris Higginbottom (drums); Alex Garnett (sax); Polly Gibbons (vocals). Durham Jazz Festival. SOLD OUT!
Fri 23: SwanNek + Jacob Egglestone @ Fabio’s Bar, Durham. 9:00pm. Durham Jazz Festival.

Tuesday, January 24, 2017

Going Dutch @ The Lit & Phil (afternoon session) - January 22

(Review/photos courtesy of Ken Drew)
The expectations of this Dutch All-Dayer had been well and truly set the previous evening at the Jazz Café – what a Taster that was!
Now for the programme proper.  The format ran as 3 sets, each with one established group of players preceded by a new grouping.


2pm:  Oli Brice on bass, John Dikeman on sax, Onno Govaert on drums.  Dikeman was 'leading' but Brice and Govaert stuck to his heels and followed unrelentingly to the end.  Dikeman was certainly on form and overall it was a HUGE sound and a great opener.

2:20-3:00 Ab Baars on reeds, Wilbert de Joode on bass, Martin van Duynhoven on drums. A quieter journey, again 'led' by the sax although this time there were music stands (and therefor some pre-arranged pieces) involved. The first piece lasted just a few minutes of very thoughtful and dynamic playing, but provided an excellent introduction for what was to follow. Baars moving from sax to clarinet lowering the pace even more.  Good use of the space for some quite dramatic silences, and crashes from van Duynhoven. This was inspired by Messiaen's musical fantasy of sonority - mostly birdsong, but maybe there was a hint of Rhapsody in Blue (to my ears!) but overall some very thrilling, dynamic and thoughtful playing, each player reading each other perfectly. One piece in particular was very quiet but all the more sonically interesting for it. The audience appreciated it all. 

3:15pm:  Reinier Baas - guitar solo.  Mesmeric, rhythmic, flowing and shimmering sounds - hints of John Renbourne and Gordon Giltrap (to name two non-jazz guitarists, for some of the playing techniques displayed) coupled with a generally subtle use of pedals. A very unique sound built on many techniques and simple use of a few pedals on the floor (apart from a short spell of over-use of the volume pedal at one point, tending to excess). The left hand chord fingering was a joy to watch, including the creation of harmonics from Reinier's right hand plucking & hammering the strings.  Towards the end de Joode joined in for a short lively piece - as if chasing each other!

3:40-4:15 "Feecho" - Kaya Draksler on grand piano and Onno Govaert on drums. A very long piece, reminiscent of Messiaen and Schnittke etc.  A wonderful duet, with beautiful playing and interpretation on the piano concluding with Messiaen flavours, including a perfect combination of low-end notes blended with high-end notes trembling then diminishing to quietness.
A joy to behold!

4:30: Oli Brice on bass, Faye MacCalman on reeds, Wilbert de Joode on bass. Two Bass's plus sax!! Ok, so we'd had a brief insight into this at the Caff the night before. Starting with both basses, quickly bringing out rich harmonics from each.  MacCalman soon joining in with clarinet, diving in and out of the two complementary basses - bird-like effects and more. A free piece, yet well-structured in its delivery, with very nice interplay between all three. The second, shorter piece, was more frenetic and intense, and hung together well.

4:55-5:30: Ab Baars on reeds, Ig Henneman on viola.  Viola-with-clarinet, dancing around and following each other in a myriad of rhythms and exploring many sonic avenues. The second piece (around a Frank Schubert piece) saw viola now with sax from Baars much more pronounced and frantic, slowing to a meandering theme in the viola. Finally it is rudely joined by the sax providing a new theme, almost anthemic.  An odd (maybe?) but certainly workable collaboration but overall, quite delicate throughout.  The final piece saw Baars wield a bass recorder (?) but maybe a more compatible pairing of instruments for this style of music.  A nice combination.

And so ended the afternoon session. It was noted by many that the programme timing was very good through the day. Both for the start of the day, throughout the session, and at the end! Not sure if this was a Dutch effect or just a concerted improvement over last year’s All-Dayer.  The format was simple and worked really well - the first group of each set was allocated 20 minutes, yet despite the shortness of these, each group gave it their all and delivered quite exhilarating pieces whether short or long.
Ab Baars (reeds); Reinier Baas (guitar); Olie Brice (bass); Wilbert de Joode (bass); John Dikeman (sax); Kaja Draksler (piano); Onno Govaerts (drums); Ig Henneman (viola); Faye MacCalman (reeds); Jasper Stadhouders (guitar); Martin van Duynhoven (drums).

Ken Drew

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