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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday July 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, March 30, 2016

CD Review: Zhenya Strigalev – Never Group

Zhenya Strigalev (alto saxophone), Tim Lefebvre (bass) & Eric Harland (drums) + Bruno Liberda (electronics), John Escreet (keyboards), Alex Bonney (trumpet), Matt Penman (double bass) & Charles Armstrong (voice intro)
(Review by Russell)
This new release from Michael Janisch’s Whirlwind Recordings, featuring altoist Zhenya  Strigalev’s Never Group, adds another dimension to the enterprising bassist’s burgeoning catalogue. The core trio – Strigalev, bassist Tim Lefebvre and Eric Harland (drums) – has a story to tell. Twenty tracks, spanning seventy-four minutes, are rooted in post-jazz drum and bass grooves navigating a post-industrial electronica landscape.
The Never Group’s groove merchants are the brilliant Tim Lefebvre and Eric Harland. Of the twenty numbers, seven are written by the trio. Strigalev’s linear solos develop out of a series of ferocious intros laid down by his band mates. Several numbers are tagged ‘coda 1’, ‘coda 2’ and so on, some with fade-outs. The sense of it is that material was abundant, the tape machine was running and the musicians played and kept on playing. Track one is a spoken introduction by Charles Armstrong, from track two – Bio Active – the musicians take centre stage. Seven minutes of urgent, dynamic playing, Bio Active, is, perhaps, the album’s creative peak.   
Bruno Liberda’s electronics contribute significantly to the CD’s sound, Plastiksackerl im Wind and Heimwehharfe being two examples of his craft while other contributors have a less prominent, but no less effective, part to play. John Escreet (keyboards) convincingly conjures the sound of a church organ on Are You Manageable? Alex Bonney plays a little trumpet (in additional to mixing and editing duties) and double bassist Matt Penman is in there somewhere.
Russell.
Zhenya Strigalev’s CD Never Group is released on Friday 1 April on Michael Janisch’s Whirlwind Recordings (WR4685).       

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance