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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 23: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free. CANCELLED!
Mon 23: Edison Herbert Trio @ The Vault, Darlington. 4:00pm. Free.
Mon 23: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Mon 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.

Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, August 11, 2015

CD Review: Andrea Wood - Kaleidoscope

(Review by Ann Alex).
Andrea Wood hails from Washington DC where she attended the Duke Ellington School of Arts.  Claiming influences that range from classical composers, soul, R & B singers, through to Miles Davis, Bill Evans, and hip-hop. As well as straight jazz, Ms Wood also sings in other styles such as gypsy jazz and rock regularly performing in and around New York and has released at least one other CD. On this album her voice is full-toned and appealing.  Nine of the 13 tracks are her own original material: the other 4 tracks are You And I (Stevie Wonder); Nature Boy; Call Me Maybe (Carly Rae Jepsen); and Bob Marley’s Three Little Birds.
The musicians are well up to their game, especially Donny McCaslin’s tenor sax and the guitar solos, and the keys do well on You And I.  The bass is noticeably effective playing unaccompanied intros to many of the tracks.  Wood's original compositions are songs of love and loss, with titles such as Intuition; Take A Chance; Parting Ways.  
Having said all that, I’m afraid that the CD as a whole left me feeling dissatisfied.  The original songs needed more of a ‘hook’ to draw me in.  Perhaps too many of the singer’s various influences have been involved in the arrangements – more straight jazz numbers would perhaps have made for a better general ‘feel’. For instance Nature Boy was one of the better tracks.  Or perhaps another style of singing could have been used on all the tracks: for example Call Me Maybe was pleasantly catchy, and the hip-hop of the track Doowop was interesting. There were 2 tracks entitled Interlude which consisted of the stop/start and tearing sounds used by DJs, which seemed out of place on this CD.
The CD is available on the Biophilia Records Label and it was released on July 14. 
Ann Alex.
Andrea Wood (vocals, arrangements); Angelo Di Loreto (piano, fender Rhodes, Wurlitzer, Hammond B3); Ollie Hirvonen (guitars); Ethan O’Reilly (elec and acc bass, vocals); Phillipe Lemm (drums, perc, vocals); also Donny McCaslin (tenor sax); Nick Wood (production on some tracks, vocals); Andrew Sheron (vocals, elec bass, post-production)

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