Paul Edis (piano), Mick Shoulder (double bass) & Russ
Morgan (drums)
(Review by Russell/photos courtesy of Roly Veitch).
The music of Duke Ellington. The latest in an
occasional series in which pianist Paul Edis presents a musical portrait of his
chosen subject: Edward Kennedy Ellington – composer, pianist, bandleader.
Blaydon Jazz Club hosted this first performance of the Paul Edis Trio playing Ellington’s
compositions and those associated with him, notably Billy Strayhorn.
The Black Bull regulars turned out, the pianists –
Ellington and Edis – the attraction. This
was the first opportunity for some to hear drummer Russ Morgan play. He’s
been sitting-in at jam sessions on Tyneside for a year or so, making a big
impression, rapidly picking- up some of the plum gigs on the scene; the
recently established Tanton-Williams Quartet, working with vocalist Alice Grace,
herself a welcome newcomer, and Dr Edis. The ever-reliable bassist Mick
Shoulder, busy with his own projects, was, as ever, at Edis’ side.
Rocking in Rhythm for trio, the sound of the Ellington band’s
section work in one’s head, this was going to be special. Edis interspersed
tunes with commentary; context (the social and the political), relationships
(professional and personal), the music and its oft disputed authorship. From Black and Tan Fantasy to Isfahan to Mood Indigo. The trio took a little time to hit their straps. Short
on rehearsal time, eye contact essential, a nod the cue, a real test of their
musical mettle. Take the A Train took
us to Harlem, the Harlem Renaissance of the early years of the twentieth
century. The trio settled, the jazz superb, Blaydon Jazz Club was the place to
be!
Edis wasn’t too concerned about chronology;
Ellington’s five decades as composer were a rollercoaster stylistically,
similarly his personal life, public popularity ebbed and flowed with a
mid-fifties nadir dispelled overnight at the Newport Jazz Festival. The jazz
history books were re-written that rainy night on Rhode Island. Paul Gonsalves’
marathon blues-drenched solo saw Ellington reborn. We didn’t hear Diminuendo and Crescendo in Blue a la
Newport ’56, not least because the pub hadn’t applied for a late licence! We
did hear more classic Ellington; Money
Jungle (his brief association with a younger generation of musicians
forging a new path), Come Sunday (Edis
solo), Satin Doll and to close, Cotton Tail. The audience wanted to hear
some more, the trio conferred and said good night with Star Crossed Lovers.
Next month there is a two-concert special. An extra
date – Sunday 6 September – sees the phenomenal young guitarist Bradley
Johnston in a duo setting with mentor James Birkett.
Lovers of jazz guitar shouldn’t miss this one. If you
are yet to hear him play, be prepared to be, as they say, ‘gob-smacked’. Dr
Birkett can play a bit too! Then, on the regular third Sunday in the month (20
September), Johnston returns leading his own quartet. The band formed during
BJ’s participation in the Jazz Café’s regular jam sessions. Such occasions can
be sink-or-swim affairs…it was clear to all that Johnston was in the fast lane!
At the Black Bull he will be supported by some of the scene’s most experienced
musicians. Get along on the night. Recommended.
Photos.
Russell
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