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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Thursday October 19

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.

Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL2 1RH.Darlington. 1:30pm. Free.

Evening.

Mark Williams Trio - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ 8:00pm. £5.00.

Indigo Jazz Voices - Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. £5.

Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.

Darlington Big Band, MD Richie Emmerson - Dormans, Oxford Rd., Middlesbrough TS5 5DT. 9pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, August 18, 2015

CD Review: Man Overboard Quintet - Down in the Deep Deep Blue

Thomas Gould (vln/backing vcls); Ewan Bleach (clt/vcl); Louisa Jones (vcls); Jean-Marie Fagan (gtr/vcls); Dave O'Brien (bs/backing vcls).
(Review by Lance).
One of the more enigmatic hot club/manouche/swing bands, the Man Overboard Quintet are also one of the more original in their choice of material. Sure it's from the GASbook but you won't find the Broadway A listers here - Porter, Kern, Berlin, Gershwin, Rodgers - instead you have some of the second line such as Harry M. Woods (What a Little Moonlight Can Do); Donaldson/Kahn (I Wonder Where My Baby is Tonight); Frank Loesser (I Wish That I Were Twins) to mention but some. Then we have ragtime (New Orleans Wiggle); Duke's Jubilee Stomp. Moving on, Horace Silver's Sister Sadie shows up and is most welcome.
MOQ score inasmuch as they retain clarinet and violin up front at the expense of a surplus of rhythm guitars which makes for a lighter swing. Another plus point are the vocals by Louisa Jones. Quite a unique sound, imagine if Billie Holiday had been a Frenchwoman singing in English - captivating!
Guitarist Fagan is French and he arrived in London via Sunderland - hang on a minute, I reviewed this back in February!
Not quite sure why it's turned up again - ah yes, I remember the promo copy didn't have any notes or artwork. Well this is the McCoy and it sounds even better hearing it again.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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