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Bebop Spoken There

Willie Jones lll: "I often wondered what it would be like to play with Clifford Brown or Lee Morgan. For me, Roy Hargrove was the closest thing to that." - (JazzTimes, November 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13683 (and counting) posts since we started blogging 13 years ago. 1402 of them this year alone and, so far, 18 this month (Dec.5).

From This Moment On ...

December

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 8:00pm. Concert performance. Free admission.
Wed 08: Four @ The Exchange, North Shields. 7:00-9:30pm. In the bar.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 08: Durham Uni Big Band + Durham Uni Jazz Soc Big Band @ Durham University Students' Union. 8:00pm.

Thu 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Thu 09: Hot Club du Nord, Lubetkin Theatre, East Durham College, Peterlee. 7:00pm (doors). £10.00. + bf.
Thu 09: TBC + Knats @ Cobalt Studios, Newcastle. 7:00pm. £7.00. (£10.00. inc food).
Thu 09: Indigo Jazz Voices @ The Globe, Newcastle. 7:30pm.
Thu 09: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 09: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 10: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Fri 10: Zoë Gilby Trio @ Bishop Auckland Town Hall. 1:00pm.
Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 10: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 10: Secret Night Gang @ Hoochie Coochie, Newcastle. 8:00pm.
Fri 10: Jack Logan (replacement for Alter Ego) @ Prohibition Bar, Newcastle. 8:00pm.

Sat 11: Paul Skerritt @ Newcastle Central Station. 11:00am. On the concourse.
Sat 11: Life Drawing & Live Jazz @ Cobalt Studios, Newcastle. 2:00-4:00pm. Lindsay Hannon & Martin Douglas. Book via: www.cobaltstudios.co.uk.
Sat 11: Boys of Brass @ Branding Villa, South Gosforth, Newcastle. 8:00pm.

Sun 12 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 12: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 12: Hot Club du Nord @ Hurworth Grange. 2:30pm. Festive Special! SOLD OUT!
Sun 12: Glenn Miller Orchestra UK @ Stockton Globe. 3:00pm. Ray McVay & co.
Sun 12: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 12: Am Jam @ The Globe, Newcastle. 3:00pm.
Sun 12: Sue Ferris Quintet (Musicians Unlimited’s Xmas Party) @ South Durham Social Club, Hartlepool. 4:00pm. Tickets: £6.00.
Sun 12: Jason Isaacs Big Band @ Hoochie Coochie, Newcastle. 5:00pm.
Sun 12: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 7:00pm.
Sun 12: Larry’s Brass Band @ The Vigilant Inn, South Shields. 7:00pm. Free. Brass band playing Xmas tunes!
Sun 12: corto.alto @ The Cluny, Newcastle. 8:00pm.
Sun 12: Under the Surface @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 13: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 13: 6th Street Swing w Calvert & the Old Fools @ St Thomas Aquinas’ Church, Darlington. 7:00pm. £5.00. Swing dance (‘social dancing’) night.
Mon 13: Stuart Fowler Quintet plays Art Blakey’s album Moanin’ + jam session @ Central Bar, Gateshead. 7:30pm. £5.00.

Tue 14: Harry Keeble & Friends @ Forum Music Centre, Darlington. 7:30pm. Keeble (tenor sax); Dean Stockdale (keyboards); Paul Grainger (bass); John Bradford (drums).

Saturday, March 19, 2016

Grew Quartet + Grew Watts Duo + Grew Quintet @ Lit & Phil - March 17.

(Review/photos courtesy of Ken Drew.)
This highly anticipated double bill was quickly re-arranged into a 3-set Jazz North East treat at the Lit & Phil.
First set – the quartet – all in together from the outset.  Stephen on the piano with very extensive and dynamic use of the keyboard, along with the left hand occasionally modulating the mid-strings as the right hand continued its workout along the keyboard.   Virtually all played throughout – no ‘solo’ spots as such creating a continuously complex and energetic sound, enthralling the audience. The clarinet at times competing with the piano – each urging the other on, with bass and drums constantly underpinning the mix.  Then a quiet passage – a bass solo – plucking both above and below the left-hand finger positions. Very enthusiastic playing!   Overall, very energetic interplay, and just like the local Wylam beer, very accessible and very tasty!!   A pity it was limited to just half an hour!!  What a superb opening set.
Duo set.   Trevor blasting in from the start with nice harmonics echoing from the openly-sustained piano.   Stephen on the piano producing such pyrotechnics from one pair of hands!!  Both hands a frenzy up and down the keys, with plucked individual strings along the way, yet in total unison with Trevor throughout.  I think Trevor was ‘leading’ but Stephen was surely only microseconds behind.  Again, such dynamics were demonstrated both across the keys and inside the grand too, with many fleeting  excursions inside to pluck individual strings with the left hand – each done mid-flight as there was much work to be done on the keys.  Constantly responding to the challenge from Trevor.  What a Masterclass!!  Two pieces expertly delivered, and each ‘closed’ neatly and succinctly by mutual aural agreement.
Third set, the Quintet.  Straight in from the off again, and all playing constantly, for the most part, each adding their own expressions yet following the mood and direction of the piece as it developed.  The ‘wind’ (Trevor and Matt) occasionally converging perfectly on glissandos.  Both were giving a good blowout, and were so well matched.  Stephen’s right hand picking harp-like at the upper strings of the grand, bass and drums energetically taking their own solo spots.   All players were in unison from start to finish, and concluded with a clean, nicely developed ending.
The audience, which was of a decent size, nicely filled the Lit & Phil’s performance room, aiding the acoustics which were very clear and were amply rewarded with a superb three sets by a quartet, a duo and a quintet, each with musicians of breath-taking ability exhibiting some high-velocity workouts.  We were later told that these 5 players had never played together before. Wow!! What an introduction!!  Following the most enthusiastic applause, a concluding remark noted it was ‘an example of Empathetic improvisation at its very finest‘.  Let’s hope we see a follow-up in the not too distant future.  
Ken.
Grew Quartet: Stephen Grew (piano); Seth Bennett (bass); Phil Marks (drums); Matt Robinson (clarinets).
Stephen Grew - Trevor Watts Duo: Stephen Grew (piano); Trevor Watts (alto & soprano sax)
Grew Quintet: Stephen Grew (piano); Seth Bennett (bass); Phil Marks (drums); Matt Robinson (clarinets); Trevor Watts (alto & soprano).

3 comments :

Paul Bream said...

Thanks Ken - great review of a great gig. I'm generally very sceptical about 'Gig of the Year' accolades (there are so many to choose from), but this will undoubtedly take some beating. And the players all commented on what a great, receptive audience it was . . . but where were the local musicians? I spotted one saxophonist, one pianist and two drummers in attendance. It's not about learning, its about enjoying - although, of course, if one or two ideas rub off, well, isn't that the way that jazz has always developed?

Lance said...

I mentioned this awhile back, either on here or on facebook.
One person replied, "when I'm fortunate enough to get a night off the last thing I want to do is go to a gig!"
Seems as though it's a national thing, a friend of mine in London remarked on a similar scenario down there. Someone else said that maybe a musician who hasn't got a gig doesn't want to be seen by someone who has! I've also noted that players who do go to gigs are often the worst offenders when it comes chatting away during the music!
Possibly because so many have graduated from Jazz Education courses they feel superior to the guy who paid his dues in clubs/pubs at night after an 8 hour day in an office/shop/factory?
At one time gigs used to offer concessions to MU members.

EmmaFiskJazzVio said...

I think I commented when this came up last time. Speaking personally, as anyone else who works and has children when I'm not at work I have dishes to wash, children to feed, shopping to do, tunes to practice...I do occasionally get to a gig but life is busy!
Certainly hope I'm not guilty of any of the crimes you mention Lance!

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