Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18799 (and counting) posts since we started blogging 18 years ago. 663 of them this year alone and, so far this month (Aug. 12) 32.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Thu 13: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 13: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 13: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free. CANCELLED! Back on Aug. 27.
Thu 13: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: John Settle Quartet @ Bishop Auckland Methodist Church. 1:00pm. £9.00. John Settle (vibes); Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).
Fri 14: Bold Big Band @ Pilgrim, Newcastle. 8:00pm. £8.00 + bf.

Sat 15: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 15: Jake Leg Jug Band @ The White Room, Stanley. 7:45pm. £16.26.

Sun 16: Vintage Explosion @ Cliffe Park, Roker, Sunderland SR6 8DB. 5:00-10:30pm. £44.00 (inc. bf).

Mon 17: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Abbie Finn.

Wed 19: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Tuesday, March 24, 2015

CD Review: George Crowley - Can of Worms

George Crowley (tenor saxophone), Tom Challenger (tenor saxophone), Dan Nicholls (piano & Wurlitzer), Sam Lasserson (double bass) & Jon Scott (drums)
(Review by Russell).
Can of Worms is saxophonist George Crowley’s second album. Recorded in July 2014 on Michael Janisch’s Whirlwind Recordings label, Crowley’s quintet comprises some of the very best of the scene’s younger musicians. London-based Loop Collective member Tom Challenger works with the bandleader as a two-tenor frontline. The rhythm section (piano bass and drums) is an integral part of the band sound, thus ‘rhythm section’ is inadequate in describing the contributions of Dan Nicholls, Sam Lasserson and Jon Scott.
The Opener is just that – a slow-burning composition igniting, indeed erupting, into an all out blast from the quintet. Drummer Jon Scott drives the band across seven titles; restless, pushing, changing direction at will. Crowley and Challenger dive in with purposeful solo flights. Ubiquitous Up Tune in 3 is up-tempo – Scott, the tenors and Nicholls’ piano solo.
Rum Punch takes its time; chiming keys, tenors calling, Scott’s drumming loose, almost free. Taut, fraught tenors squabble, bass and drums steward matters. Track five - I’m Not Here to Reinvent the Wheel – fizzes, swinging amidst the organised chaos of a free for all section, surfacing at the other end with the same fizzing energy. Baroque Wurlitzer from Nicholls complements Crowley and Challenger’s comprehensive tenor solos on Terminal
Can of Worms is an album to play again and again. It is available now on the progressive Whirlwind Recordings label (WR4666).
Russell.
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