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Bebop Spoken There

Danny Gatton: "I was tired of playing in beer joints. I wanted to do something tangible like building cars. But once you do music it gets into your blood. You can get away from it for awhile but sooner or later it comes back to you." - (Down Beat April 1991).

Tal Farlow: "There were times when I would stop [playing guitar] and do sign painting." - (Downbeat December 5, 1963)

Archives

Today Sunday August 20

Afternoon.
Mark Williams (solo guitar) - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle. 12:30pm. Free.
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Blues @ The Bay - Tanner Smith's 17-19 South Parade, Whitley Bay NE26 2RE, 0191 2525941. 4pm. Free. Blues jam w. Scott Wall & Charlie Philp.
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Musicians Unlimited - Park Hotel, Park Rd., Hartlepool TS26 9HU. 01249 233126.1pm. Free. Summer Break. Back Sept. 3
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Somethin' Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 01325 788564. 5pm. Weekly.
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Evening
Chris Martin - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.
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Paul Edis Trio - Black Bull, Bridge St. Blaydon NE21 4JJ. 8pm. £5.
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, September 23, 2014

Claire Martin & Montpelier Cello Quartet @ Sage Gateshead. Sept. 22

Claire Martin (vcl); Dan James (also double bass); Sarah Davison; Joe Giddey; Sirial Hugh-Jones (cellos).
(Review by Lance).
I'd never heard a cello quartet and in truth I haven't heard that many solo cellists in recent years. What a sheltered life I've led! So, given my misspent senior years, how would tonight pan out? Well I guess there were others with reservations about this concert as Hall Two was sparsely populated and normally a Claire Martin gig pulls the punters - deservedly so as there are few British jazz singers of her calibre.
Perhaps some decided on the evening's other attraction - Lloyd Wright with James Harrison at the Cherry Tree - I was torn between the two myself. For those who didn't do either then the only word I can think of is SAD.
Last night at Sage Gateshead was superb and so was Claire, cellos notwithstanding, she gave a professional performance that clarified her position as numero uno.
My Ship (Kurt Weill?) isn't heard as often as most standards - it should be, providing the singer can bring the feeling to it that Ms Martin does! Now I know why we don't hear it that often! Too Much in Love to Care (inspired by Carmen McRae); Night and Day (James arranged this one and also played bass); one of the less hackneyed songs from Porgy and Bess, My Man's Gone and a knock-out version of Cole Porter's Let's Do It. just how many verses did Porter write in this lyric? I'm sure I've heard hundreds of different ones! Makin' Whoopee complete with the verse was another delight (the cellos played a snatch of the Bridal March!) A Geoffrey Keezer arrangement of Like a Feather Falls (I think); Bowie's The Man Who Sold The World and Carly Simon's You're So Vain meant our cup was overflowing  and there was still more to come!
A tribute to Frank (he'd have been 100 next year) with All the Way; 'Round Midnight; Two Grey Rooms; Joni's Lost For Words; She's Leaving Home (one of the better Beatle numbers) by this time I'd stopped taking notes and instead just let the sound of four cellos and a voice envelop me.
The aforementioned violoncelli had a couple of features sans vocal and sounded good.
A grand evening that deserved greater support.
Lance. 

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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