Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18699 (and counting) posts since we started blogging 18 years ago. 573 of them this year alone and, so far this month (July 11) 27

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

July

Tue 14: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30pm. £15.00 (reservations: 0191 237 3697). ‘July Jazz Barbecue!’
Tue 14: Crook Little Brass Bash @ Crook Community Centre. 6:00-8:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Tue 14: Barnard Castle Little Brass Bash @ The Witham, Barnard Castle. 6:00-8:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Tue 14: Nomade Swing: Dos Guitars Trio @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00. Tickets from Tully’s, Rothbury. Luco Allievi, Alessandro Brizio, Mariano Gallizio. ‘A Journey Through Swing, Gypsy Jazz, Soul & Pop’.
Tue 14: Jazz Jam Sandwich @ Newcastle Arts Centre. 7:30pm. Free.

Wed 15: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 15: Willington Big Brass Bash @ Town Park, Willington. 6:00-9:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Wed 15: Nomade Swing: Dos Guitars Trio @ Café Needle’s Eye, Promenade, Newbiggin-by-the-Sea NE64 6XE. 6:00pm. Free. Luco Allievi, Alessandro Brizio, Mariano Gallizio. ‘A Journey Through Swing, Gypsy Jazz, Soul & Pop’.
Wed 15: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 15: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 15: Side Café Orkestar @ The Cumberland Arms, Byker, Newcastle. 7:30pm. £15.00 (£11.00. adv.); £12.00 concs (£8.00. concs adv.).

Thu 16: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 16: Spennymoor Big Brash Bash @ Jubilee Park, Spennymoor. 6:00-9:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Thu 16: Coxhoe Little Brass Bash @ Village Green (Pit Wheel). 6:00-8:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Thu 16: Nomade Swing: Dos Guitars Trio @ Lollo Rosso, Morpeth. 7:30pm. Free. Luco Allievi, Alessandro Brizio, Mariano Gallizio. ‘A Journey Through Swing, Gypsy Jazz, Soul & Pop’.
Thu 16: Stevie Jay Duo @ Newcastle Arts Centre. 7:30pm. Free. Julija Jacenaite & Steve Glendinning.
Thu 16: DK Harrell @ The Cluny, Newcastle. 7:30pm (doors). £20.00 + bf. USA blues.
Thu 16: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 17: Mejedi Owusu w. Francis Tulip Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 17: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 17: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 17: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 17: Seaham Big Brass Bash @ Terrace Green, Seaham. 6:00-9:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Fri 17: Newton Aycliffe Big Brass Bash @ Town Park, Newton Aycliffe. 6:00-9:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Fri 17: Ray Stubbs R&B Allstars @ Billy Bootleggers, Ouseburn, Newcastle. 7:00pm. Free.
Fri 17: Mejedi Owusu w. Francis Tulip Trio @ Sunderland Minster. 7:30pm. Old Black Cat Jazz Club.
Fri 17: Zoë Gilby Quartet @ St Cuthbert’s Centre, Crook. 7:30pm.
Fri 17: Nomade Swing: Dos Guitars Trio @ Repas 7 by Night, Berwick. 8:00pm. Free. Lollo Rosso, Morpeth. 8:00pm. Luco Allievi, Alessandro Brizio, Mariano Gallizio. ‘A Journey Through Swing, Gypsy Jazz, Soul & Pop’.

Sat 18: Streets of Brass @ Market Place, Durham City. 10:00am-4:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Sat 18: Brass Boat Cruise @ Boathouse, Elvet Bridge Jetty, Durham City. Departures at 10:30am, 12 noon, 1:30pm, 3:00pm. £12.00., £10.00., £5.00 (all prices + bf). Durham Brass Festival. Various bands.
Sat 18: Party in the Park @ Wharton Park, Durham City. 5:00-9:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands. Entrance o/s Durham Railway Station (Northbound platform).
Sat 18: Zoë Gilby & Dean Stockdale @ FIKA Art Gallery, Morpeth. 6:30pm.
Sat 18: Mejedi Owusu w. Francis Tulip Trio @ Claypath Deli, Durham. 7:00-9:00pm. £10.00.
Sat 18: Tyne Valley Big Band + Revolutionaires @ Pelton Community Centre. 7:00pm. A Durham Brass Festival event.
Sat 18: Dale Storr @ The Straw Yard, The Barracks, Berwick. 7:30pm. £15.38. Solo piano.
Sat 18: Nomade Swing: Dos Guitars Trio @ Red Lion Inn, Alnmouth. 8:30pm. Free. Lollo Rosso, Morpeth. 8:00pm. Luco Allievi, Alessandro Brizio, Mariano Gallizio. ‘A Journey Through Swing, Gypsy Jazz, Soul & Pop’.

Sun 19: Brass Boat Cruise @ Boathouse, Elvet Bridge Jetty, Durham City. Departures at 10:30am, 12 noon, 1:30pm, 3:00pm. £12.00., £10.00., £5.00 (all prices + bf). Durham Brass Festival. Various bands.
Sun 19: Jacob Egglestone Trio @ The Bandstand, The Sele, Hexham. 12 noon. Free.
Sun 19: Tyne Valley Big Band @ Bishop Auckland Town hall. 2:00pm. £7.00 (inc. bf). A Durham Brass Festival event.
Sun 19: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 19: Michael Young Trio @ Engine Room, Sunderland. 2:30pm. Free.
Sun 19: Mejedi Owusu w. Francis Tulip Trio @ Queen’s Hall, Hexham. 3:00pm.
Sun 19: SwanNek @ The Bandstand, The Sele, Hexham. 2:00pm. Free.
Sun 19: Nomade Swing: Dos Guitars Trio @ Twelve 06, High St., Newbiggin-by-the-Sea NE64 6DR. 3:00pm. Free. Luco Allievi, Alessandro Brizio, Mariano Gallizio. ‘A Journey Through Swing, Gypsy Jazz, Soul & Pop’.
Sun 19: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 19: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Sun 19: Dale Storr: The Sounds of New Orleans @ The Globe, Newcastle. 8:00pm. Solo piano. POSTPONED!

Mon 20: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 20: Mejedi Owusu w. Francis Tulip Trio @ The Black Bull, Blaydon. 8:00pm. £10.00.

Friday, March 11, 2016

Love For Sale: A Superb Song

(By Ann Alex)
This is the latest in the series of looking at jazz songs in detail.  So far I’ve discussed Crazy Rhythm and No Moon At All, both light-hearted songs of music and love, but Love For Sale is quite different as it deals with a controversial subject which is currently newsworthy.  Jeremy Corbyn has been talking about legalising prostitution recently and the issue nowadays is tied up with our perceptions of child abuse and people trafficking.  I believe that Cole Porter made an important contribution to the debate with this song.
The song appeared in the musical New Yorkers in 1930, sung by Kathryn Crawford, a white woman, who portrayed a street-walker.  It attracted lots of criticism, was banned from the radio, but proved very popular.  You can’t keep a good song down, especially if it’s written by such a talented writer.  Because of the criticism, Elisabeth Welch, a black African American woman, took over the singing of this song. Readers will be able to work out the implications of that for themselves.
Here is the full text, including the verse:

When the only sound on the empty street
Is the heavy tread of the heavy feet
That belong to a lonesome cop
I open shop
The moon so long has been gazing down
On the wayward ways of this wayward town
Her smile becomes a smirk
I go to work

Love for sale
Appetizing young love for sale
Love that’s fresh and still unspoiled
Love that’s only slightly soiled
Love for sale

Who will buy
Who would like to sample my supply?
Who’s prepared to pay the price
For a trip to Paradise?
Love for sale

Let the poets pipe of love
In their childish ways
I know every type of love
Better far than they
If you want the thrill of love
I’ve been through the mill of love
Old Love
New Love
Every love but true love

Love for sale
Appetizing young love for sale
If you want to buy my wares
Follow me and climb the stairs
Love for sale
The verse evokes the atmosphere of a sleazy town really well, we feel the walking rhythm of the cop, and the short lines such as ‘I go to work’ leave us is no doubt about her type of work.  The chorus begins with what would be a street cry, if she was selling flowers.  I say ‘she’ and I think Porter meant the song to be sung by a woman, but actually it could be done by a man, as there are of course male prostitutes.  (That would be a challenge for a male singer!) The song suggests a young woman, which I think adds to the poignancy, a young life spoilt, but maybe she’s lying about her age?
I don’t think there’s any doubt that Porter was on the side of the prostitute, (‘I’ve been through the mill of love’), and in fact I’d go so far as to say that this is a protest song of the first order. ‘For a trip to Paradise’ is highly ironic of course, as the ‘price’ is so high, both in money and other risks. The constant repetition of ‘love for sale’ ensures that we don’t forget the point of the song.  And the line ‘Every love but true love’ must surely be one of the saddest lines in any song in the Gasbook.
The best version of the song I’ve heard is undoubtedly Billie Holiday’s.
The rhymes and repetitions work well and don’t require much explanation.  I’d love to read other people’s views on this song, especially about the actual tune.  I’ve never studied composition, and I’m sure instrumentalists could add useful insights.
Ann Alex

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