Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Wednesday, August 17, 2016

CD Review: Barney Kessel - Live At the Jazz Mill 1954

Barney Kessel (guitar); Pete Jolly (piano); Gene Stoffali (bass); Art Kile (drums).
(Review by Maurice J. Summerfield).
In 1954 Barney Kessel was only 31 years old yet he had already had been, in the late 1940’s, the featured guitarist in the Artie Shaw, Charlie Barnet and Benny Goodman bands.  In 1947 he was a member of Charlie Parker’s All Stars and, in 1952 -1953, toured the world with Norman Granz’s JATP package both as a soloist and as an integral part of the Oscar Peterson Trio.  
Kessel also featured as sideman/soloist on dozens of jazz recordings produced by Norman Granz including groups as disparate as those led by Lester Young, Benny Carter, Charlie Parker, Billie Holiday, Ella Fitzgerald, Anita O’Day, Kid Ory, Art Tatum, Oscar Peterson, Ben Webster, Harry Edison, Buddy De Franco, Buddy Rich and many other jazz greats.
Leonard Feather wrote in Downbeat, that Barney Kessel is as lyrical a guitarist as we have in jazz today, and is also a rhythmic natural who can outswing any man in the house.
This 62 years old, newly discovered, recording confirms that Feather was 100% correct. Taped by a, then 21-year old, jazz fan Jack Miller, the tracks have been selected from those recorded by Miller during Kessel’s ten-night residency at the ‘Jazz Mill’ club in Phoenix, Arizona backed by the Pete Jolly Trio.
The quality of the recording is surprisingly good.   Released 12 years after the great jazz musician’s death, this CD (also available on vinyl) shows Kessel at his swinging best and as such is a must for jazz guitar lovers.  Songs featured on the recording are Strike up the Band, How About You, Get Happy, Stardust, Seven come Eleven, Rose Room, Somebody Loves Me and Embraceable You.  Pete Jolly fans will also be delighted at the discovery of this early recording. 
Kessel is at the height of his powers here and one which I heartily recommend. My only small complaint is the CD, at 42.03 minutes, is a bit short by today’s norm although  vinyl fans might not complain!.
Maurice J. Summerfield.

1 comment :

Russell said...

A new release, great! Off to JG Windows to see if they've got a vinyl copy!

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