Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tuesday, March 08, 2016

CD Review: Ninna Milner: Songs For Sentient Beings

(Review by Ann Alex)
I’m so pleased to be reviewing this CD on International Women’s Day, as it’s an excellent example of what women can achieve with music. I was concerned when I read on the publicity sheet that the album was ‘for and to the sentient beings of our planet’, which sounded a bit pompous to my ears, but there is nothing pompous at all about the CD, which gives us fine jazz-influenced music and lyrics with an original, quirky and sometimes moving twist.  For example, there are 2 songs about contemporary concerns: Dear Humans deals with climate change and the earth is speaking to us: ‘I’m as old as the hills/ and forever your mother/but your way of living kills/You need me, sisters and brothers/It seems that you don’t bother."
When The Boat Comes In addresses the issue of the immigrants coming by sea, and compares boats entering safe tourist harbours such as Dublin with boats of immigrants coming to other parts of Europe.  The rest of the songs deal with life and love in general, with titles such as Let Me Be Your Favourite Song; Back To Wellington; Wednesday In October; Hoi An; That’s What He Said; This Too Shall Pass; Such A Sunday; Paris On My Tongue and a booklet of lyrics is supplied.  Ms Milner’s voice is gentle-toned and sweet, every word is clear, and the musicians supply effective solos and they know how to swing when appropriate. This Too Shall Pass gives us lovely riffs on the violin, and on the song about immigrants, the organ plays in gospel style. The accordion goes Latin on Such A Sunday.
There isn’t much information given about these two talented women, except to say that they met in that place of significance for women, a toilet queue! 
Ann Alex.
Ninna Milner: Songs For Sentient Beings was released on March 6 and WiMi 21 may be the catalogue number, but this is not clear from the publicity sheet. 
Ninna Milner (composer, vocals); Christine Bojsen Traeden (lyrics); Mads Sondergaard (piano, accordion); Tomas Raae (upright bass); Janus Templeton (drums, perc); Regin Fuhlendorf (guitar, banjo); Dan Hemmer (organ, moog); Annmare Soffi Petersen (violin).
(Singers on Dear Humans: Ninna Milner, Birgitte Soojin, Bobo Moreno, Persille Ingerslev, Kira Martini, Esben Just, Sinne Eeg).
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