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Bebop Spoken There

Charles Lloyd: "I'm raring to go out to play, because I know I'll find something to explain the inexplicable." (DownBeat August 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14454 (and counting) posts since we started blogging 14 years ago. 732 of them this year alone and, so far, 30 this month (August 11).

From This Moment On ...

August

Thu 18: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 18: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 18: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Thu 18: Newcastle Jazz Festival @ Bridge Hotel, Newcastle. Strictly Smokin’ Big Band. 7:00pm. Free (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm. Guests: Dave Archbold (keys); Dan Johnson (sax); Josh Bentham (sax); Bill Watson (trumpet); Ron Smith (bass)

Fri 19: Jo Harrop & Jamie McCredie @ Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 19: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri. 19: Vieux Carré Jazzmen @ Ayr Jazz Club, Fairfield House Hotel, Fairfield Rd, AYR KA7 2AS. 7:30pm. For accommodation call the hotel on 01292 267461. For tickets call Ayr Jazz Club Secretary, Stuart McLean, on 01292 590773.
Fri 19: Jo Harrop & Jamie McCredie @ St Cuthbert’s Centre, Crook. 7:30pm.
Fri 19: Newcastle Jazz Festival @ Black Swan, Newcastle. 7:30pm. Harry Keeble Duo + Northern Monkey Brass Band. £15.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Fri 19: Mo Scott @ The Millstone, South Gosforth, Newcastle. 8:00pm. Scott w Gary Dunn, Neil Harland & Paul Smith.

Sat 20: Newcastle Jazz Festival @ Tyne Bank Brewery, Newcastle. All day event (from 1:30pm): Riviera Effect + Alter Ego + Graham Hardy Quartet + Jo Harrop & Jamie McCredie + Ivo Neame Quartet. £17.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Sat 20: Anth Purdy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).
Sat 20: Boys of Brass @ Brandling Villa, South Gosforth, Newcastle. 8:00pm.

Sun 21 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 21: Newcastle Jazz Festival @ Tyne Bank Brewery, Newcastle. All day event (from 1:30pm): Lindsay Hannon & Alan Law + Knats + David Gray’s Flextet + Ben Gilbert Trio + Emma Rawicz. £17.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Sun 21: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.

Mon 22: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 23: FILM: Space is the Place @ Tyneside Cinema, Newcastle. 6:25pm. Dir. John Coney (1974). Starring Sun Ra!
Tue 23: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (to reserve a table phone 0191 386 5556).
Tue 23: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Steve Glendinning, Paul Grainger, Abbie Finn.

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 24: 4B @ The Exchange, North Shields. 7:00pm.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Friday, March 11, 2016

Love For Sale: A Superb Song

(By Ann Alex)
This is the latest in the series of looking at jazz songs in detail.  So far I’ve discussed Crazy Rhythm and No Moon At All, both light-hearted songs of music and love, but Love For Sale is quite different as it deals with a controversial subject which is currently newsworthy.  Jeremy Corbyn has been talking about legalising prostitution recently and the issue nowadays is tied up with our perceptions of child abuse and people trafficking.  I believe that Cole Porter made an important contribution to the debate with this song.
The song appeared in the musical New Yorkers in 1930, sung by Kathryn Crawford, a white woman, who portrayed a street-walker.  It attracted lots of criticism, was banned from the radio, but proved very popular.  You can’t keep a good song down, especially if it’s written by such a talented writer.  Because of the criticism, Elisabeth Welch, a black African American woman, took over the singing of this song. Readers will be able to work out the implications of that for themselves.
Here is the full text, including the verse:

When the only sound on the empty street
Is the heavy tread of the heavy feet
That belong to a lonesome cop
I open shop
The moon so long has been gazing down
On the wayward ways of this wayward town
Her smile becomes a smirk
I go to work

Love for sale
Appetizing young love for sale
Love that’s fresh and still unspoiled
Love that’s only slightly soiled
Love for sale

Who will buy
Who would like to sample my supply?
Who’s prepared to pay the price
For a trip to Paradise?
Love for sale

Let the poets pipe of love
In their childish ways
I know every type of love
Better far than they
If you want the thrill of love
I’ve been through the mill of love
Old Love
New Love
Every love but true love

Love for sale
Appetizing young love for sale
If you want to buy my wares
Follow me and climb the stairs
Love for sale
The verse evokes the atmosphere of a sleazy town really well, we feel the walking rhythm of the cop, and the short lines such as ‘I go to work’ leave us is no doubt about her type of work.  The chorus begins with what would be a street cry, if she was selling flowers.  I say ‘she’ and I think Porter meant the song to be sung by a woman, but actually it could be done by a man, as there are of course male prostitutes.  (That would be a challenge for a male singer!) The song suggests a young woman, which I think adds to the poignancy, a young life spoilt, but maybe she’s lying about her age?
I don’t think there’s any doubt that Porter was on the side of the prostitute, (‘I’ve been through the mill of love’), and in fact I’d go so far as to say that this is a protest song of the first order. ‘For a trip to Paradise’ is highly ironic of course, as the ‘price’ is so high, both in money and other risks. The constant repetition of ‘love for sale’ ensures that we don’t forget the point of the song.  And the line ‘Every love but true love’ must surely be one of the saddest lines in any song in the Gasbook.
The best version of the song I’ve heard is undoubtedly Billie Holiday’s.
The rhymes and repetitions work well and don’t require much explanation.  I’d love to read other people’s views on this song, especially about the actual tune.  I’ve never studied composition, and I’m sure instrumentalists could add useful insights.
Ann Alex

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