Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Sun 23: Tyne Valley Big Band @ Royal Quays Marina, North Shields. 2:00-4:00pm. Free.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free..
Sun 23: Blue Note Quintet @ Queen’s Hall, Hexham. 3:00pm. £12.00., £10.00..
Sun 23: Timmy Allan Quartet @ The Globe, Newcastle. 8:00pm.

Mon 24: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Tuesday, September 09, 2014

CD Review: Thomas Maintz - Present

Thomas Maintz (electric/acoustic guitars); Scott Colley (bass); Jonathan Blake    (drums)
(Review by JC)
I am a big fan of jazz guitarists, particularly when they play acoustic guitar as well, and so was keen to listen to this album. Thomas Maintz is a Danish guitarist whose last album This is the Colour.. .released in 2009 garnered many positive reviews and was nominated for 'Best Danish Jazz Album' at the Danish Music Awards. This latest recording Present was made in New York with a couple of fine musicians, Scott Colley and Johnathan Blake.
Ten of the twelve tracks are written by Maintz, and the other two are Very Early by Bill Evans (which gets a rather meagre running time of 2.51) and If I Should Lose You by Robin/Rainger (allocated a more generous 6.58).
All the members of the trio are clearly excellent musicians and they give the album a highly polished quality. Maintz produces many melodic runs and plenty of warm chordal backing but only on some of the tracks did I feel that the music moved up a gear. One of the most successful is New York Butterfly where Maintz plays with more attack and the bass and drums demonstrate their jazz chops as well. The Bill Evans tune, Very Early, is another fine piece - short but perfectly formed - and Secret Hallway, which is dedicated to Jim Hall (who is clearly a big influence), has a rich mellowness and much of Hall's expressive qualities. Interestingly the bass player Scott Colley, has also played with Hall.
On the acoustic tracks, Maintz plays a baritone guitar, which the notes say 'gives the compositions a dark, warm sound' and this is undoubtedly true. The tone and texture of these tracks is delicious but the pacing is quite slow and sometimes I would have liked a more dynamic quality in the guitar playing.
Rightly, everyone in the trio gets plenty of opportunity to demonstrate their considerable musical abilities and Scott Colley embellishes many of the tracks with fine solo touches. But it is the drumming of Jonathan Blake that really stands out. No matter what is happening around him he continually produces a range of exquisitely timed and perfectly appropriate fills and trills, whizzes and fizzes, rings, dings and kerchings, bips, bops and bams which are constantly inventive and engaging.
Present is released by Beach Farm Records in collaboration with Gateway.
JC.

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