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Bebop Spoken There

Hugh Masekela: “I advise every kid to check out their past because without a past you are in limbo.” (Songlines December 2017)

Leo Richardson: “I think your image is really important. You look at those old Blue Note recordings and you look at the liner note, the booklet and they’re in the studio and they’re wearing shirt and ties. They used to wear suits all the time.” – (Jazzwise December 2017/January 2018)

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Today December 14

Afternoon

Interim Recitals (Final Year Music Students) - Recital Room, Armstrong Building, Newcastle University NE1 7RU. Inc. Ben Richardson (jazz piano) 10:00am.

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Evening

Christmas Swing w Danny Reed - Customs House, Mill Dam, South Shields NE33 1ES. 7:00pm. £18.95.

Indigo Jazz Voices - The Globe, 11 Railway Street, Newcastle NE4 7AD. 7:30pm. £5.00.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE. Tel: 0191 488 8068. 8:30pm. Free.

Tees Hot Club w. guests - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

Durham University Big Band - Riverside Bar, Dunelm House, New Elvet, Durham DH1 3AN. 8:30pm (doors 8:00pm). Free admission. The band’s ‘Jazzy Christmas 5’.

WCEA Big Band - Whitburn Church of England Academy, Whitburn SR6 7EF. Tel: 0191 529 3712. 7:00-9:30pm. £4.00. (£10.00. family of three). Tickets must be purchased in advance by December 8th. ‘Christmas Swing-a-long’ to include school choir. Whitburn Academy competes regularly at the annual Great North Big Band Jazz Festival.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, August 17, 2015

Paul Edis Trio @ The Black Bull, Blaydon. August 15

Paul Edis (piano), Mick Shoulder (double bass) & Russ Morgan (drums)
(Review by Russell/photos courtesy of Roly Veitch).
The music of Duke Ellington. The latest in an occasional series in which pianist Paul Edis presents a musical portrait of his chosen subject: Edward Kennedy Ellington – composer, pianist, bandleader. Blaydon Jazz Club hosted this first performance of the Paul Edis Trio playing Ellington’s compositions and those associated with him, notably Billy Strayhorn.
The Black Bull regulars turned out, the pianists – Ellington and Edis – the attraction. This   was the first opportunity for some to hear drummer Russ Morgan play. He’s been sitting-in at jam sessions on Tyneside for a year or so, making a big impression, rapidly picking- up some of the plum gigs on the scene; the recently established Tanton-Williams Quartet, working with vocalist Alice Grace, herself a welcome newcomer, and Dr Edis. The ever-reliable bassist Mick Shoulder, busy with his own projects, was, as ever, at Edis’ side.
Rocking in Rhythm for trio, the sound of the Ellington band’s section work in one’s head, this was going to be special. Edis interspersed tunes with commentary; context (the social and the political), relationships (professional and personal), the music and its oft disputed authorship. From Black and Tan Fantasy to Isfahan to Mood Indigo. The trio took a little time to hit their straps. Short on rehearsal time, eye contact essential, a nod the cue, a real test of their musical mettle. Take the A Train took us to Harlem, the Harlem Renaissance of the early years of the twentieth century. The trio settled, the jazz superb, Blaydon Jazz Club was the place to be!
Edis wasn’t too concerned about chronology; Ellington’s five decades as composer were a rollercoaster stylistically, similarly his personal life, public popularity ebbed and flowed with a mid-fifties nadir dispelled overnight at the Newport Jazz Festival. The jazz history books were re-written that rainy night on Rhode Island. Paul Gonsalves’ marathon blues-drenched solo saw Ellington reborn. We didn’t hear Diminuendo and Crescendo in Blue a la Newport ’56, not least because the pub hadn’t applied for a late licence! We did hear more classic Ellington; Money Jungle (his brief association with a younger generation of musicians forging a new path), Come Sunday (Edis solo), Satin Doll and to close, Cotton Tail. The audience wanted to hear some more, the trio conferred and said good night with Star Crossed Lovers.
Next month there is a two-concert special. An extra date – Sunday 6 September – sees the phenomenal young guitarist Bradley Johnston in a duo setting with mentor James Birkett.
Lovers of jazz guitar shouldn’t miss this one. If you are yet to hear him play, be prepared to be, as they say, ‘gob-smacked’. Dr Birkett can play a bit too! Then, on the regular third Sunday in the month (20 September), Johnston returns leading his own quartet. The band formed during BJ’s participation in the Jazz Café’s regular jam sessions. Such occasions can be sink-or-swim affairs…it was clear to all that Johnston was in the fast lane! At the Black Bull he will be supported by some of the scene’s most experienced musicians. Get along on the night. Recommended.  
Photos.
Russell

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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