Bebop Spoken There

Joe Alterman: ''All I wanted to do growing up was to sound like Erroll Garner playing "Poor Butterfly." I thought that was the coolest sound I'd ever heard.'' (DownBeat November, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,061 (and counting) posts since we started blogging 18 years ago. 925 of them this year alone and, so far this month (Oct. 30) 104.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Sat 31: Saltburn Big Band + Durham Alumni Big Band @ Saltburn Community Hall. 7:30pm.
Sat 31: East Coast Swing Band @ Cramlington Village Club, Park View, Cramlington NE23 6QJ. 7:30pm. £10.00. (from venue).

November

Sun 01: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 01: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet w. special guest Donna Hewitt (tenor sax, clarinet)
Sun 01: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 01: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 01: Sarah Heneghan Trio @ The Globe, Newcastle. 8:00pm.

Mon 02: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 02: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 03: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. guest tba
Tue 03: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Abbie Finn.
Tue 03: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.

Wed 04: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: An Evening of Erykah Badu @ Holy GrAle, Durham. 7:30pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 05: Hejira - Celebrating Joni Mitchell @ Alnwick Playhouse. 7:30pm.
Thu 05: Cut Capers @ The Cluny, Newcastle. 7:00pm (doors).
Thu 05: Northern Reaches @ Newcastle Arts Centre. 7:30pm. Free (donations). Pete Tanton, Joe Steels, Laurence Blackadder, John Hirst.
Thu 05: Fergus McCreadie @ The Glasshouse, Gateshead. 8:00pm.

Fri 06: Mike Durham’s International Classic Jazz Party @ Village Hotel, West Allotment. 12 noon. Day 1/3.
Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Jazz Night: Bridget Metcalfe @ Saltburn House Hotel. From 6:00pm. Tickets: £40.00 (inc. a two-course meal & glass of Prosecco). Tel: 01287 658977.

Thursday, September 18, 2014

CD Review: Mammal Hands - Animalia.

Nick Smart (keys); Jordan Smart (saxes); Jesse Barrett (dms/tabla).
(Review by Lance.)
One of the quotes describes this as "Somewhere between Go Go Penguin and early Portico Quartet". 
I'm not sure that that's an area I particularly want to visit - with or without Penguins. However, after tentatively dipping my toe in the water, I find this to be a not unpleasant experience. All three musicians are talented players capable of meaningful improvisations without resorting to the barnyard effects so beloved of many of our contemporary players.
It doesn't swing in the conventional manner but it does have its own pendulumic pulse that becomes almost hypnotic even when the tempo is moving like a snail on Speed.
From the above you will have gathered that this is not an out and out jazz album as I know it although most of the original material is jazz based even when, I won't say diluted, it is merged with fringe genres such as World Music and Irish Folk.
The trio gel, the interplay and the riffs work out so well that a bass player would probably be superfluous.
There are moments when the pet shop arsonists move in but not long enough to cause any pain to the animals. In actual fact, repeated listening finds me more drawn to it as I absorb and assimilate the different influences and ingredients.
This won't be my album of the year but it will be nearer the top than the bottom!
Lance.

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