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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday July 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, March 03, 2016

CD Review: Jeff Williams – Outlier

Jeff Williams (drums, percussion & Fender Rhodes), Josh Arcoleo (tenor saxophone), Phil Robson (guitar), Kit Downes (piano & Fender Rhodes) & Sam Lasserson (double & electric basses)
(Review by Russell)
Outlier is Jeff Williams’ third release as leader on the Whirlwind Recordings label. All of the compositions are by the bandleader.  Williams is the one fifth American in this Anglo -American quintet. The four sidemen are in demand individuals leading bands or working in others’ outfits and stacking up recording credits along the way. This 2015 recording on Michael Janisch’s Whirlwind Recordings label is released next week with a clutch of gigs beginning on Sunday (March 6) at the Royal Northern College of Music, Manchester.
Outlier, the eponymous opening track, simmers and swirls with Phil Robson’s guitar solo giving way to Kit Downes’ Fender Rhodes as Josh Arcoleo’s taut, writhing tenor rides on top of Williams’ constantly shifting cymbal work. Robson returns, Downes’ chords direct the ensemble with bassist Sam Lasserson right there.
Jeff Williams reveals The Interloper ‘Reminds me of Thelonious Monk.’ It is a danceable Pork Pie of a tune, without a doubt. The drummer’s forward motion, the pianist’s angular, swinging logic, Monk Lives!
Williams refers to rhythmic patterns, visual images and dream world inspirations. Dream Visitor, the composer suggests, owes something to electric Miles; Fender Rhodes feature, Lasserson plays electric bass but the tune takes on its own distinctive character. Williams makes candid personal statements in the CDs liner notes: Meeting a Stranger followed by New and Old are markedly different to the earlier pieces. Ballad-like, the former heard on the album Jazzblues, reworked on Outlier because, as the composer writes: they interpret it so beautifully, the latter number refers to his father’s illness and their relationship - new and old, child and father, the role of the carer, their changing roles. 
Hermeto expresses Williams’ love of the music of Hermeto Pascoal. The drummer heard, then met the Brazilian in the 1980s (Pascoal toured Britain at around this time including a concert at Durham University). This tune is not an attempt to imitate his music; it’s more of a love letter. Great playing form the quintet on this one.
The set closer – Oddity – unleashes the bandleader. Seemed time for solo drums Williams writes, just for textural variation. Williams has assembled a talented band of musicians. It is to his credit that he has embraced their abilities making for an excellent recording.
Russell.                                                           
Jeff Williams’ Outlier is on Whirlwind Recordings WR 4684 with a release date of Friday, March 11.       

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance