Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, September 02, 2014

A Star is Born! - Caroline Bagley w. James Harrison Trio @ The Cherry Tree. September 1

Caroline Bagley (vcl/alt); James Harrison (pno); Anth Ord (bs); Tom Chapman (dms).
(Review by Lance).
For once, I'm not going to eulogise over the rump steak even though it's the tastiest bit of rump my lips have tasted for a long time. Imagine if Bernie, your number one bull, had died and this cut had been taken from his still warm hindquarters... call me a cannibal if you like but it was succulent. A few cows will be mooing the blues tonight.
However, tonight was jazz night at the Cherry Tree although, given the absence of recognisable jazz faces in the audience, I couldn't help but wonder if Mondays are a jazz fast day.
Their loss.
Tonight saw the début of Caroline Bagley with the James (Harrison) Gang. Just as the other James Gang (Jesse's) made robbing banks an art form the Harrison boys have plundered the Great American Songbook to equally great effect.
Enter Caroline Bagley.
I'd only heard Caroline blowing alto which she does with a lovely liquid sound that only comes from an ebonite mouthpiece and a reed that is less than a tree trunk thick. The sound hits the innards of the sax and emerges with the kick and the sweetness of a rum and blackcurrent.
If this wasn't enough, the gal can sing! Admittedly the predictability of the first set - Summertime, Funny Valentine, Autumn Leaves, Fever etc. - didn't herald a second coming (thankfully she didn't cry a river) nevertheless, the interpretation was there and, as a horn player herself, Caroline's scat choruses were on the money and not just some wannabee oobie doobying in the dark on a wing and a prayer.
The second set moved into more contemporary waters with I'd Rather Go Blind, Street Life, American Boy and others including Get Happy.
With Ord and Chapman riding shotgun we certainly did get happy.
Let's hope more appearances are forthcoming (hint to Jazz Café).
Lance.

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