Total Pageviews

Bebop Spoken There

Binker Golding: "The purest jazz was often the most danceable. Somewhere along the way, we exchanged danceability for complexity, and I see a lot of what I do as a way of giving that back to people." - (Jazziz, Winter 2020).
-----

Archive

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Today Saturday February 22

Afternoon

Jazz

Electric Guitar Masterclass – The Music of Robben Ford - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 10:00am. £15.00. Jamie Mackay conducts a masterclass looking at the work of former Miles Davis’ sideman Robben Ford.

Evening

Daniel John Martin w Swing Manouche - Core Music, 14a/b Gilesgate, Hexham NE46 3NJ. Tel: 01434 601993. 8:00pm. Donations (suggested donation £10.00.). DJM w Mick Shoulder (guitar); Giles Strong (guitar); Ian Paterson (double bass).

Blues/Funk/Soul

Half Hand Hoodoo Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Boys of Brass - Brandling Villa, Haddricks Mill Road, South Gosforth, Newcastle NE3 1QL. Tel: 0191 284 0490. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, March 08, 2016

Book Review: Billie Holiday - The Musician and the Myth

My first reaction was, do we really need another book on Billie Holiday any more than we need another book on Frank Sinatra, Miles Davis, Duke Ellington. Uncle Satchmo and all…? The answer, I said, emphatically, was no.
And then I read Billie Holiday – The Musician and the Myth.
This was different from the other biographies, well it’s not really a bio, it’s more an honest assessment of the myth’s that have surrounded her.
It also puts her music in perspective.
A major step forward is the author’s repudiation of the suggestion that Billie’s autobiography, Lady Sings the Blues, written in conjunction with Bill Dufty, is more fiction than fact. Szwed answers much of the criticism and substantiates it with passages from the book that the publishers chose not to include for reasons that were, to say the least, not always musical.
It’s a fascinating read and, although the aim is to concentrate on the music, not surprisingly, some of the other side of her life; the drugs; the husbands; the girl friends; the seamier side are referred to but not sensationalised.
There are many musical references, her early influences, working with Shaw and Basie, Lester Young, Teddy Wilson. The songs, Gloomy Sunday, My Man and, of course, Strange Fruit are studied whilst also pointing out that Billie could swing in her own unique style. But, the one thing I longed for was an, at length, observation of Billie and Ella. I wanted to hear Szward’s thoughts and observations on the two most iconic jazz divas on the twentieth century.
That, notwithstanding, this is as good an insight into Lady Day as you are ever going to get (apart from Lady Sings the Blues - with the previously unpublished material included here.)
It’s not just highly recommended, it’s essential reading for anyone who ever played a Holiday CD/album/78, and then played it again and again and again…
Lance.
Billie Holiday - The Musician and the Myth available from Windmill Books on March 10, 2016.

No comments :