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Bebop Spoken There

Jennifer Wharton: "People forget that the trombone is so glorious. It can be like going to church, or getting ready for battle. It can be a lot of things....For a longtime I was the only female trombonist in New York," - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,218 (and counting) posts since we started blogging 13 years ago. 637 of them this year alone and, so far, 45 this month (May 11).

2021 APPJAG (All Party Parliamentary Jazz Appreciation Group)

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VOTING ENDS ON MAY 14.

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May 13: Vieux Carré Jazzmen at The Holystone (weather, unfortunately, not permitting). CANCELLED!

May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Sunday, August 09, 2015

Mark Williams & Joel McCullough @ The Jazz Café. August 8

Mark Williams (guitar) & Joel McCullough (guitar)
(Review by Russell).
Friends from way back, Irishmen Mark Williams and Joel McCullough hooked up once again to play some jazz guitar together at their old haunt, the Jazz Café on Pink Lane. A small number of jazz guitar enthusiasts took their seats as the duo began with Stella By Starlight.
The seated Williams and McCullough complemented one another stylistically; Williams’ intricate harmonic progressions, McCullough’s linear lines light of touch. Rhythm duties shared, the duo developed solos in turn. A mutual appreciation of Steve Swallow’s tunes saw two such in the set. Jokingly Williams enquired: Why are we playing a bass player’s tune? Swallow’s compositions – Falling Grace and Ladies in Mercedes – were given due respect, the musicianship of a high order.
Tadd Dameron’s Lady Bird stood out, McCullough finding his way around the fret board with ease, then doing it all again taking a different route. There There There, a Williams’ original composition, unsurprisingly posed few problems to the composer (!), his partner took a look at it and got it, the duo dovetailing to great effect. The Saturday night crowd grew in number and, in due course, the voluble were clearly audible. The few enthusiasts weren’t about to allow their concentration to be broken and right on cue a major highlight came in the form of Joe Henderson’s The Inner Urge. Gargantuan playing from both men appreciated by those with (non-cloth) ears. The set concluded in a blues vein; Gee Baby, Ain’t I Good to You? Two friends playing jazz guitar, entirely non-competitively. A night for the enthusiast.     
Russell.

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