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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Mellow Baku - St Augustine's Parish Centre, Larchfield Street, Darlington DL3 7TG. 12:30pm. £10.00. (under 16s free). Line-up: Mello Baku (vocals), John Hallam (reeds), Andy Dickens (trumpet), Ian Bateman (trombone), Tom Kincaid (piano), Rachel Hayward (guitar, banjo), John Day (double bass), Nick Millward (drums).

Jo Harrop w Paul Edis Trio - Ushaw College, Ushaw DH7 9RH. 1:00pm. £10.00. Ushaw Jazz Festival.

Boys of Brass - Bill Quay Beer & Music Festival, Brack Terrace, Bill Quay, Gateshead NE10 0TT. 3:00-4:30pm. (Festival 1:00-11pm). Tickets: £10.

Xhosa Cole-Francis Tulip Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Evening

Matt Anderson & Paul Edis - Ushaw College, Ushaw DH7 9RH. 6:00pm. £6.00. Ushaw Jazz Festival.

Tony Kofi & the Organisation - Ushaw College, Ushaw DH7 9RH. 8:00pm. £14.00. & £12.00. Ushaw Jazz Festival.

Picturehouse Deluxe + Kay Greyson - Bobik’s, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. 8:00pm. £5.00. Line-up: Georgia Turnbull (vocals & keys), Thomas Dixon (reeds), Jamie Mackay (guitar), Adam Cornell (bass), Ben Fitzgerald (drums).

Jam session - Ushaw College, Ushaw DH7 9RH. 10:00pm. Free. Ushaw Jazz Festival.

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, September 23, 2014

Claire Martin & Montpelier Cello Quartet @ Sage Gateshead. Sept. 22

Claire Martin (vcl); Dan James (also double bass); Sarah Davison; Joe Giddey; Sirial Hugh-Jones (cellos).
(Review by Lance).
I'd never heard a cello quartet and in truth I haven't heard that many solo cellists in recent years. What a sheltered life I've led! So, given my misspent senior years, how would tonight pan out? Well I guess there were others with reservations about this concert as Hall Two was sparsely populated and normally a Claire Martin gig pulls the punters - deservedly so as there are few British jazz singers of her calibre.
Perhaps some decided on the evening's other attraction - Lloyd Wright with James Harrison at the Cherry Tree - I was torn between the two myself. For those who didn't do either then the only word I can think of is SAD.
Last night at Sage Gateshead was superb and so was Claire, cellos notwithstanding, she gave a professional performance that clarified her position as numero uno.
My Ship (Kurt Weill?) isn't heard as often as most standards - it should be, providing the singer can bring the feeling to it that Ms Martin does! Now I know why we don't hear it that often! Too Much in Love to Care (inspired by Carmen McRae); Night and Day (James arranged this one and also played bass); one of the less hackneyed songs from Porgy and Bess, My Man's Gone and a knock-out version of Cole Porter's Let's Do It. just how many verses did Porter write in this lyric? I'm sure I've heard hundreds of different ones! Makin' Whoopee complete with the verse was another delight (the cellos played a snatch of the Bridal March!) A Geoffrey Keezer arrangement of Like a Feather Falls (I think); Bowie's The Man Who Sold The World and Carly Simon's You're So Vain meant our cup was overflowing  and there was still more to come!
A tribute to Frank (he'd have been 100 next year) with All the Way; 'Round Midnight; Two Grey Rooms; Joni's Lost For Words; She's Leaving Home (one of the better Beatle numbers) by this time I'd stopped taking notes and instead just let the sound of four cellos and a voice envelop me.
The aforementioned violoncelli had a couple of features sans vocal and sounded good.
A grand evening that deserved greater support.
Lance. 

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance