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Bebop Spoken There

Melanie Charles: "If I don't have a gig I'll try to get in bed by midnight. But if I do, I might end up having a jam session after. That happened a few weeks ago, and I didn't get to bed until 7 a.m.." - (The New York Times Aug. 10, 2018)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

Postage

12,557 (and counting) posts since we started blogging 12 years ago. 276 of them this year alone and, so far, 127 this month (Feb. 28).

Wednesday March 3

HAPPY BIRTHDAY MILES WATSON

Saturday, September 13, 2014

Juliet Kelly @ The Black Swan. September 11

Juliet Kelly (vocals), Nick Ramm (keyboards), Oli Hayhurst (double bass)& Eddie Hick (drums)
(Review by Russell/photo courtesy of Ken Drew.)
Juliet Kelly made an overdue Newcastle appearance with her Spellbound Stories show.   Ten songs inspired by novels (mainly twentieth century works) formed the basis of the two-set performance. Kelly’s band comprised top-flight musicians familiar to Tyneside audiences – Nick Ramm, Oli Hayhurst and Eddie Hick. The Black Swan venue in the basement of Newcastle Arts Centre was sparsely populated, but as Kelly was to discover, she was in the presence of a select, well-read audience!
Paolo Coelho, Toni Morrison, Audrey Niffenegger, Arundati Roy, Alice Walker – prize-winning authors all, copies of their works borrowed from local libraries or sitting on the bookshelves of  the Tyneside literati, Kelly was preaching to the converted. Nick Ramm worked as Kelly’s accompanist, scene-setter and improviser coaxing an array of sounds from his keyboards (variously acoustic, electric, Hammond and Old School BBC Stereophonic Workshop). The bass and drums partnership of Hayhurst and Hick guaranteed a swinging foundation and from time to time they stepped up to solo with aplomb.
Kelly’s response to Toni Morrison’s Beloved proved particularly effective (recalling Adelaide Hall’s wordless vocals to the 1927 landmark recording of Creole Love Call) in a sustained lower register delivery. The song cycle complete, the literati demanded Kelly returned to the stage. Emile Brontë’s Wuthering Heights (sans screeching) knocked spots off you know who.           
Russell.

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