Total Pageviews

Bebop Spoken There

Danny Gatton: "I was tired of playing in beer joints. I wanted to do something tangible like building cars. But once you do music it gets into your blood. You can get away from it for awhile but sooner or later it comes back to you." - (Down Beat April 1991).

Tal Farlow: "There were times when I would stop [playing guitar] and do sign painting." - (Downbeat December 5, 1963)

Archives

Today Tuesday August 22

Afternoon
??????
-----
Evening
Charles Gordon (solo piano) - Redwood Bar, Vermont Hotel, Newcastle. 10pm - midnight. Free.
-----
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, March 30, 2016

CD Review: Zhenya Strigalev – Never Group

Zhenya Strigalev (alto saxophone), Tim Lefebvre (bass) & Eric Harland (drums) + Bruno Liberda (electronics), John Escreet (keyboards), Alex Bonney (trumpet), Matt Penman (double bass) & Charles Armstrong (voice intro)
(Review by Russell)
This new release from Michael Janisch’s Whirlwind Recordings, featuring altoist Zhenya  Strigalev’s Never Group, adds another dimension to the enterprising bassist’s burgeoning catalogue. The core trio – Strigalev, bassist Tim Lefebvre and Eric Harland (drums) – has a story to tell. Twenty tracks, spanning seventy-four minutes, are rooted in post-jazz drum and bass grooves navigating a post-industrial electronica landscape.
The Never Group’s groove merchants are the brilliant Tim Lefebvre and Eric Harland. Of the twenty numbers, seven are written by the trio. Strigalev’s linear solos develop out of a series of ferocious intros laid down by his band mates. Several numbers are tagged ‘coda 1’, ‘coda 2’ and so on, some with fade-outs. The sense of it is that material was abundant, the tape machine was running and the musicians played and kept on playing. Track one is a spoken introduction by Charles Armstrong, from track two – Bio Active – the musicians take centre stage. Seven minutes of urgent, dynamic playing, Bio Active, is, perhaps, the album’s creative peak.   
Bruno Liberda’s electronics contribute significantly to the CD’s sound, Plastiksackerl im Wind and Heimwehharfe being two examples of his craft while other contributors have a less prominent, but no less effective, part to play. John Escreet (keyboards) convincingly conjures the sound of a church organ on Are You Manageable? Alex Bonney plays a little trumpet (in additional to mixing and editing duties) and double bassist Matt Penman is in there somewhere.
Russell.
Zhenya Strigalev’s CD Never Group is released on Friday 1 April on Michael Janisch’s Whirlwind Recordings (WR4685).       

No comments :

Post a Comment

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!