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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

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Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday September 16

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, March 06, 2016

Big Muddy @ The Globe - March 5

Jude Murphy (vcl/bs gtr/fl); Dave Weisser (cor/vcl); Gordon Brown (alt); John Haylock (bar); Lionel Hehir (gtr); Nigel Robson (pno/tmb); Stu Holiday (dms).
(Review by Lance).
Any venture involving Dave Weisser has got to be worth checking out - particularly when it also features his soulmate, the multi-talented Jude Murphy. Indeed, it was Jude who got the ball rolling with a gravelly, unaccompanied, flute blast before moving on to bass guitar as the rest of the band joined in.
It was a familiar sounding jazz-rock number that set the pattern of the evening. Nostalgia in Times Square followed. The Mingus classic was taken at quite a jaunty pace with solos all round.
The front line of cornet, alto, baritone and occasionally trombone made for a mini big band sound that delighted the well-attended room.
Both Jude and Dave had vocals with Jude pulling an old Nellie Lutcher classic out of the bag - Fine Brown Frame - and Dave breathing new life into Annie Ross' Twisted. With Mother's Day in the offing, Song For my Father helped to redress the balance and Blues in the Closet swung along nicely.
Dave sang Work Song and Jude gave us Black Velvet and Peyroux's Don't Wait Too Long
The set closed with Pick up the Pieces - a number associated with the Average White Band.
It had been an interesting start to the bands first gig.
Glasses charged, the second set opened with Street Life. I guess sound levels had been adjusted for this was a crisper, better balanced, ensemble. 
Jude announced Senor Blues as her personal Mount Everest with no less the six flats to cope with! And did she cope? Let's just say that her name now stands alongside that of Sir Edmund Hillary!
My Little Suede Shoes had Gordon shaking a shaker before passing it on to an enthusiastic member of the audience.
This was a fun evening! When he wasn't shaking, Gordon blew some fine mainstream alto and John Haylock was in Mulligan mode on bari. Robson alternated between delicate piano and boisterous trombone, Jude, along with veteran rockers Hehir and Holiday, kept things solid. Dave, needless to say, blew cornet in his own inimitable style, effortlessly playing the charts without any charts!
And so it went on, the band getting tighter (music-wise) by the minute with numbers by BB King and John Schofield among others. The well-deserved encore was Mustang Sally.
In my head I was still singing "Ride Sally Ride" as I boarded the 22 bus towards Central Station.
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance