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Bebop Spoken There

Danny Gatton: "I was tired of playing in beer joints. I wanted to do something tangible like building cars. But once you do music it gets into your blood. You can get away from it for awhile but sooner or later it comes back to you." - (Down Beat April 1991).

Tal Farlow: "There were times when I would stop [playing guitar] and do sign painting." - (Downbeat December 5, 1963)

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Today Wednesday August 23

Afternoon
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Evening.
New Orleans Jazz at the Village Hall - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.
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Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.
Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, September 14, 2014

Blue-Eyed Hawk @ Kings Place Sept. 13

Lauren Kinsella (voice), Alex Roth (guitar, effects, synth, voice), Laura Jurd (trumpet, synth, voice), Corrie Dick (drums, percussion, harmonium, piano, voice).
When my review copy of Blue-Eyed Hawk's Under the Moon dropped through the letter box I took one look and promptly despatched it off to one of our other reviewers deciding that this wasn't for me.
I was wrong!
Boy was I wrong!
Last night, hearing the band live, I regretted my impetuousness for this was indeed something special. In his review Hugh remarks on their cross genre approach which they certainly have. Eon, a genial, curling, golfing, bass playing chap frae Edinburgh sitting next to me, commented on the variety of music served up and it truly was very much a pot-pourri but not, I hasten to add, a mish mash!
All four players provided the material and I think we can even include Over the Rainbow - referred to here as Somewhere - as an original. Harold Arlen had little to do with this version apart from the additional sound effects as he turned over in his grave! Quite an amazing version.
Kinsella's intonation is spot on, her wordless phrases worthy of Norma Winstone or the early Cleo Laine. Living in the Fast Lane was frantic and lived up to the title. Jurd and Kinsella had some duo moments that were an absolute knock out, as was Corrie Dick's fiery drumming.
There was also delicate guitar chording from Roth as well as no holds barred thrashes.
Surprisingly, one of the most effective numbers was the finale - Valediction. A tender, emotional piece that tore at my inner soul.
Blue-Eyed Hawk appear at Splinter's October 5 session at The Bridge Hotel, Newcastle.
Miss it at your peril!
Lance.

1 comment :

  1. Interesting piece, Lance - I did wonder what you'd make of them if you heard them.

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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