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Bebop Spoken There

Brian Dee: "I feel my generation had one advantage over today's players in that we were not musically educated in colleges, so we all sounded different. I could tell who it was just by the sound." - (Jazz Rag, Summer 2020).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

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11,783 (and counting) posts since we started blogging 12 years ago. 1023 of them this year alone and, so far, 50 this month (Sept. 17).

Coming soon ...

SEPTEMBER

IT IS ADVISABLE TO CHECK IN ADVANCE WITH THE VENUE THAT THE GIG IS ON

SATURDAY

Happy Birthday Katy Trigger & Mia Webb.

SUNDAY 20

Vieux Carre Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. Tel: 0191 691 7090. 12 noon. Free.

Riviera Quartet - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. A limited number of seats are available which MUST be bought in advance online. £7:50 or £5:45 live stream only.

THURSDAY 24

Vieux Carre Jazzmen - The Holystone, Whitley Road, North Tyneside NE27 0DA. 0191 266 6173. 1:00pm. Free.

Maine St Jazzmen - Sunniside Social Club, Sunniside Road, Sunniside NE16 5NA. Tel: 0191 488 7347. 8:00pm - 10pm. Free. Note earlier start/finish.

Sunday, August 09, 2015

Mark Williams & Joel McCullough @ The Jazz Café. August 8

Mark Williams (guitar) & Joel McCullough (guitar)
(Review by Russell).
Friends from way back, Irishmen Mark Williams and Joel McCullough hooked up once again to play some jazz guitar together at their old haunt, the Jazz Café on Pink Lane. A small number of jazz guitar enthusiasts took their seats as the duo began with Stella By Starlight.
The seated Williams and McCullough complemented one another stylistically; Williams’ intricate harmonic progressions, McCullough’s linear lines light of touch. Rhythm duties shared, the duo developed solos in turn. A mutual appreciation of Steve Swallow’s tunes saw two such in the set. Jokingly Williams enquired: Why are we playing a bass player’s tune? Swallow’s compositions – Falling Grace and Ladies in Mercedes – were given due respect, the musicianship of a high order.
Tadd Dameron’s Lady Bird stood out, McCullough finding his way around the fret board with ease, then doing it all again taking a different route. There There There, a Williams’ original composition, unsurprisingly posed few problems to the composer (!), his partner took a look at it and got it, the duo dovetailing to great effect. The Saturday night crowd grew in number and, in due course, the voluble were clearly audible. The few enthusiasts weren’t about to allow their concentration to be broken and right on cue a major highlight came in the form of Joe Henderson’s The Inner Urge. Gargantuan playing from both men appreciated by those with (non-cloth) ears. The set concluded in a blues vein; Gee Baby, Ain’t I Good to You? Two friends playing jazz guitar, entirely non-competitively. A night for the enthusiast.     
Russell.

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