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Bebop Spoken There

Jeremy Pelt: "It [Birth of the Cool sessions] was bebop in sheep's clothing." - (DownBeat, December 2019).

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Today Wednesday November 13

Afternoon

Jazz

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. 12:15pm. Stanley Nelson's 2019 documentary film.

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Jazz

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

Swing Street - Pier Red, Castlegate, Berwick upon Tweed TD15 1LF. Tel: 01289 309168. 8:00pm. Free.

Levee Ramblers NOJB - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm. £3.00.

Blues/Folk

George Shovlin & the Radars, Charts, Quayside, Newcastle NE1 3DE. Tel: 0191 338 7989. 8:00pm. Free.

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, August 24, 2015

CD Review: Shatner’s Bassoon – The Self Titled Album Shansa Barsnaan

Oliver Dover (alto, tenor & baritone saxophones, bass clarinet, trumpophone, vocals), Craig Scott (guitar), Johnny Richards (keyboards, organ & prepared piano), Michael Bardon (electric bass), Andrew Lisle (drums & percussion) & Joost Hendrickx (drums, samples, percussion, live electronics)
(Review by Russell)
Shansa Barsnaan: a four year old child’s honest attempt to pronounce the band’s name? A band member’s attempt to pronounce the band’s name having had a particularly good session down the pub? The Self Titled Album cannot be other than an in-joke, arising out of who knows where or what? Shatner’s Bassoon, for all the hip tomfoolery, is one hell of a band. Their new CD – The Self Titled Album Shansa Barsnann – will, likely as not, fail to register with dyed-in-the-wool jazzers. For those prepared to listen, read on.
Shatner’s Bassoon live is an amazing experience. Their live visual element complements the brilliance of the musicianship. The album, recorded at ATA (All Things Analogue) in Leeds, captures and conveys the visceral energy generated at a gig. The irony isn’t lost in the album’s incorporation of samples and ‘live electronics’ at a studio called, of all things …All Things Analogue. Thirteen tracks composed by the band, or individual members of it, the titles amuse/bemuse in equal measure: Bruce Lawn and Fringe in My Eyes, Thighs in Disguise are two such examples. Press release linear [sic] notes add to the mirth: Mitch Fargone’s Walk to School - The most perfectly distilled musical statement ever committed to tape. The track is ‘distilled’ to seven seconds in length! Inspector Fargone - Stake out at the docks, has far gone too far this time? Funny, ha ha!
The linear development of the compositions is something to behold. John Zorn jump cut, Zappa irreverence, the sextet’s collective precision is nothing short of magnificent. Leeds – based Chris Sharkey rehearsed to the nth degree with Trio VD band mates to pull off an impressive live show and Shatner’s Bassoon are following in their wake. The penultimate track – Boghead (Wasp Speed) – on the soon-to-be-released Shansa Barsnann CD places the band on the ‘must see’ list. Tour dates will be announced in due course. The band will be on home turf at Wharf Chambers, Leeds on Tuesday 22 September. Shansa Barsnann will be released the following day. A catalogue number has yet to be issued.
Q: Why do you want to climb Mt Everest?
A: Because it is there.
Q: Why do Shatner’s Bassoon play as they do?
A: Because they can.   
Russell.

              

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance