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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday August 25

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Alice Grace & Nick Pride @ Great North Feast, Bents Park, Sea Road, South Shields NE33 2LD. Time 12 noon-1:00pm. Free. A 'Proper Food & Drink Festivals' event - 10:00am-5:00pm.

Zoë Gilby Family All Stars - Ushaw College, Ushaw DH7 9RH. 1:00pm. £6.00. Ushaw Jazz Festival.

More Jam - The Globe, Railway St., Newcastle NE4 7AD. 3:00pm. Free.

John Pope Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Somethin' Blue - Vesuvio, Houndgate, Darlngton DL1 5RL. Tel: 01325 788564. 5:00-7:00pm. Free.

Blues/Funk/Soul

The Sour Mash Trio - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 2:00pm. Free.

The Palaminos - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 5:00pm. Free.

Evening

Jazz

Buck Clayton Legacy Band - Ushaw College, Ushaw DH7 9RH. 7:00pm. £14.00. & £12.00. Line-up: Menno Daams, Ian Smith (trumpets), Robert Fowler (alto sax), Matthias Seuffert (tenor sax), Adrian Fry (trombone), Martin Litton (piano), Alyn Shipton (double bass), Clark Tracey (drums). Ushaw Jazz Festival.

Joseph Carville Trio - Devonport Hotel, 16-18 The Front, Middleton One Row, Darlington DL2 AS. Tel: 01325 332255. 7:30pm.

Francis Tulip Quintet - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 232 6400. 8:00pm. £8.00. & £6.00. Quintet feat Xhosa Cole (BBC Young Jazz Musician of the Year 2018).

The Comet is Coming - Georgian Theatre, Green Dragon Yard, Stockton TS18 1AT. Tel: 01642 606525. 8:00pm. £14.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, September 19, 2014

Alan Barnes & Paul Edis @ The Gala, Durham. September 19

Alan Barnes (alto & baritone saxophones, clarinet) & Paul Edis (piano)
(Review by Russell/Photo by Ken Drew from the evening gig at Jazz Café).
Another full house. You Stepped Out of a Dream, I’m Old Fashioned, One Note Samba. Pianist Paul Edis invited reeds maestro Alan Barnes to travel ‘up north’ to play a couple of gigs. The first of them in the studio theatre at the Gala, Durham attracted yet another capacity audience…’What’s New?’ you might say.
The presence of Alan Barnes signalled a step change in the profile of musicians invited to perform at the monthly lunchtime session. The region’s finest have played fine sets at the venue, but a musician as well known as Alan Barnes indicates how successful the venture has become. 
From the start this was a swinging session. Edis at the Roland RD-300 and a wise-cracking Barnes alternating between alto, baritone and clarinet, strolled through the hour-long performance delighting the crowd with superb improvisations on standards and a couple of Edis’ compositions. Barnes introduced Edis’ For Bill telling the audience Bill Haley was the inspiration. The reedsman reached for his spectacles saying he would take the opportunity to plug his spectacles sponsor…the 99p shop! The one-liners never fail to make people laugh. Is there anything better than Barnes’ often self-deprecating jokes and the wonderful music produced by the musicians on the stand? The room afforded Barnes the opportunity to play acoustically – clarinet in homage to Bill Evans and again on Have You Met Miss Jones? Earlier AB opened on alto on Brown and Khan’s You Stepped Out of a Dream then switched to baritone on I’m Old Fashioned (Kern and Mercer). Barnes told a tale of confusion between a baritone and bass saxophone, adding that Bruce Adams once suggested it was: The same old crap, just an octave lower.
Edis suggested they play Moonglow. Barnes suggested Edis play the first chorus. What a treat! The melody, stride piano, fabulous interplay. Another Edis composition – Lines – found Barnes reaching once again for his specs. This one’s difficult he said, showing the sheet music to the audience. It did look a little complicated. AB said it looked like ripped out knitting or a cross section of black pudding! Needless to say he (and Edis) played it superbly. Highlights were many, not least Wes Montgomery’s West Coast Blues (Barnes on alto) and, of course, the one-liners.
You can hear Edis and Barnes again tonight at the Jazz Café on Pink Lane in Newcastle. They will be working with the excellent bass and drums pairing of Paul Susans and Rob Walker. Eight o’clock start in the upstairs room, admission on the door £10.00.         
Russell.

1 comment :

Hugh said...

Two fantastic sets at the evening gig too - same jokes though!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance