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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Youre Vote is Important

Voting is now taking place for Nominations in the All Party Parliamentary Jazz Awards. Please take this opportunity to vote in the various categories including MEDIA where a vote for Bebop Spoken Here would be much appreciated.

Today Saturday June 23

Afternoon

?????

Evening

Get in the Band - 1) Great North Museum (Hancock Museum), 2) Central Station & 3) Sage Gateshead. Times TBC. Free but ticketed. For details visit: www.sagegateshead.com

Eric Burdon & the Animals + Hilton Valentine’s Skiffledogs - Newcastle City Hall, Northumberland Road, Newcastle NE1 8SF. Tel: 08448 112121. 7:30pm. £86.00., £66.00., £46.00.

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Dean Stockdale - Zeffirellis, Compston Rd., Ambleside, Cumbria LA22 9AD. 01539 433845. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, September 21, 2014

Kenny Wheeler describing his compositional process in a masterclass at NEC in 2002:

Lance - New England Conservatory's Jazz Studies Department Chair Ken Schaphorst posted this on Facebook Thought you might enjoy reading. – Ann Braithwaite.
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The process I go through to write or compose a new melody is this-I get up about 7:00 and don't wash or shave or anything, but put on a bathrobe or dressing gown and take a couple of biscuits, a tea, and sit at the piano which is an old slightly out of tune upright. Then I play through some 4-part Bach Chorales. After that I try, with my limited technique to play through some Bach 2 or 3 part Inventions or maybe Preludes. Then I fumble through some more modern music such as Ravel, Debussy, Hindemith, Bartok or maybe the English Peter Warlock.

And then begins the serious business of trying to compose something. This consists of improvising at the piano for anywhere from 1/2 hour to 3 or 4 hours or even more. What I think I'm looking for during this time is something I'm not looking for. That is, I'm trying to arrive at some semi-trance-like state where the improvising I'm doing at the piano is kind of just flowing through me or flowing past me. I don't mean at all that this is any kind of a religious state but more of a dream-like state. And then, if I do manage to arrive at this state, then I might play something that catches the nondream-like part of me by surprise. It may only be 3 or 4 notes. But it's like the dream-like part of me managed to escape for a second or two from the awake part of me and decided to play something of its own choice. But the awake part of me hears that little phrase and says "What was that? That's something I didn't expect to hear, and I like it." And that could be the beginning of your new melody.

But there is no guarantee that you will reach this semi-dream-like state. After many hours you may not get there. But you might take a break, or you might have a little argument with your wife, and go back to the piano a little bit angry and bang out a phrase in anger which makes you say "Wait a minute! What was that?" There doesn't seem to be any sure way of reaching this state of mind where you play something that surprises yourself. I just know that I can't start the day all fresh at the piano at 7:00 and say to myself "And now I will compose a melody." It seems I have to go through this process which I described.
Kenny Wheeler
2002.

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Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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