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Bebop Spoken There

John Scofield: "I like architecture that lends itself to improvisation." - (Jazzwise November, 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,837 (and counting) posts since we started blogging 13 years ago. 1254 of them this year alone and, so far, 66 this month (Oct. 23).

From This Moment On ...

October

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 28: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 28: J Frisco @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 28: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 29: James Birkett & Bradley Johnston @ Gala Theatre, Durham. 1:00pm..
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm..
Fri 29: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm..
Fri 29: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.

Sun 31 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon..
Sun 31: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm. .
Sun 31: More Jam @ The Globe, Newcastle. 3:00pm. Jam session..
Sun 31: Alison Rayner Quintet @ The Globe, Newcastle. 8:00pm.

November

Mon 01: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tuesday, September 09, 2014

CD Review: Thomas Maintz - Present

Thomas Maintz (electric/acoustic guitars); Scott Colley (bass); Jonathan Blake    (drums)
(Review by JC)
I am a big fan of jazz guitarists, particularly when they play acoustic guitar as well, and so was keen to listen to this album. Thomas Maintz is a Danish guitarist whose last album This is the Colour.. .released in 2009 garnered many positive reviews and was nominated for 'Best Danish Jazz Album' at the Danish Music Awards. This latest recording Present was made in New York with a couple of fine musicians, Scott Colley and Johnathan Blake.
Ten of the twelve tracks are written by Maintz, and the other two are Very Early by Bill Evans (which gets a rather meagre running time of 2.51) and If I Should Lose You by Robin/Rainger (allocated a more generous 6.58).
All the members of the trio are clearly excellent musicians and they give the album a highly polished quality. Maintz produces many melodic runs and plenty of warm chordal backing but only on some of the tracks did I feel that the music moved up a gear. One of the most successful is New York Butterfly where Maintz plays with more attack and the bass and drums demonstrate their jazz chops as well. The Bill Evans tune, Very Early, is another fine piece - short but perfectly formed - and Secret Hallway, which is dedicated to Jim Hall (who is clearly a big influence), has a rich mellowness and much of Hall's expressive qualities. Interestingly the bass player Scott Colley, has also played with Hall.
On the acoustic tracks, Maintz plays a baritone guitar, which the notes say 'gives the compositions a dark, warm sound' and this is undoubtedly true. The tone and texture of these tracks is delicious but the pacing is quite slow and sometimes I would have liked a more dynamic quality in the guitar playing.
Rightly, everyone in the trio gets plenty of opportunity to demonstrate their considerable musical abilities and Scott Colley embellishes many of the tracks with fine solo touches. But it is the drumming of Jonathan Blake that really stands out. No matter what is happening around him he continually produces a range of exquisitely timed and perfectly appropriate fills and trills, whizzes and fizzes, rings, dings and kerchings, bips, bops and bams which are constantly inventive and engaging.
Present is released by Beach Farm Records in collaboration with Gateway.
JC.

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