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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Mon 20: Harmony Brass @ the Crescent Club, Cullercoats. 1:00pm. Free.
Mon 20: Michael Young Trio @ The Engine Room, Sunderland. 6:30-8:30pm. Free.
Mon 20: Joe Steels-Ben Lawrence Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Wednesday, March 09, 2016

The Safe Sextet @ The Jazz Café - March 8


Don Forbes (tpt); Paul Gowland (alt/ten); John Rowland (ten); Alan Law (pno); Paul Grainger (bs); Paul Wight (dms).
(Review by Lance).
A tribute to north-east legends the Emcee 5, with a nod towards Stan Tracey's Under Milkwood, made this a most satisfying session. Particularly for someone such as myself who remembers hearing the Emcee 5 at the Down Beat club in Carliol Square back in the mists of time.
Don Forbes transcribed the numbers from disc and from memory. He did a grand job of recapturing the feel of the originals. The Emcee 5 compositions, mainly by Mike Carr and Gary Cox, had an identifiable sound and, although there were now six, that sound was still there.
Three Mike Carr pieces: The Bridge; Down Beat After Dark and The One That Got Away set the pace. Tight ensembles and excellent solos passed around the seated players (only Grainger, on bass, remained standing although Rowland did stand up for his solos). It didn't matter.
Unlike so many sessions these days, every number didn't end up with the seemingly endless, and often meaningless, rounds of fours.
Pen Pals and I Lost my Step in Nantucket (knockout Alan Law) brought Under Milkwood into the equation and they did Stan Tracey proud. Dobson's Choice, named after local author and jazz fan, Scott Dobson (Larn Yersel Geordie), brought the first set to a close.
The second innings began with a Stan Tracey bouncer - No Good Boyo (I think) and a balladic piece that had both tenors tugging at the heartstrings.
More Emcee 5 with Bell's Blues, a piece from the latter days of the group that, now, featured Gary Cox on tenor, Mike Carr on organ, Jacky Denton on drums and John McLaughlin on guitar. Tonight it was trumpet and two tenors out front and the 3/4 Scottish flavoured opus swung like Sauchiehall St on New Year's Eve.
Groovin' at the Down Beat featured Paul Wight, Stephenson's Rocket had some keyboard capers from Alan Law and John O' Groats brought the set to a close except it didn't. A jam on There Will Never be Another You almost did until the word got around that it was my birthday the next day and the inevitable Happy Birthday to You followed. Thanks, guys, you made an old man feel even older!
Still it had been a good session. Don Forbes' transcriptions accurate and his trumpet playing very much in the Ian Carr mode. Gowland and Rowland, effective, albeit with contrasting styles. Laws, Grainger and Wight - solid.
The only downside was the poor attendance - they deserved a full house.
Lance.

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