Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18395 (and counting) posts since we started blogging 18 years ago. 259 of them this year alone and, so far this month (Mar. 30 ), 69

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: King Bees @ Billy Bootleggers, Newcastle. 7:00pm (doors). Free. Chicago blues.

Tuesday, September 22, 2015

Jazz Co-op @ The Globe: Blue Jazz Sextet/Off Key - September 20

George Anyfantis (keys); Keith Barrett (guitar); Karen Rann (sop sax); Jeff Smith (ten sax); Dave Parker (bass); Mark Robertson (reader, guest drummer); Off Key (novel)
(Review by Ann Alex/Photo courtesy of Debra M)
It’s not often that a novel is part of a jazz band, but tonight it was the star of the show.  The second set consisted of relevant tunes, interspersed with readings from Mark, the author of Off Key, who hopped between the drum kit and the reading stool, even breaking into song during one of the readings, a well-sung snatch of Skylark.
This was a very enjoyable event, especially for those of us who’d read the novel, which is summed up well by the front cover description ‘The greatest story ever told about Love ...and Jazz (in Sunderland).’ I’d advise everyone not to miss out on this really good read, a love story with some pathos, and even a character called Crombie in one scene.
The readings were carefully arranged so that no spoilers were given. The members of the jazz band in the novel were described, hilarious episodes were read, such as the skeleton practical joke and the night the band played at a male strippers do.  Sadder pieces included a quarrel  that the lovers had about money.  The supporting music included such numbers as Scrapple From The Apple; Perdido; Blue Trane; Work Song and a superb version of Skylark, with a soulful tenor opening from Jeff, flowing piano and suitably gentle drums.  The music was skilled, as always from this band, right through to the final chord played long and strong from everyone.
In the first set, the band did their stuff well on such numbers as Softly As In A Morning Sunrise; a wonderfully boppy I Mean You; Footprints; Take The A Train; Song For My Father; Tenor Madness.  Good solos all round.  I especially liked Footprints, which had an eastern type of feel, especially from the saxes, and was dream-like and even slightly disturbing.  The newer members of the band, Keith on guitar and George on keys, did themselves credit in their solos. Readers will have gathered that the Blue Jazz Quintet is now a sextet, and none the worse for that.
Ann Alex    

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