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Bebop Spoken There

Jennifer Wharton: "People forget that the trombone is so glorious. It can be like going to church, or getting ready for battle. It can be a lot of things....For a longtime I was the only female trombonist in New York," - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

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13,218 (and counting) posts since we started blogging 13 years ago. 637 of them this year alone and, so far, 45 this month (May 11).

2021 APPJAG (All Party Parliamentary Jazz Appreciation Group)

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VOTING ENDS ON MAY 14.

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May 13: Vieux Carré Jazzmen at The Holystone (weather, unfortunately, not permitting). CANCELLED!

May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Sunday, August 02, 2015

CD Review: Indigo Kid II - Fist Full of Notes.

Dan Messore (electric guitar, composition); Trish Clowes (tenor sax); Iain Ballamy tenor sax (tracks 6 & 10); Tim Harries (electric bass); Martin France (drums).
(Review by Steve H).
This is Dan Messore’s second outing with his band Indigo Kid and a fine listen it is too. Nearly all the tunes on the album have strong melodies and the tempo on most of the tracks play out at a fairly gentle pace with the exception of the livelier Carpet Boys, All Hands to Dance and the final piece  Sketches in the Fabric.
The electronic Mr Randall also departs from the general tone of the album with its unmelodic but interesting dynamic.  The interplay between all four band members is superb and Trish Clowes on Sax seems to have a real empathy with the Messore guitar. Messore’s playing style is similar to many of the contemporary modern players who use electronic augmentation to add depth and texture to the proceedings. The rhythm section of the vastly experienced drummer France and electric bassist Harries help create a great soundscape. Ian Ballamy, Messore’s former tutor, guests to great effect on two of the pieces -  the ballad The Healing Process and the aforementioned Sketches in the Fabric.
An enjoyable album, while not pulling up any trees certainly signals the rise of an emerging talent.
Steve H.

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